Trade Collection (page 99)

Paternoster Square, London, c1850
View of Newgate Market in Paternoster Square, London, c1850, showing carcasses hanging on hooks and a crush of figures

Paternoster Square, London, c1860
View of Newgate Market in Paternoster Square, London, c1860, showing rows of carcasses hanging on hooks, including the dome of St Pauls Cathedral in the distance

Monkwell Street, London, 1818. Artist: Robert Blemmell Schnebbelie
View of Salters Almshouses in Monkwell Street, London, 1818, with figures on the street

The industrious prentice grown rich... plate VIII of Industry and Idleness, 1747
The industrious prentice grown rich and sheriff of London, plate VIII of Industry and Idleness, 1747; the scene is old Fishmongers Hall

A Rakes Progress, 1735; plate I of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate I of VIII. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes

Farringdon Market, London, c1830. The market at Farringdon Street, with people and baskets

Cannon Street Station, London, 1867. Artist: John Scorrer O Connor
View of Cannon Street Station and Cannon Street Railway Bridge with boats on the River Thames, London, 1867. Also showing the City of London Brewery Company building

The industrious prentice... married... plate VI of Industry and Idleness, 1747
The industrious prentice out of his time and married to his masters daughter, plate VI of Industry and Idleness, 1747; the morning after the wedding

The idle prentice turn d away and sent to sea, plate V of Industry and Idleness, 1747; the master is obliged to get rid of the idle prentice

The industrious apprentice a favourite... plate IV of Industry and Idleness, 1747
The industrious apprentice a favourite, and entrusted by his master, plate IV of Industry and Idleness, 1747; the industrious apprentice stands with his master in the counting house

The idle prentice at play in the church yard... plate III of Industry and Idleness 1747
The idle prentice at play in the church yard during divine service, plate III of Industry and Idleness, 1747; The idle apprentice plays hustle-cap with some pickpockets

The fellow prentices at their looms, plate I of Industry and Idleness, 1747; the scene is a Spitalfields silk-weaving shop, London

The Reward of Cruelty, plate IV from The Four Stages of Cruelty, 1751. Tom Nero, having been hanged for murder is undergoing dissection theatre

Marriage a la mode, Plate VI, 1745. Artist: Gerard Jean-Baptiste Scotin
Marriage a la mode, Plate VI, 1745; Silvertongue has been hanged and the countess has taken poison. Her father - a City alderman - removes the ring from her finger

Noon, plate II from Times of Day, 1738. Artist: William Hogarth
Noon, plate II from Times of Day, 1738. View of Hog Lane, Westminster, London with St Giles in the Fields visible in the background

Industry and Economy, 1794. Artist: William Ward
Industry and Economy, 1794; a successful merchant and his family pictured in a busy scene at Bell Wharf, London. Moral verses are contained in the lower margin

Design for Knightsbridge Market, London, c1840. Artist: JR Jobbins
Design for Knightsbridge Market, at the junction of Brompton Road and Knightsbridge, London, c1840. At the top is an elevation view of the building, with two section views in the bottom corners

Bishopsgate, London, in 1871, (1872). Artist: Walter Riddle
Bishopsgate, London, in 1871, (1872). View of Bishopsgate showing the premises of Moore & Moore, piano manufacturers, with carriages in the street

Dutch satire on the South Sea Bubble, 1720. The battle between the Bubble Lords and approaching poverty. The South Sea Bubble, (1711-1720)

A monument dedicated to posterity in commemoration of ye incredible folly transacted in... 1720. The figure of Fortune is conducted by Folly in a chair drawn by the South Sea and other Companies

Election in Covent Garden, London, 1818. Artist: Rudolph Ackermann
Election in Covent Garden, London, 1818. View in Covent Garden, London of the election of members of parliament for Westminster, 1818

The Lottery, 1751. Artist: Nathaniel Parr
Les divertissements de la lotterie, 1751; six views concerned with the lottery. Framed in ornamental borders, embodying head of Fate, and cornucopeas overflowing with fruit and with smoke

John Portwine and Selwyn Edge of AC Cars at Brooklands motor racing circuit, Surrey, c1921
Place: Brooklands. Date: C.1921. John Portwine and S.F. Edge

The Blacksmith, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Old Bus Horse, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Chimney Sweep, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Ostler, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Bird Stuffer, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Stevedore, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Clockwinder, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Carpenter, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Knife Grinder, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Builder, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Miller, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Cobbler, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Park Keeper, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Ploughman, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Dairyman, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Bee Farmer, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Gamekeeper, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Dame, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Farmer, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Vet, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Engine Driver, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Shipbuilder, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Gardener, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

Vignette from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

The Little Chimney-Sweep, 1808
The Little Chimney-Sweep, pub. 1808 (hand coloured engraving)

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