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Fishmongers Hall, Thames Street, London, c1827. Artist: William Henry BartlettFishmongers Hall, Thames Street, London, c1827. View of the new Fishmongers Hall showing Thames Street and the construction of London Bridge
Fishmongers Hall from north east, London, c1835. Artist: John WoodsFishmongers Hall from north east, London, c1835. View of the new Fishmongers Hall (right), looking towards London Bridge, showing a street scene with horse drawn carriages
Fishmongers Hall, Thames Street, London, c1835. Artist: John GreigFishmongers Hall, Thames Street, London, c1835. View of the new Fishmongers Hall, showing a doorway with stone relief sculptures of mermaids and fish
Fishmongers Hall, London, c1825. View of the new Fishmongers Hall, showing a doorway with stone relief sculptures of mermaids and fish
Proposed view of Fishmongers Hall near London Bridge, City of London, c1830. ArtistProposed view of Fishmongers Hall near London Bridge, City of London, c1830. Home of the Worshipful Company of Fishmongers, the Hall was built in the 1830s
Construction of London Bridge, 1826. Artist: Edward William CookeConstruction of London Bridge, 1826. View of a timber cofferdam enclosing pile drivers and hoists for London Bridge, with a barge moored close by
Snows Banking House and Twinings tea merchants, Strand, Westminster, London, c1810
South Bank, London, c1870. View of the south bank of the River Thames between Waterloo Bridge on the left and Hungerford Bridge on the right
Caps worn by the Master and Wardens of the Company of Clothworkers, London, c1850. View of two caps worn by the Master and Wardens of the Worshipful Company of Clothworkers at the livery dinner
View of Drapers Almshouses in St Georges Fields, Southwark, London, 1825. ArtistView of Drapers Almshouses in St Georges Fields, Southwark, London, 1825
Copy of a stained glass window, St Peters Hospital, Newington Butts, Southwark, London, 1825. St Peters Hospital was commonly known as the Fishmongers Almshouses
View of Billingsgate Market with figures and boats in the foreground, London, 1877
View of Custom House from Billingsgate, London, 1828. Artist: William TomblesonView of the Custom House from Billingsgate, London, 1828; showing docks and sailboats
Custom House and River Thames, 1839. Artist: Frederick James HavellView of the Port of London showing the Custom House and shipping on the River Thames, London, 1839
Custom House and River Thames, London, c1670. Artist: John DunstallView of the Custom House from the River Thames, London, c1670; with title on ribbon in the sky
Custom House and River Thames, London, c1820. Artist: C RiversView of the Custom House with boats on the River Thames, London, c1820
Custom House, London, c1840. Artist: John NewmanView of the Custom House and quay from the River Thames, London, c1840. Showing various boats on river
Custom House and River Thames, London, 1854. Artist: Louis Julien JacottetView of the Custom House from the River Thames, London, 1854
Custom House, London, c1815. Artist: Bartholomew HowlettSouth view of the Custom House, London, as it was in the reign of Queen Elizabeth I. This building was destroyed by fire in 1666. Engraved in London, c1815 from an earlier print dated 1663
Custom House and River Thames, London, c1750View of the Custom House from the south west, London, c1750; with boats on the River Thames and a horse and cart on the quayside
Custom House, London, 1800. Artist: William WattsView of the Custom House from the quay with figures outside, London, 1800
Custom House, London, c1750. Artist: Benjamin ColeSouth view of the Custom House, London, 1750; with boats on the River Thames and goods being unloaded
Cornhill, London, 1840. Artist: WD HornsbyInterior view of Purssells Kitchen, no 80 Cornhill, London, 1840; showing preparation and cooking of food, including biscuits and confectionery
East India House, London, c1829. Artist: William TomblesonNorth west view of East India House, London, c1829; with figures, horses and carriages in street
East India House, London, c1820North west view of East India House through archway, London, c1820. Also with figures, cart and man in foreground writing at desk
East India House, London, 1808. Artist: Augustus Charles PuginInterior of sale room in East India House, London, 1808, during a sale
East India House, London, 1817. Artist: Thomas Hosmer ShepherdNorth west view of East India House, London, 1817; with figures, horses and carriages
East India House, London, 1810North view of East India House, London, 1810; with figures in street
East India House, London, c1760. Artist: Thomas SimpsonView of East India House and part of adjacent buildings, also with figures, London, c1760
A London Bazaar!! or more sellers than buyers!... c1820. The scene is a bazaar or store in which all sorts of articles are offered for sale; on the wall hangs a representation of a slave bazaar in
The Battle of Cornhill, 1769. Interior of room in the Kings Arms Inn, Cornhill, during a meeting to sign an address to King George III; Mr Reynolds has knocked down Mr Dingley
The Battle of Temple Bar, 1769. A procession from the City to St Jamess Palace with an address by the City merchants to King George III in support of his government, has arrived at Temple Bar
The addressers, 1769. Interior of a room in the Kings Arms Inn, Cornhill, and the disturbance which occurred on March 8, 1769 during a meeting of London merchants to sign an address to King George
Sequel to the battle of Temple Bar, 1769. A procession of City merchants with an address to the King in support of his government has arrived at St Jamess Palace
The Frenchmen in Billinsgate, 1754. A street scene; a Frenchman, his fists doubled, recoils from a fishwife who is in a fighting attitude; another fishwife, seated, holds a lobster to his buttocks
John Hobbs, John Hobbs, 1811. Scene of John Hobbs trying to sell his wife at Smithfield Market
Mr Anderson (of Bride Lane, City) the barber parson, 1780. A barber stands on a chair evangelising his customers. Two of his customers chat regardless, one is bored, one sleeps, and one
A Cornish Hug, 1781. A fishwife is holding a dandy aloft, much to his annoyance, for upsetting her stall. On our left an apple woman looks on, on our right are a man and a woman who applauds
The Coffee-house Politicians, 1772. Interior view of a London coffee-house. Clients are absorbed in newspapers, in particular the London Gazette, and are engaged in conversation
Oh! Oh! Oh! Oh!... No go!!!, 1830. The Lord Mayor, Sir John Key and a variety of City tradesmen and others, including a Christs Hospital scholar
Morning, 1738. Artist: J MollisonMorning, 1738. Scene from Hogarths Times of the day. Covent Garden, London, early on a winter morning. A small fire burns in the foreground. A stall-keeper is seated on a basket
Drawing of the State Lottery, Coopers Hall, London, 1826A representation of the drawing of the state lottery for the draw taking place on Tuesday 18 July 1826 at Coopers Hall, London, 1826. This was to be the last lottery taking place in this country
Bookseller at Moorfields, London, c1750. Artist: Sutton NichollsBook seller with stall under tree in Moorfields, London, c1750. The site later bacame Blomfield Street
Drawing of the State Lottery, Coopers Hall, London, 1809Drawing of the state lottery taking place in Coopers Hall, London, 1809. Officials sit on the platform, with audience witnessing the draw
Crutched Friars, London, 1851View of the Drapers alms houses, located in Coopers Row, abutting Crutched Friars, London, 1851. Depicts an old woman standing near the doorway, which has an engraving above it
Church of St Mary the Less, Lambeth Butts, London, c1831. View with workmen and a woman with a stall in the foreground
The view and humours of Billingsgate, London, 1736. Artist: Arnold VanhaeckenThe view and humours of Billingsgate, 1736. Billingsgate market and wharf, London with ships on the water. Shows market scene in foreground including seafood sellers, men on horseback, dogs
Exhibition at Coachmakers Hall, Noble Street, London, 1865The Operative Coachmakers exhibition in the Hall of the Coachmakers Company, Noble Street, London, 1865. Scene shows adults and children looking at coach models