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Thomas W Collection

Background imageThomas W Collection: Rifle fete at Ecclesbourne, near Hastings, 1860. Creator: W Thomas

Rifle fete at Ecclesbourne, near Hastings, 1860. Creator: W Thomas
Rifle fete at Ecclesbourne, near Hastings, 1860. The contest was chiefly among the members of the Cinque Ports Corps...The first prize was a Lancaster rifle, value ten guineas, which was won by Mr

Background imageThomas W Collection: The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856

The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856. Creator: W Thomas
The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856. Engraving of a painting....one of those happy transcripts of Highland life that has made Mr

Background imageThomas W Collection: Where Do You Want To Go?, 1922. Creator: Unknown

Where Do You Want To Go?, 1922. Creator: Unknown
Where Do You Want To Go?, 1922. From The Romance of Modern Railways, by T. W. Corbin. [Seeley Service & Co. Limited, London, 1922]

Background imageThomas W Collection: 'Loch Ericht - a Bright Night', by A. Gilbert - from the last Winter Exhibition, 1864

"Loch Ericht - a Bright Night", by A. Gilbert - from the last Winter Exhibition, 1864. Creator: W Thomas
"Loch Ericht - a Bright Night", by A. Gilbert - from the last Winter Exhibition, 1864. Engraving of a painting. 'Loch Ericht, or Erochd, though either not mentioned at all

Background imageThomas W Collection: 'The Challenge: A Puritan's Struggle between Honour and Conscience', by W. G. Orchardson..., 1864

"The Challenge: A Puritan's Struggle between Honour and Conscience", by W. G. Orchardson..., 1864
"The Challenge: A Puritan's Struggle between Honour and Conscience", by W. G. Orchardson, in the Winter Exhibition of Cabinet Pictures, 1864. Engraving of a painting

Background imageThomas W Collection: 'The Waefu' Heart', by T. Duncan, A.R.A., in the gallery of the South Kensington Museum, 1864

"The Waefu' Heart", by T. Duncan, A.R.A., in the gallery of the South Kensington Museum, 1864. Engraving of a painting '...from the Sheepshanks' Collection of the South

Background imageThomas W Collection: 'John Bunyan Reciting 'The Pilgrim's Progress'...in Bedford Gaol,...by G. F. Folingsby..., 1864

"John Bunyan Reciting 'The Pilgrim's Progress'...in Bedford Gaol,...by G. F. Folingsby..., 1864
"John Bunyan Reciting 'The Pilgrim's Progress' to his friends in Bedford Gaol", by G. F. Folingsby, of Munich, in the exhibition of Fine Arts at Melbourne, Australia, 1864

Background imageThomas W Collection: The promenade on the Pantiles, Tunbridge Wells, 1864. Creator: W Thomas

The promenade on the Pantiles, Tunbridge Wells, 1864. Creator: W Thomas
The promenade on the Pantiles, Tunbridge Wells, 1864. 'We present a view of that famous promenade at Tunbridge Wells called "The Pantiles," from the materials with which it is paved

Background imageThomas W Collection: ''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864

''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Creator: W Thomas
''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Engraving of a painting

Background imageThomas W Collection: 'The Flyfisher', by W. Hunt, in the winter exhibition of the Water-colour Society, 1862

"The Flyfisher", by W. Hunt, in the winter exhibition of the Water-colour Society, 1862. Creator: W Thomas
"The Flyfisher", by W. Hunt, in the winter exhibition of the Water-colour Society, 1862. Engraving of a painting

Background imageThomas W Collection: 'Lord Riverdale's Repentance': the Last Home of the Riverdales - drawn by Samuel Read, 1862

"Lord Riverdale's Repentance": the Last Home of the Riverdales - drawn by Samuel Read, 1862. Illustration to a short story by William J. Stewart

Background imageThomas W Collection: 'The Queen's Highway in the Sixteenth Century', by J. Hayllar..., 1864. Creator: W Thomas

"The Queen's Highway in the Sixteenth Century", by J. Hayllar..., 1864. Creator: W Thomas
"The Queen's Highway in the Sixteenth Century", by J. Hayllar, in the Winter Exhibition at the gallery of the Institute of Painters in Water-colours, 1864. Engraving of a painting

Background imageThomas W Collection: 'Dead Swan and Peacock', by the late W. Duffield, 1864. Creator: W Thomas

"Dead Swan and Peacock", by the late W. Duffield, 1864. Creator: W Thomas
"Dead Swan and Peacock", by the late W. Duffield, 1864. Engraving of a painting. From "Illustrated London News", 1864.

Background imageThomas W Collection: 'The Age of Innocence', by Sir Joshua Reynolds, in the South Kensington Museum, 1864

"The Age of Innocence", by Sir Joshua Reynolds, in the South Kensington Museum, 1864. Creator: W Thomas
"The Age of Innocence", by Sir Joshua Reynolds, in the South Kensington Museum, 1864. The charm of this picture '...resides in its unobtrusive truth, its delicate feeling

Background imageThomas W Collection: 'Children Playing at Horses', by C. R. Leslie, in the late International Exhibition, 1862

"Children Playing at Horses", by C. R. Leslie, in the late International Exhibition, 1862. Creator: W Thomas
"Children Playing at Horses", by C. R. Leslie, in the late International Exhibition, 1862. 'We cannot seize and confine in words the delicate aroma of natural truth

Background imageThomas W Collection: 'Le Bourgeois Gentilhomme', by the late C. R. Leslie...South Kensington Museum, 1864

"Le Bourgeois Gentilhomme", by the late C. R. Leslie...South Kensington Museum, 1864. Creator: W Thomas
"Le Bourgeois Gentilhomme", by the late C. R. Leslie, R.A., in the Sheepshanks Collection, South Kensington Museum, 1864. Engraving of a painting

Background imageThomas W Collection: 'Nero after the Burning of Rome', by Carl Piloty, in the late International Exhibition, 1862

"Nero after the Burning of Rome", by Carl Piloty, in the late International Exhibition, 1862. Engraving of a painting

Background imageThomas W Collection: 'After the Battle', by P. H. Calderon, A.R.A., 1864. Creator: W Thomas. 'After the Battle', by P

"After the Battle", by P. H. Calderon, A.R.A., 1864. Creator: W Thomas. "After the Battle", by P
"After the Battle", by P. H. Calderon, A.R.A., 1864. Engraving of a painting. 'A battle has raged in and around a Flemish village; the English have been victorious

Background imageThomas W Collection: 'The Note and the Nosegay', by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864

"The Note and the Nosegay", by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864. Creator: W Thomas
"The Note and the Nosegay", by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864. Engraving of a painting

Background imageThomas W Collection: 'Master Slender and Anne Page', by Sir Augustus W. Callcott, R.A.,...South Kensington Museum, 1864

"Master Slender and Anne Page", by Sir Augustus W. Callcott, R.A.,...South Kensington Museum, 1864
"Master Slender and Anne Page", by Sir Augustus W. Callcott, R.A., in the Sheepshanks Collection, South Kensington Museum, 1864. Engraving of a painting

Background imageThomas W Collection: 'A Herd of Bisons crossing a River Bottom on the Upper Missouri', by W. J. Hays, 1862

"A Herd of Bisons crossing a River Bottom on the Upper Missouri", by W. J. Hays, 1862. Creator: W Thomas
"A Herd of Bisons crossing a River Bottom on the Upper Missouri", by W. J. Hays, 1862. Engraving of a painting. 'In crossing the richer pastures of the river bottoms the herd will

Background imageThomas W Collection: 'Fluffy', by J. M. Jopling, in the Exhibition of the Institute of Painters in Water Colours, 1864

"Fluffy", by J. M. Jopling, in the Exhibition of the Institute of Painters in Water Colours, 1864. Engraving of a painting

Background imageThomas W Collection: 'Saved', by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864

"Saved", by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864. Engraving. 'We must sympathise with the terror through which these humble Irish folk have

Background imageThomas W Collection: 'Scene from Tennyson's 'Dora'', by A. H. Burr, 1864. Creator: W Thomas

"Scene from Tennyson's 'Dora'", by A. H. Burr, 1864. Creator: W Thomas
"Scene from Tennyson's 'Dora'", by A. H. Burr, 1864. Engraving of a painting. The '...reconciliation scene...We remember nothing finer in the whole exhibition than that

Background imageThomas W Collection: 'The Escape', by R. Beavis, from the Exhibition of the Royal Academy, 1864. Creator: W Thomas

"The Escape", by R. Beavis, from the Exhibition of the Royal Academy, 1864. Creator: W Thomas
"The Escape", by R. Beavis, from the Exhibition of the Royal Academy, 1864. Engraving of a painting depicting a '...chivalric and important personage - a [Scottish] Border chieftain

Background imageThomas W Collection: 'The Reverse of Fortune', by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864

"The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864
"The Reverse of Fortune", by Mademoiselle Amanda Fougere...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting

Background imageThomas W Collection: 'Hay-makers', by J. Linnell, Sen., from the Exhibition of the Royal Academy, 1864. Creator: W Thomas

"Hay-makers", by J. Linnell, Sen., from the Exhibition of the Royal Academy, 1864. Creator: W Thomas
"Hay-makers", by J. Linnell, Sen., from the Exhibition of the Royal Academy, 1864. Engraving of a painting. 'We need hardly say that the landscape we have engraved is distinguished by

Background imageThomas W Collection: 'Ruth', by A. Johnston, from the exhibition of the British Institution, 1864. Creator: W Thomas

"Ruth", by A. Johnston, from the exhibition of the British Institution, 1864. Creator: W Thomas
"Ruth", by A. Johnston, from the exhibition of the British Institution, 1864. Engraving of a painting. 'The colouring of this picture is extremely vivid and effective; moreover

Background imageThomas W Collection: 'The Meeting of Abraham's Servant with Rebekah at the Well', by W. Hilton, R.A..., 1864

"The Meeting of Abraham's Servant with Rebekah at the Well", by W. Hilton, R.A..., 1864
"The Meeting of Abraham's Servant with Rebekah at the Well", by W. Hilton, R.A., in the National Gallery, South Kensington, 1864. Engraving of a painting

Background imageThomas W Collection: 'Daughters of the Alhambra' - painted by J. Phillip - from the Royal Academy Exhibition, 1858

"Daughters of the Alhambra" - painted by J. Phillip - from the Royal Academy Exhibition, 1858. Spain, which has offered so many tempting subjects to art

Background imageThomas W Collection: Installation of the Duke of Newcastle at the Mechanics Hall, Nottingham, as Provincial... 1860

Installation of the Duke of Newcastle at the Mechanics Hall, Nottingham, as Provincial... 1860. Creator: W Thomas
Installation of the Duke of Newcastle at the Mechanics Hall, Nottingham, as Provincial Grand Master of the Freemasons of Nottinghamshire, 1860

Background imageThomas W Collection: 'Robin Hood and the Curtal Friar', from 'The Boy's Book of Ballads', 1860. Creator: W Thomas

"Robin Hood and the Curtal Friar", from "The Boy's Book of Ballads", 1860. Creator: W Thomas
"Robin Hood and the Curtal Friar", from "The Boy's Book of Ballads", 1860. Of the romantic characteristics of John Gilbert's illustrations it is of course unnecessary to

Background imageThomas W Collection: 'The Splendid Shilling', from 'Poets Wit and Humour', 1860. Creator: W Thomas

"The Splendid Shilling", from "Poets Wit and Humour", 1860. Creator: W Thomas
"The Splendid Shilling", from "Poets Wit and Humour", 1860. Altogether, the range of this selection is very extended

Background imageThomas W Collection: 'Don Quixote in his Study' - from a painting by Schrödter, 1860. Creator: W Thomas

"Don Quixote in his Study" - from a painting by Schrödter, 1860. Creator: W Thomas
"Don Quixote in his Study" - from a painting by Schrodter, 1860. M. Schrodter's...influence upon the arts of his country will, doubtless, be considerable

Background imageThomas W Collection: 'What's O'Clock? What's O'Clock?' - drawn by Godwin, 1860. Creator: W Thomas

"What's O'Clock? What's O'Clock?" - drawn by Godwin, 1860. Creator: W Thomas
"What's O'Clock? What's O'Clock?" - drawn by Godwin, 1860. In this little Sketch, so unpretending in character, yet so charming for its very simplicity, Mr

Background imageThomas W Collection: Naples, from the Castel del Carmine - from a drawing by S. Read, 1860. Creator: W Thomas

Naples, from the Castel del Carmine - from a drawing by S. Read, 1860. Creator: W Thomas
Naples, [Italy], from the Castel del Carmine - from a drawing by S. Read, 1860. The city stands on the north shore of the bay of the same name

Background imageThomas W Collection: The Revolution in Naples - street scene in Naples the day after the arrival of Garibaldi... 1860

The Revolution in Naples - street scene in Naples the day after the arrival of Garibaldi... 1860. Creator: W Thomas
The Revolution in Naples - street scene in Naples the day after the arrival of Garibaldi - from a sketch by T. Nast, 1860

Background imageThomas W Collection: The Revolution in Naples - Garibaldi at the Shrine of the Virgin of Piedigrotta on the 8th

The Revolution in Naples - Garibaldi at the Shrine of the Virgin of Piedigrotta on the 8th... 1860. Creator: W Thomas
The Revolution in Naples - Garibaldi at the Shrine of the Virgin of Piedigrotta on the 8th September - from a sketch by T. Nast, 1860

Background imageThomas W Collection: Gates of the King's Palace, Naples, 1860. Creator: W Thomas

Gates of the King's Palace, Naples, 1860. Creator: W Thomas
Gates of the King's Palace, Naples, 1860. This Royal palace was begun in 1600, by the command of Philip III. in the viceroyalty of the Count de Lemos, from the designs of Domenico Fontana

Background imageThomas W Collection: The War in Naples - Victor Emmanuel giving commands to commence the bombardment... 1860

The War in Naples - Victor Emmanuel giving commands to commence the bombardment... 1860. Creator: W Thomas
The War in Naples - Victor Emmanuel giving commands to commence the bombardment of Capua - from a sketch by our special artist

Background imageThomas W Collection: Sunday Morning Service in the Baltic Fleet, 1856. Creator: W Thomas

Sunday Morning Service in the Baltic Fleet, 1856. Creator: W Thomas
Sunday Morning Service in the Baltic Fleet, 1856. Crimean War: Throughout the routine of life at sea there is not a more impressive scene than that of the Sunday Morning Service on board a ship of

Background imageThomas W Collection: Epsom Races - H.R.H. Prince Albert and H.R.H. Prince Frederick William of Prussia at the Grand

Epsom Races - H.R.H. Prince Albert and H.R.H. Prince Frederick William of Prussia at the Grand Stand Creator: W Thomas
Epsom Races - H.R.H. Prince Albert and H.R.H. Prince Frederick William of Prussia at the Grand Stand, 1856. Although there was no cheering there was no lack of curiosity to obtain a glimpse of

Background imageThomas W Collection: The Peace Rejoicings - Hoisting the Royal Standard at the Tower of London, 1856. Creator: W Thomas

The Peace Rejoicings - Hoisting the Royal Standard at the Tower of London, 1856. Creator: W Thomas
The Peace Rejoicings - Hoisting the Royal Standard at the Tower of London, 1856. Celebrating the end of the Crimean War. From "Illustrated London News", 1856

Background imageThomas W Collection: 'The Water-Cart' - painted by Troyon - from the London Exhibition of the French School of Fine Arts

"The Water-Cart" - painted by Troyon - from the London Exhibition of the French School of Fine Arts, 1856. Engraving of a painting. M

Background imageThomas W Collection: The Naval Review: Dance on Board H.M.S. 'Caesar', 91, Capt. Robb - from a sketch by J. W

The Naval Review: Dance on Board H.M.S. "Caesar", 91, Capt. Robb - from a sketch by J. W. Carmichael, 1856. Entertainment after a display by warships of the Royal Navy

Background imageThomas W Collection: A Pic-Nic in the Baltic - drawn by J. W. Carmichael, 1856. Creator: W Thomas

A Pic-Nic in the Baltic - drawn by J. W. Carmichael, 1856. Creator: W Thomas
A Pic-Nic in the Baltic - drawn by J. W. Carmichael, 1856. British officers enjoying a break from the Crimean War. This Picnic, sketched by Mr. Carmichael, was proposed on board H.M.S

Background imageThomas W Collection: The Grand Naval Review, at Spithead: Liberty-Men going on Shore - sketched by J. W

The Grand Naval Review, at Spithead: Liberty-Men going on Shore - sketched by J. W. Carmichael, 1856 Creator: W Thomas
The Grand Naval Review, at Spithead: Liberty-Men going on Shore - sketched by J. W. Carmichael, 1856. Ships of the Royal Navy taking part in a display off the coast of Hampshire....the entrance to

Background imageThomas W Collection: Allied Naval Commanders in the Baltic and Black Seas, 1856. Creator: W Thomas

Allied Naval Commanders in the Baltic and Black Seas, 1856. Creator: W Thomas
Allied Naval Commanders in the Baltic and Black Seas, 1856. Officers of the Anglo-French Alliance in the Crimean War. Hon. Sir R. S. Dundas, Sir C. Napier, Sir E. Lyons, J. W



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