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Thatched Collection (page 8)

Background imageThatched Collection: Native Huts in the Jungle, c1890, (1910). Artist: Alfred William Amandus Plate

Native Huts in the Jungle, c1890, (1910). Artist: Alfred William Amandus Plate
Native Huts in the Jungle, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageThatched Collection: Typical Fishing Village, Cuba, 1912

Typical Fishing Village, Cuba, 1912. [Harris Bros. Co. Havana, Cuba, 1912]

Background imageThatched Collection: Cuba: Pueblo de Pescadores. Bohios. Fishing Village, 1919

Cuba: Pueblo de Pescadores. Bohios. Fishing Village, 1919. [C. Jordi, Havana, Cuba, 1919]

Background imageThatched Collection: Cuban Pack Train, c1910

Cuban Pack Train, c1910. [Harris Bros. Co. Havana, Cuba, c1910]

Background imageThatched Collection: England, c1930s. Artist: Otto Holbrook

England, c1930s. Artist: Otto Holbrook
England. Domestic architecture of the humbler sort is well exemplified in the pretty village of Thurlstone in Devonshire. These cottage homes are built of warm cob, thick-walled and snugly thatched

Background imageThatched Collection: A Morning Ride in a Jinrikisha, Sugita, Japan, 1896

A Morning Ride in a Jinrikisha, Sugita, Japan, 1896. From The Underwood Travel Library - Japan, [Underwood & Underwood, London, New York, 1896]

Background imageThatched Collection: Children in front of village schoolhouse, Karuizawa, Japan, 1904

Children in front of village schoolhouse, Karuizawa, Japan, 1904. From The Underwood Travel Library - Japan, [Underwood & Underwood, London, New York, 1904]

Background imageThatched Collection: Doctor Syntax - Rural Sports, 1820. Artist: Thomas Rowlandson

Doctor Syntax - Rural Sports, 1820. Artist: Thomas Rowlandson
Doctor Syntax - Rural Sports, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]

Background imageThatched Collection: Habana: Paisaje Cubano, Bohios. Cuban Landscape, Country Huts, c1910

Habana: Paisaje Cubano, Bohios. Cuban Landscape, Country Huts, c1910. [C. Jordi, Havana, Cuba, c1910]

Background imageThatched Collection: Theux, 1850. Artist: Shury & Son

Theux, 1850. Artist: Shury & Son
Theux, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]

Background imageThatched Collection: Dinkelsbuhl - On the Capuchin Chapel, 1931. Artist: Kurt Hielscher

Dinkelsbuhl - On the Capuchin Chapel, 1931. Artist: Kurt Hielscher
Dinkelsbuhl - On the Capuchin Chapel, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageThatched Collection: Thatched Cottage in Cocoanut Grove, Florida, U. S. A. c1900

Thatched Cottage in Cocoanut Grove, Florida, U. S. A. c1900
Thatched Cottage in Cocoanut Grove, Florida, U.S.A. c1900. [R.Y. Young, New York, c1900]

Background imageThatched Collection: A Picardy Farmyard, c1900. Artist: Henry Silkstone Hopwood

A Picardy Farmyard, c1900. Artist: Henry Silkstone Hopwood
A Picardy Farmyard, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Background imageThatched Collection: Cottages at Glastonbury, c1819. Artist: Samuel Prout

Cottages at Glastonbury, c1819. Artist: Samuel Prout
Cottages at Glastonbury, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageThatched Collection: Morning, Higglers Preparing for Market, 1791. Artist: George Morland

Morning, Higglers Preparing for Market, 1791. Artist: George Morland
Morning, Higglers Preparing for Market, 1791. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageThatched Collection: A Worcestershire Farm, c1848. Artist: David Cox the elder

A Worcestershire Farm, c1848. Artist: David Cox the elder
A Worcestershire Farm, c1848. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThatched Collection: A Gendun Turf Slide, c1903. Artist: Robert John Welch

A Gendun Turf Slide, c1903. Artist: Robert John Welch
A Gendun Turf Slide, c1903. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]

Background imageThatched Collection: Glenoe: An Antrim Glynn Village, c1903. Artist: Robert John Welch

Glenoe: An Antrim Glynn Village, c1903. Artist: Robert John Welch
Glenoe: An Antrim Glynn Village, c1903. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]

Background imageThatched Collection: A Lane With Cottages, c1820. Artist: Peter de Wint

A Lane With Cottages, c1820. Artist: Peter de Wint
A Lane With Cottages, c1820. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Background imageThatched Collection: The Traveller, c1795. Artist: George Morland

The Traveller, c1795. Artist: George Morland
The Traveller, c1795. From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

Background imageThatched Collection: At Cobham, Surrey, 1797. Artist: John Thomas Smith

At Cobham, Surrey, 1797. Artist: John Thomas Smith
At Cobham, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageThatched Collection: On Merrow Common, Surrey, 1797. Artist: John Thomas Smith

On Merrow Common, Surrey, 1797. Artist: John Thomas Smith
On Merrow Common, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageThatched Collection: The Canal at Rickmansworth, 1908 (1935). Artist: John William Buxton Knight

The Canal at Rickmansworth, 1908 (1935). Artist: John William Buxton Knight
The Canal at Rickmansworth, 1908 (1935). After the painting by J. W. Buxton Knight. From Modern Masterpieces Part 11. [George Newnes Ltd, London, 1935]

Background imageThatched Collection: The Man With The Scythe, 1935. Artist: Henry Herbert la Thangue

The Man With The Scythe, 1935. Artist: Henry Herbert la Thangue
The Man With The Scythe, c1896 (1935). After the painting by H. H. La Thangue, R.A. From Modern Masterpieces Part 21. [George Newnes Ltd, London, 1935]

Background imageThatched Collection: Birthday postcard from a husband to his wife, c1918

Birthday postcard from a husband to his wife, c1918

Background imageThatched Collection: Coffee plantation, c1900

Coffee plantation, c1900

Background imageThatched Collection: Hovel Near Yealmpton, Devon, 1921

Hovel Near Yealmpton, Devon, 1921
Hovel Near Yealmpton, Devon. After an original work by William Payne (1760-1830. From The Connoisseur Volume LX [Otto Limited, London, 1921]

Background imageThatched Collection: The old village, Shanklin, Isle of Wight, 20th century

The old village, Shanklin, Isle of Wight, 20th century

Background imageThatched Collection: Edward Jenners thatched hut, Berkeley, Gloucestershire, 20th century. Artist:s Pead

Edward Jenners thatched hut, Berkeley, Gloucestershire, 20th century. Artist:s Pead
Edward Jenners thatched hut, Berkeley, Gloucestershire, 20th century. The hut where Jenner administered smallpox vaccinations to the poor free of charge

Background imageThatched Collection: A Village at Nancowry, Nicobar Islands, 1799

A Village at Nancowry, Nicobar Islands, 1799. A print from Asiatic Researches or Transactions of the Society Instituted in Bengal, for Inquiring into the History and Antiquities, the Arts

Background imageThatched Collection: Gold Hill, Shaftesbury, Dorset, 1924-1926. Artist: Judges

Gold Hill, Shaftesbury, Dorset, 1924-1926. Artist: Judges
Gold Hill, Shaftesbury, Dorset, 1924-1926. The famous steep cobbled street in Shaftesbury immortalised in Hovis adverts. It was also used for a scene in the film version of Thomas Hardys Far From

Background imageThatched Collection: Cottage, Selworthy, Somerset, 1924-1926. Artist: Emil Otto Hoppe

Cottage, Selworthy, Somerset, 1924-1926. Artist: Emil Otto Hoppe
Cottage, Selworthy, Somerset, 1924-1926. A photo from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, Volume 4, 1924-1926

Background imageThatched Collection: Leaving the dak bungalow for a bile-gharry, Belgaum district, southern India, 1900s

Leaving the dak bungalow for a bile-gharry, Belgaum district, southern India, 1900s. Artist: Realistic
Leaving the dak bungalow for a bile-gharry, Belgaum district, southern India, 1900s. Stereoscopic slide. Detail

Background imageThatched Collection: Indian women of the hot lands on the Pacific slope, Central America, c1890. Artist: Henri Thiriat

Indian women of the hot lands on the Pacific slope, Central America, c1890. Artist: Henri Thiriat
Indian women of the hot lands on the Pacific slope, Central America, c1890. From Universal Geography, Maps & Illustrations, Vol XXXIV, Virtue & Co Limited, (London, c1890)

Background imageThatched Collection: Tenasserim, Myanmar, 1895

Tenasserim, Myanmar, 1895. From The Universal Geography with Illustrations and Maps, division XVI, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageThatched Collection: Shui-Kow, on the Upper Min, Fokien, c1890

Shui-Kow, on the Upper Min, Fokien, c1890. View of a town on the River Min in Fukien, China. Illustration from The Universal Geography with Illustrations and Maps, Division XIII

Background imageThatched Collection: Ann Hathaways cottage, Stratford-upon-Avon, Warwickshire, early 20th century

Ann Hathaways cottage, Stratford-upon-Avon, Warwickshire, early 20th century. Stereoscopic card. Detail

Background imageThatched Collection: Araucanian woman weaving, Chile, 1922

Araucanian woman weaving, Chile, 1922. Illustration from Peoples of All Nations, Their Life Today and the Story of Their Past, volume II, British Empire to Dahomey, edited by J A Hammerton

Background imageThatched Collection: Newar women pounding grain, Nepal, 1936. Artist: Ewing Galloway

Newar women pounding grain, Nepal, 1936. Artist: Ewing Galloway
Newar women pounding grain, Nepal, 1936. The Newar are an indigenous people of the Kathmandu Valley. From Peoples of the World in Pictures, edited by Harold Wheeler

Background imageThatched Collection: Day school, Uva Province, Ceylon

Day school, Uva Province, Ceylon. School in what is now Sri Lanka

Background imageThatched Collection: Malaysian hut, 19th century. Artist: Dosso

Malaysian hut, 19th century. Artist: Dosso
Malaysian hut, 19th century

Background imageThatched Collection: Burns Cottage, Scotland, 1893. Artist: John L Stoddard

Burns Cottage, Scotland, 1893. Artist: John L Stoddard
Burns Cottage, Scotland, 1893. The birthplace of Scottish poet Robert Burns (1759-1796) in Alloway, South Ayrshire. The two-roomed thatched cottage is now a museum dedicated to him

Background imageThatched Collection: Native huts, Jamaica, c1905. Artist: Adolphe Duperly & Son

Native huts, Jamaica, c1905. Artist: Adolphe Duperly & Son
Native huts, Jamaica, c1905. Illustration from Picturesque Jamaica, by Adolphe Duperly & Son, (England, c1905)

Background imageThatched Collection: Negro hut, Jamaica, c1905. Artist: Adolphe Duperly & Son

Negro hut, Jamaica, c1905. Artist: Adolphe Duperly & Son
Negro hut, Jamaica, c1905. Illustration from Picturesque Jamaica, by Adolphe Duperly & Son, (England, c1905)

Background imageThatched Collection: Alaskan scene, USA, 19th century

Alaskan scene, USA, 19th century

Background imageThatched Collection: The Cross, Melrose, Roxburghshire, 1814. Artist: John Greig

The Cross, Melrose, Roxburghshire, 1814. Artist: John Greig
The Cross, Melrose, Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageThatched Collection: A Boy Employed Burning The Weeds, 1799. Artist: James Ward

A Boy Employed Burning The Weeds, 1799. Artist: James Ward
A Boy Employed Burning The Weeds, 1799. After George Morland (1763-1804). From The Connoisseur Volume LI. [The Connoisseur Ltd. London, 1918]

Background imageThatched Collection: Children Nutting, c1783. Artist: Edward Dayes

Children Nutting, c1783. Artist: Edward Dayes
Children Nutting, c1783. After George Morland (1763-1804). From The Connoisseur Volume L. [The Connoisseur Ltd. London, 1918]



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