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Tapestry Collection (page 8)

Background imageTapestry Collection: Taste, 1635-38. Creator: Abraham Bosse

Taste, 1635-38. Creator: Abraham Bosse
Taste, 1635-38

Background imageTapestry Collection: Das Neüe Modelbuch... Erster Theil, ca. 1660. Creator: Rosina Helena Fürst

Das Neüe Modelbuch... Erster Theil, ca. 1660. Creator: Rosina Helena Fürst
Das Neue Modelbuch...Erster Theil, ca. 1660

Background imageTapestry Collection: Crucifixion, German, ca. 1325-50. Creator: Unknown

Crucifixion, German, ca. 1325-50. Creator: Unknown
Crucifixion, German, ca. 1325-50

Background imageTapestry Collection: Design for a Chair Seat Cover, ca. 1850-70. Creator: Anon

Design for a Chair Seat Cover, ca. 1850-70. Creator: Anon
Design for a Chair Seat Cover, ca. 1850-70

Background imageTapestry Collection: Portrait of a Woman with Tapestry Work. Creator: Unknown

Portrait of a Woman with Tapestry Work. Creator: Unknown
Portrait of a Woman with Tapestry Work

Background imageTapestry Collection: Dragon-boat festival performance, 18th-19th century. Creator: Unknown

Dragon-boat festival performance, 18th-19th century. Creator: Unknown
Dragon-boat festival performance, 18th-19th century

Background imageTapestry Collection: An audience granted by Louis XIV to the Count of Fuentes…at the Louvre, 24th March 1662

An audience granted by Louis XIV to the Count of Fuentes…at the Louvre, 24th March 1662
An audience granted by Louis XIV to the Count of Fuentes, Ambassador to King Philip IV of Spain at the Louvre, 24th March 1662, ca 1730

Background imageTapestry Collection: French Renaissance Gobelins tapestries, (1898). Creator: Unknown

French Renaissance Gobelins tapestries, (1898). Creator: Unknown
French Renaissance Gobelins tapestries, (1898). Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80)

Background imageTapestry Collection: French Renaissance wall painting, polychrome painted sculpture, weaving and book covers, (1898)

French Renaissance wall painting, polychrome painted sculpture, weaving and book covers, (1898). Fig 1: Painted frieze on both sides of a chimney in the Hotel d Aluie at Blois, style of Louis XII

Background imageTapestry Collection: Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898)

Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898). Fig 1: Stamped leather hangings in the style of Louis XIV from the Sammlung vaterlandischer

Background imageTapestry Collection: Gobelins weaving, France, 18th century, (1898). Creator: Unknown

Gobelins weaving, France, 18th century, (1898). Creator: Unknown
Gobelins weaving, France, 18th century, (1898). Fig 1: Chair-seat by Louis Tessier, Louis XV [c1715-1774]. Fig 2: Basket of fruit by the same Artist, Louis XV

Background imageTapestry Collection: Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown

Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown
Gobelins tapestries, late 17th-early18th century, (1898). Fig 1: Gobelin tapestry for the Castle of St. Germain [Chateau-Neuf de Saint-Germain-en-Laye, near Paris]

Background imageTapestry Collection: Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898)

Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898). Fig 1: Embroidery from the Sammlung vaterlandischer Altertumer at Stuttgart

Background imageTapestry Collection: Youth (From Chateau de Chaumont Set), 1512-1515. Creator: Unknown

Youth (From Chateau de Chaumont Set), 1512-1515. Creator: Unknown
Youth (From Chateau de Chaumont Set), 1512-1515. Louise of Savoy (1476-1531), queen mother of King Francis I, is depicted here in a sumptuous brocaded velvet in the center

Background imageTapestry Collection: Creator: Gobelins (French); Michel Audran (French, 1701-1771)

Creator: Gobelins (French); Michel Audran (French, 1701-1771)
18th century, 1701-1771, 1723-1774, france, french, gobelins, gobelins (french), heritage art, michel audran, michel audran (french, 1701-1771), period of louis xv, tapestry

Background imageTapestry Collection: Woven Purse, 1700s. Creator: Unknown

Woven Purse, 1700s. Creator: Unknown
Woven Purse, 1700s

Background imageTapestry Collection: The Mystical Grapes, c. 1500. Creator: Unknown

The Mystical Grapes, c. 1500. Creator: Unknown
The Mystical Grapes, c. 1500. During the late medieval period, intense mystical fervor in Europe focused largely on the blood and Passion of Christ

Background imageTapestry Collection: Venus tells Aeneas and his friend Achates to go to Carthage, 1679

Venus tells Aeneas and his friend Achates to go to Carthage, 1679

Background imageTapestry Collection: Time (From Chateau de Chaumont Set), 1512-1515. Creator: Unknown

Time (From Chateau de Chaumont Set), 1512-1515. Creator: Unknown
Time (From Chateau de Chaumont Set), 1512-1515. Pierre Sala, who likely commissioned the set, is portrayed as the richly attired central figure offering a bouquet, a symbol of knowledge, to Eleonore

Background imageTapestry Collection: Virgin and Child with Four Saints, c. 1500. Creator: Unknown

Virgin and Child with Four Saints, c. 1500. Creator: Unknown
Virgin and Child with Four Saints, c. 1500. The Virgin and Child appear with Saints Catherine, John the Evangelist, Jodocus, and Mary Magdalene

Background imageTapestry Collection: The Flute Player from Set Les Beaux Pastorales, 1775

The Flute Player from Set Les Beaux Pastorales, 1775

Background imageTapestry Collection: The Triumph of Eternity (From Chateau de Chaumont Set), 1512-1515. Creator: Unknown

The Triumph of Eternity (From Chateau de Chaumont Set), 1512-1515. Creator: Unknown
The Triumph of Eternity (From Chateau de Chaumont Set), 1512-1515. The Triumph of Eternity is represented by the Coronation of the Virgin

Background imageTapestry Collection: Two Mounted Fragments of a Border (from a Garment ?), late 700s - early 800s. Creator: Unknown

Two Mounted Fragments of a Border (from a Garment ?), late 700s - early 800s. Creator: Unknown
Two Mounted Fragments of a Border (from a Garment ?), late 700s - early 800s

Background imageTapestry Collection: Tunic, c. 700-1100. Creator: Unknown

Tunic, c. 700-1100. Creator: Unknown
Tunic, c. 700-1100

Background imageTapestry Collection: Tunic, c. 1400-1540. Creator: Unknown

Tunic, c. 1400-1540. Creator: Unknown
Tunic, c. 1400-1540. Finely woven interlocked tapestry garments were a privilege of the nobility within the Inca Empire. Such garments were made throughout the vast Inca territory by women of noble

Background imageTapestry Collection: Two Fragments from a Curtain: Dolphins, 400s - 500s. Creator: Unknown

Two Fragments from a Curtain: Dolphins, 400s - 500s. Creator: Unknown
Two Fragments from a Curtain: Dolphins, 400s - 500s

Background imageTapestry Collection: Summer: Harvest Scene, late 1600s - early 1700s. Creator: Gobelins (French)

Summer: Harvest Scene, late 1600s - early 1700s. Creator: Gobelins (French)
Summer: Harvest Scene, late 1600s - early 1700s

Background imageTapestry Collection: Spring: Fishing Scene (From Set of Four Seasons), late 1600s - early 1700s. Creator

Spring: Fishing Scene (From Set of Four Seasons), late 1600s - early 1700s. Creator
Spring: Fishing Scene (From Set of Four Seasons), late 1600s - early 1700s

Background imageTapestry Collection: Spade-shaped Ornament, 600s - 700s. Creator: Unknown

Spade-shaped Ornament, 600s - 700s. Creator: Unknown
Spade-shaped Ornament, 600s - 700s

Background imageTapestry Collection: Tapestry, 1368-1644. Creator: Unknown

Tapestry, 1368-1644. Creator: Unknown
Tapestry, 1368-1644

Background imageTapestry Collection: Tapestry, c. 1760. Creator: Gobelins (French)

Tapestry, c. 1760. Creator: Gobelins (French)
Tapestry, c. 1760

Background imageTapestry Collection: Segmentum from a Tunic, 800s. Creator: Unknown

Segmentum from a Tunic, 800s. Creator: Unknown
Segmentum from a Tunic, 800s

Background imageTapestry Collection: Segmentum from a Tunic, mid 700s - mid 800s. Creator: Unknown

Segmentum from a Tunic, mid 700s - mid 800s. Creator: Unknown
Segmentum from a Tunic, mid 700s - mid 800s

Background imageTapestry Collection: Seasons: Autumn, Bacchus, 1700s. Creator: Gobelins (French)

Seasons: Autumn, Bacchus, 1700s. Creator: Gobelins (French)
Seasons: Autumn, Bacchus, 1700s

Background imageTapestry Collection: Segmentum from a Tunic, 750 - 799. Creator: Unknown

Segmentum from a Tunic, 750 - 799. Creator: Unknown
Segmentum from a Tunic, 750 - 799. A fierce lion with a pronounced mane is shown taking down a large bull on a prestigious red ground with stylized trees and plants

Background imageTapestry Collection: Story of Perseus and Andromeda, early 1500s. Creator: Unknown

Story of Perseus and Andromeda, early 1500s. Creator: Unknown
Story of Perseus and Andromeda, early 1500s. The Greek mythological story of Perseus and Andromeda is represented here as a quest for a maiden, read from right to left in three sections

Background imageTapestry Collection: Part of a Reliquary Bag, 1250-1299. Creator: Unknown

Part of a Reliquary Bag, 1250-1299. Creator: Unknown
Part of a Reliquary Bag, 1250-1299

Background imageTapestry Collection: Shepherds in a Round Dance, around 1500. Creator: Unknown

Shepherds in a Round Dance, around 1500. Creator: Unknown
Shepherds in a Round Dance, around 1500. Late-medieval tapestries often use a limited yet contrasting colour palette to portray stylized images

Background imageTapestry Collection: Set of Ovids Metamorphoses, 1704-1731. Creator: Gobelins (French)

Set of Ovids Metamorphoses, 1704-1731. Creator: Gobelins (French)
Set of Ovids Metamorphoses, 1704-1731

Background imageTapestry Collection: Moses and Jethros Daughter, 17th century. Creator: Unknown

Moses and Jethros Daughter, 17th century. Creator: Unknown
Moses and Jethros Daughter, 17th century

Background imageTapestry Collection: Millefleurs Tapestry with Medici Coat of Arms, 1520s. Creator: Unknown

Millefleurs Tapestry with Medici Coat of Arms, 1520s. Creator: Unknown
Millefleurs Tapestry with Medici Coat of Arms, 1520s. Many identifiable flowering plants provide the French name, millefleur, for this pattern, which became fashionable around 1450

Background imageTapestry Collection: Mercury tells Aeneas to Leave Carthage, 1679. Creator: Giovanni Francesco Romanelli (Italian)

Mercury tells Aeneas to Leave Carthage, 1679. Creator: Giovanni Francesco Romanelli (Italian)
Mercury tells Aeneas to Leave Carthage, 1679

Background imageTapestry Collection: Family Gathering on New Years Morning, 1700s. Creator: Unknown

Family Gathering on New Years Morning, 1700s. Creator: Unknown
Family Gathering on New Years Morning, 1700s

Background imageTapestry Collection: Heraldic Tapestry, 1700s. Creator: Unknown

Heraldic Tapestry, 1700s. Creator: Unknown
Heraldic Tapestry, 1700s

Background imageTapestry Collection: Four Seasons, late 1600s - early 1700s. Creator: Gobelins (French)

Four Seasons, late 1600s - early 1700s. Creator: Gobelins (French)
Four Seasons, late 1600s - early 1700s

Background imageTapestry Collection: Winter: Skating Scene (From Set of Four Seasons), late 1600s - early 1700s. Creator

Winter: Skating Scene (From Set of Four Seasons), late 1600s - early 1700s. Creator
Winter: Skating Scene (From Set of Four Seasons), late 1600s - early 1700s

Background imageTapestry Collection: Flora and Zephyrus (from Set of Ovids Metamorphoses), 1704-1731. Creator: Gobelins (French)

Flora and Zephyrus (from Set of Ovids Metamorphoses), 1704-1731. Creator: Gobelins (French)
Flora and Zephyrus (from Set of Ovids Metamorphoses), 1704-1731

Background imageTapestry Collection: The Death of Dido, 1679. Creator: Giovanni Francesco Romanelli (Italian, 1610-1662)

The Death of Dido, 1679. Creator: Giovanni Francesco Romanelli (Italian, 1610-1662)
The Death of Dido, 1679



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