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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

Stylised Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 152 pictures in our Stylised collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Design for a Tablet for a Chimney-Piece with Two Swans in Combat Featured Print

Design for a Tablet for a Chimney-Piece with Two Swans in Combat

Design for a Tablet for a Chimney-Piece with Two Swans in Combat, Enclosed within a Scrolling Cartouche with a Water-Spouting Dragon's Head, 1762

© Heritage Art/Heritage Images

18th Century, Animal, B And, B And W, B W, Bird, Birds, Black And White, Britain, British, Century, Concept, Crayon Manner And Stipple Engraving, Decoration, Decorative, Design, Eighteenth Century, Engraving, Fireplace, Foliage, Graphic Design, Heritage Art, Johnson, Johnson Thomas, Mantelpiece, Metropolitan Museum Of Art, Museum, Ornament, Ornate, Rococo, Rococo Era, Stylised, Swan, Swans, The Met, The Metropolitan Museum Of Art, Thomas, Thomas Johnson, Water Bird, White

Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown Featured Print

Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown

Medieval enamel and illuminated manuscripts, (1898). Fig: 1: Initial from a German manuscript (Rhenish school), 11th-12th century, in the Library at Paris. Fig 2: Initial from a German manuscript of the 12th century, from a private collection at Cologne. Fig 3: Relic-cross from the first half of the 12th cent, in the Diocesan-Museum at Freising. Fig 4: Pilaster from the shrine of St. Heribertus in the Benedictine-Abbey at Deutz, mid 12th century. Figs 5 and 10: From the shrine of the great relics at Aachen, 12th century. Fig 6: From a collection at Bonn, 12th century. Fig 7: Decoration from the Anno-shrine in the former abbey at Siegburg, 11th century. Figs 8 and 9: From a reliquary in South-Kensington Museum at London, 12th century. Fig 11: From a little reliquary, 12th century. Figs 12 and 13: From the portable altar of St. Andrews in the cathedral at Treves, 10th century. Fig 14: Flat disk of gilt copper in private possession at Bamberg, 12th century. Fig 15: Half from a shrine in the former abbey at Siegburg, 11th century. Figs 16-19: Decorations on double crosses at Essen, 11th century. Fig 20: Half figure of an angel from the shrine of St, Heribertus, see Fig 4. Fig 21: From the shrine of Charlemagne at Aachen, 12th century. Figs 22 and 23: From the Mauritius-shrine at Siegburg, 11th century. Fig 24: From an altar-wall, 12th century...In the art of enamelling, which had been transferred from Byzantium to Germany, the German artists attained a high point of perfection'. Plate 35 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

© The Print Collector/Heritage Images

Assyrian decoration, (1898). Creator: Unknown Featured Print

Assyrian decoration, (1898). Creator: Unknown

Assyrian decoration, (1898). Examples of ancient Assyrian painting, polychrome sculpture and pottery from what is now Iraq: Fig 1: Portion of a glazed brick from a palace at Khorsabad. Figs 2-4: Painted bas-reliefs from Koyunjik [Kuyunjik, Nineveh]. Fig 5: Painted ornament from Nimroud [Nimrud]. Fig 6: Glazed brick from Khorsabad. Figs 7-10: Painted ornaments from Nimroud. Figs 11-12: Sacred trees. Painted bas-reliefs from Nimroud. Fig 13: Painted ornament from Nimroud. Fig 14: Enamelled brick from Khorsabad...The excavations on the banks of the Tigris at Khorsabad, Nimroud and Koyunjik brought to light a great number of architectural remains, paintings and sculptures of Assyrian origin, which give us an idea of the magnificence and the exuberant luxury of the buildings of this nation. Assyrian ornament certainly betrays Egyptian influence, but there is no denying its originality...The winged male figure in the midst of our plate symbolizes the soul'. Plate 3 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

© The Print Collector/Heritage Images