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An ordinary ship travelling between Douvre and Calais (Naviere ordinaire qui passe de Douvre a Calais), ship in the sea at center, other boats to left and right, a ship to left in the background
View of a part of Calais (Veue d un coin de Calais), a man sitting on an overturned canoe on the pier in center, men cooking over a fire to left
Tower of Calais (Tour de Calais), tower to right, two ships in the sea to left and in center, from Views of seaports (Vues de ports de mar), 1647
View of the coast of Italy (Veue des Costes d Italie), the bow of a ship resting to left, a group of men playing cards in center, a tower in ruins to right in the background
View of Amsterdam (Vue d Amsterdam), a tower and houses to left, men standing on the pier to right, many ships in the port in the background, from Views of seaports (Vues de ports de mar), 1647
Another view of Amsterdam (Autre vue d Amsterdam), a group of four men stand in center on a seashore, a boat being built to right, a rowboat on shore to left, two ships to left in the background
View of the Amsterdam seaport (Veue d Amsterdam), men in rowboats work on a ship in center, other men stand on a dock to right, from Views of seaports (Vues de ports de mar), 1647
Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, a round composition, from Six animal subjects (Six sujets d animaux)
A shepherd at right, facing left, driving a group of animals downhill, a round composition, from Six animal subjects (Six sujets d animaux), ca. 1643-48
Two cows in center, followed by two peasant women and other cows in the river to left, a round composition, from Six animal subjects (Six sujets d animaux), ca. 1643-48
The test of fire, the monk Peter, the disciple Saint John Gualbert, passing through the flames from two pyres unharmed, various spectators to either side
A woman carrying a child in center, seen from behind, another woman to right, facing left, following a group of cows across a river, a round composition
A peasant woman seated on a horse to left, facing right, surrounded by a herd of fcows, goats, sheep, and dogs, a round composition, from Six animal subjects (Six sujets d animaux), ca. 1643-48
Frontispiece for The Cypress Forest (La selva di cipressi): two putti hold a tapestry in center, a forest of cypress trees and statues below, a skull and bones on the ground, 1640
A mule carrying a woman and a peasant walking with a mule to left, a fisherman to right casting his line towards the right, a bridge in the center background
A waterfall descending from the mountains in the center background, various animals and a woman and child beneath a tree in the foreground, from Various landscapes (Divers paysages), ca. 1641
A naval battle, a rowboat full of men to left, a sinking ship to right, two galleys battling in center, other ships battle to left in the background, from Various landscapes (Divers paysages), ca
Two horseman descend a hill in center, following another man on foot, a castle in the mountains in the center background, from Various landscapes (Divers paysages), ca. 1641
Frontispiece for Poems by Desmarets (Oeuvres poetiques de Desmarets): a winged woman representing poetry sitting in center, turned towards the left, holding a bugle in her left hand
Frontispiece: a monument decorated with the Medici coat of arms at top in center, flames at top to either side, a hooded figure on right side of monument with a weasel below
Saint Jean Gualbert trampling a monster with two human heads and a serpentine body, a flying demon in background to right, an angel with a cross flying to left
Frontispiece for The Works of Scarron (Œuvres de Scarron)Frontispiece for The Works of Scarron ( uvres de Scarron); the poet sitting in a chair, seen from behind, women to either side representing caricatures of the nine muses, Pan, Bacchus
Frontispiece for The funeral of Emperor Ferdinand II (Esequie dell imperadore Ferdinando II): the imperial coat of arms in center, supported by two eagles
Frontispiece for Instructions for Chancellors (Instruzione a Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth
View of the dome of the Palace of the Tuilleries, from Various views of remarkable places in Italy and France (Diverses vues d endroits remarquables d Italie et de France), 1649-51
The palace of Catherine de Medici, called the Tuilleries, from Various views of remarkable places in Italy and France (Diverses vues d endroits remarquables d Italie et de France), 1649-51
View and Perspective of the inside of the Palais d Orleans, from Various views of remarkable places in Italy and France (Diverses vues d endroits remarquables d Italie et de France), 1649-51
View of Luxembourg from the garden side of the Palais d Orleans, from Various views of remarkable places in Italy and France (Diverses vues d endroits remarquables d Italie et de France), 1649-51
A woman on horseback seen from behind descending a hill to the right, a large tree to the left, landscape of Florence to left in the background
A fisherman at center facing left and leaning against a large tree, a woman walking next to a horse to right in the background, from Four large landscapes (Quatre grands paysages en hauteur), ca
Two horsemen pass a flock, riding towards the left, a peasant woman and a young boy to left in the middleground, a large tree to right, from Six large views
First scene, in Florence, from The marriage of the gods (Le nozze degli Dei), 1637
Fourth scene, the sea, from The marriage of the gods (Le nozze degli Dei), 1637
Second Scene, in Dianas forest, from The marriage of the gods (Le nozze degli Dei), 1637
Fifth scene, the Inferno, from The marriage of the gods (Le nozze degli Dei), 1637
Third scene, the garden of Venus, from The marriage of the gods (Le nozze degli Dei), 1637
View of the Tiber river, a large tree to left, two groups of women to left in the foreground, a bridge leading to the Castello Sant Angelo to left, above which a large flag is hoisted
Standing sailor in center talking to a seated Levantine man to left, seen in profile, other sailors with a boat to left in the background, ca. 1658-63
View of the Palais Cardinal, the figure of Fame at top center flying towards the left and playing the trumpet with another trumpet in her left hand
Twenty-four riders dueling and forming two columns, from La Gara delle Stagioni, 1652
Two views of a grotto, both views with a fountain with a seated statue, seen from the left and right sides, from Views of the villa at Pratolino (Vues de la villa de Pratolino), ca. 1653
A large inhabited tree in center with ramps leading around the trunk, below a stone parapet on which people are resting or sitting, tall trees surrounding
Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand
An alley of fountains, a group of people in center, a man and dog seated to right, two men and a woman to left, one of the men tasting the water from the fountain, the villa in background to right
The villa at center flanked by four obelisks, a staircase to either side, a statue in a niche in center of staircases, various figures and dogs below
Colossal statue of the Appenino by Giambologna to left, represented as a giant crouching at the entrance of a grotto, ramps to either side, a pond below, various figures, dogs, and birds to right
Plan and view of the siege of Arras: lower part of the plate with a topographical view with troops in the foreground descending a hill, upper part of the plate with a view of the town, 1641
Theater at Modena, seen from above and filled with spectators, with a triumphal car at center and horses in formation at lower left and right, from La Gara delle Stagioni, 1652
