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Stained Glass Collection (page 6)

Background imageStained Glass Collection: The Albert Memorial Chapel, Windsor, c1900. Artist: GW Wilson and Company

The Albert Memorial Chapel, Windsor, c1900. Artist: GW Wilson and Company
The Albert Memorial Chapel, Windsor, c1900. Albert Memorial Chapel, built by Henry VII as a royal mausoleum, was restored by Queen Victoria and named in memory of her consort

Background imageStained Glass Collection: Design for Stained Glass, 1926. Artist: Robert Anning Bell

Design for Stained Glass, 1926. Artist: Robert Anning Bell
Design for Stained Glass, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Background imageStained Glass Collection: The Oriel Window in Hall, 1926

The Oriel Window in Hall, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI. From Eton College by Christopher Hussey

Background imageStained Glass Collection: The Chapel, before the removal of the stall Canopies, 1926

The Chapel, before the removal of the stall Canopies, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI

Background imageStained Glass Collection: Bay on Long Gallery, Showing Terra-Cotta Work and Old Panelling, 1910

Bay on Long Gallery, Showing Terra-Cotta Work and Old Panelling, 1910. A Bay window is a a projecting bay that is lit on all of its projecting sides by windows. From The Connoisseur Vol XXVI

Background imageStained Glass Collection: St. Georges Chapel: The Choir, Looking East, 1895

St. Georges Chapel: The Choir, Looking East, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageStained Glass Collection: Lving room bay window, house of William Clarkson Van Antwerp, Burlingame, California, 1922

Lving room bay window, house of William Clarkson Van Antwerp, Burlingame, California, 1922
Detail of living room bay window, house of William Clarkson Van Antwerp, Burlingame, California, 1922. From The Architectural Forum Volume XXXVII. [Rogers and Manson, New York, 1922]

Background imageStained Glass Collection: Painted Window - Two Saxon Earls of Mercia, and Seven Norman Earls of Chester, 1808 (1845)

Painted Window - Two Saxon Earls of Mercia, and Seven Norman Earls of Chester, 1808 (1845). Artist: William Fowler
Painted Window - Two Saxon Earls of Mercia, and Seven Norman Earls of Chester, 1808 (1845). The drawing is a reproduction of a sixteenth-century painted glass window in the Brereton Hall, Cheshire

Background imageStained Glass Collection: Hall at Ockwells, Berkshire, 1845

Hall at Ockwells, Berkshire, 1845. Ockwells Manor is a timber-framed 15th century manor house which preserves a superb set of contemporary heraldic stained glass in the hall

Background imageStained Glass Collection: The Circular Window of the Hall of Winchester House (Winchester Palace), Southwark, 1835, (1912)

The Circular Window of the Hall of Winchester House (Winchester Palace), Southwark, 1835, (1912). Artist: David Roberts
The Circular Window of the Hall of Winchester House (Winchester Palace), Southwark, 1835, (1912). From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]

Background imageStained Glass Collection: Chapel of Henry VII, Westminster Abbey, c1907. Artist: William Walcot

Chapel of Henry VII, Westminster Abbey, c1907. Artist: William Walcot
Chapel of Henry VII, Westminster Abbey, c1907. he Henry VII Chapel was built in 1503 by Sir Reginald Bray. A fine example of Perpendicular architecture

Background imageStained Glass Collection: Queens Who Cut the Bogs of Glanna, Judith of Scripture, and Glorianna, 1910. Artist: Harry Clarke

Queens Who Cut the Bogs of Glanna, Judith of Scripture, and Glorianna, 1910. Artist: Harry Clarke
Queens Who Cut the Bogs of Glanna, Judith of Scripture, and Glorianna, 1910. One of the Queens? Panels designed for the library of Laurence Waldrons library in Marino, Ballybrack, Killiney, Co

Background imageStained Glass Collection: The Meeting, c1918. Artist: Harry Clarke

The Meeting, c1918. Artist: Harry Clarke
The Meeting, c1918. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

Background imageStained Glass Collection: Sir Galahad. Design for a window at Kelvin-Side, Glasgow, c1914. Artist: Henry Payne

Sir Galahad. Design for a window at Kelvin-Side, Glasgow, c1914. Artist: Henry Payne
Sir Galahad. Design for a window at Kelvin-Side, Glasgow, c1914. From The Studio Volume 61. [London Offices of the Studio, London, 1914]

Background imageStained Glass Collection: King George VI and Queen Elizabeth attending a luncheon to celebrate coronation, 1937

King George VI and Queen Elizabeth attending a luncheon to celebrate coronation, 1937
King George VI and Queen Elizabeth attending a luncheon given in the Kings honour to celebrate the Kings first visit to The City after his coronation, 1937

Background imageStained Glass Collection: The Great Hall of Hampton Court Palace, 1902. Artist: Thomas Robert Way

The Great Hall of Hampton Court Palace, 1902. Artist: Thomas Robert Way
The Great Hall of Hampton Court Palace, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

Background imageStained Glass Collection: Interior of Crosby Hall, 1902. Artist: Thomas Robert Way

Interior of Crosby Hall, 1902. Artist: Thomas Robert Way
Interior of Crosby Hall, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]

Background imageStained Glass Collection: The Cardinal, 1898. Artist: Gaston la Touche

The Cardinal, 1898. Artist: Gaston la Touche
The Cardinal, 1898. Painting housed in the Russell-Cotes Art Gallery & Museum, Bournemouth. From The Studio Volume 76. [London Offices of the Studio, London, 1919]

Background imageStained Glass Collection: Liverpool Cathedral: The Choir, Looking East. Architect, Sir G. Gilbert Scott, R. A. 1924

Liverpool Cathedral: The Choir, Looking East. Architect, Sir G. Gilbert Scott, R. A. 1924
Liverpool Cathedral: The Choir, Looking East. Architect, Sir G. Gilbert Scott, R.A. 1924. Built on St James Mount, in the centre of the city

Background imageStained Glass Collection: Memorial window in the parish church of Chipping Ongar, Essex, 1929. Artist: Leonard Walker

Memorial window in the parish church of Chipping Ongar, Essex, 1929. Artist: Leonard Walker
Memorial window in the parish church of Chipping Ongar, Essex, 1929. Illustration from the Apollo Volume X, no 55, (July 1929)

Background imageStained Glass Collection: Stained glass of Moses, King David and Isaiah, Bourges Cathedral, 13th century (1849)

Stained glass of Moses, King David and Isaiah, Bourges Cathedral, 13th century (1849). Artist: Lemercier
A stained glass window featuring Moses, King David and Isaiah, Bourges Cathedral, Bourges, France, 13th century (1849). Bourges Cathedral is dedicated to Saint Stephen

Background imageStained Glass Collection: Stained glass window, Bourges Cathedral, Bourges, France, 13th century (1849). Artist: Hauger

Stained glass window, Bourges Cathedral, Bourges, France, 13th century (1849). Artist: Hauger
Stained glass window featuring the story of the Prodigal Son, Bourges Cathedral, Bourges, France, 13th century (1849). Bourges Cathedral is dedicated to Saint Stephen

Background imageStained Glass Collection: Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. Artist: Hauger

Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. Artist: Hauger
Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imageStained Glass Collection: Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849

Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. Artist: Franz Kellerhoven
Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imageStained Glass Collection: Barber and wigmaker, 16th century (1849). Artist: H Moulin

Barber and wigmaker, 16th century (1849). Artist: H Moulin
Barber and wigmaker, 16th century (1849). Swiss stained glass in the collection of the Musee de Cluny, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageStained Glass Collection: Toll bridge, 15th century (1849). Artist: H Moulin

Toll bridge, 15th century (1849). Artist: H Moulin
Toll bridge, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Background imageStained Glass Collection: Wine making, 13th century (1849). Artist: Thurwanger Freres

Wine making, 13th century (1849). Artist: Thurwanger Freres
Wine making, 13th century (1849). Stained glass window from Le Mans Cathedral. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Background imageStained Glass Collection: Abbot Suger, French abbot-statesmen, 1898. Artist: Gilbert

Abbot Suger, French abbot-statesmen, 1898. Artist: Gilbert
Abbot Suger, French abbot-statesmen, 1898. A print from Les Francais Illustres, by Gustave Demoulin, Hachette, Paris, 1898

Background imageStained Glass Collection: Sibyl Window, Jesus College Chapel, Cambridge, c1872. Artist: Sir Edward Coley Burne-Jones

Sibyl Window, Jesus College Chapel, Cambridge, c1872. Artist: Sir Edward Coley Burne-Jones
Sibyl Window, Jesus College Chapel, Cambridge, c1872. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Background imageStained Glass Collection: Christs Entry Into Jerusalem, Window in the Church of St. Peter, Vere Street, London, c1883

Christs Entry Into Jerusalem, Window in the Church of St. Peter, Vere Street, London, c1883. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Background imageStained Glass Collection: Maarten van Nieuwenhove, from The Diptych of Maerten van Nieuwenhove, 1487. Artist: Hans Memling

Maarten van Nieuwenhove, from The Diptych of Maerten van Nieuwenhove, 1487. Artist: Hans Memling
Maarten van Nieuwenhove, from The Diptych of Maerten van Nieuwenhove, 1487. Painting held in the Memling Museum, Bruges, Belgium. From A History of Painting, Volume IV by Haldane MacFall. [T. C

Background imageStained Glass Collection: Harmony, 1877, (1938). Artist: Frank Dicksee

Harmony, 1877, (1938). Artist: Frank Dicksee
Harmony, 1877. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Background imageStained Glass Collection: Exeter Cathedral, 1936

Exeter Cathedral, 1936. Sights of Britain, second series of 48 cigarette cards, issued with Senior Service, Junior Member, and Illingworth cigarettes

Background imageStained Glass Collection: Albrecht Durers work room, Nuremberg, 1936. Artist: Albrecht Durer

Albrecht Durers work room, Nuremberg, 1936. Artist: Albrecht Durer
Albrecht Durers work room, Nuremberg, 1936. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageStained Glass Collection: Painting on glass in the 12th century, (c1900)

Painting on glass in the 12th century, (c1900). Fire in the artistic industry, French advertising for Liebig Meat Extract

Background imageStained Glass Collection: Roof of the Chancel, Rosslyn Chapel, Midlothian, Scotland, 20th century

Roof of the Chancel, Rosslyn Chapel, Midlothian, Scotland, 20th century

Background imageStained Glass Collection: The reredos in Liverpool Cathedral, 20th century

The reredos in Liverpool Cathedral, 20th century

Background imageStained Glass Collection: The Great Ballroom in the Palace of Electricity, Paris World Exposition, 1889, (1900)

The Great Ballroom in the Palace of Electricity, Paris World Exposition, 1889, (1900). Artist: G Garen
The Great Ballroom in the Palace of Electricity, Paris World Exposition, 1889, (1900)

Background imageStained Glass Collection: A Stained and Painted Glass Window, 19th century. Artist: John Burley Waring

A Stained and Painted Glass Window, 19th century. Artist: John Burley Waring
A Stained and Painted Glass Window, 19th century. By Marechal of Metz, France

Background imageStained Glass Collection: Legend of the Jew of Rue des Billettes, Paris, piercing holy wafer with his knife, 14th century

Legend of the Jew of Rue des Billettes, Paris, piercing holy wafer with his knife, 14th century, (18)
Legend of the Jew of the Rue des Billettes, Paris, 14th century, (1870). A Jew allegedly pierced the holy wafer with his knife. Accusations of host desecration gradually ceased after the Reformation

Background imageStained Glass Collection: Decoration of the Sainte Chapelle, Paris, 13th century, (1870). Artist: Franz Kellerhoven

Decoration of the Sainte Chapelle, Paris, 13th century, (1870). Artist: Franz Kellerhoven
Decoration of the Sainte Chapelle, Paris, 13th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imageStained Glass Collection: Francis I and Eleonore at their Devotions, 1515-1547, (1870). Artist: Franz Kellerhoven

Francis I and Eleonore at their Devotions, 1515-1547, (1870). Artist: Franz Kellerhoven
Francis I and Eleonore at their Devotions, 1515-1547, (1870). Portion of a stained glass window in the church of St Gudule, Brussels

Background imageStained Glass Collection: A knight (de Bernemicourt) at his orisons before an image of St Mary Magdalene, c1500, (1924)

A knight (de Bernemicourt) at his orisons before an image of St Mary Magdalene, c1500, (1924)

Background imageStained Glass Collection: Charlemagne Window, Cathedral of Chartres, France, c1225

Charlemagne Window, Cathedral of Chartres, France, c1225. Detail of a stained glass window

Background imageStained Glass Collection: Richard I the Lionheart, 1813. Artist: Betton & Evans of Shrewsbury

Richard I the Lionheart, 1813. Artist: Betton & Evans of Shrewsbury (active First Half of 19th cen. )
Richard I the Lionheart, 1813. Found in the collection of the Lichfield Heritage Centre

Background imageStained Glass Collection: A Late Victorian Leaded Glass Window With The Golfers, c. 1890

A Late Victorian Leaded Glass Window With The Golfers, c. 1890. Artist: Brock, Charles Edmund (1870-1938)
A Late Victorian Leaded Glass Window With The Golfers, c. 1890. From a private collection

Background imageStained Glass Collection: Hildegard of Bingen. Artist: Anonymous

Hildegard of Bingen. Artist: Anonymous
Hildegard of Bingen. Found in the collection of the Eibingen Abbey

Background imageStained Glass Collection: Portrait of the daughters of Anne de Montmorency (1493-1567) and Madeleine of Savoy (1510-1586)

Portrait of the daughters of Anne de Montmorency (1493-1567) and Madeleine of Savoy (1510-1586), 1544. Found in the collection of the Musee Conde, Chantilly



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