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Smith Collection (page 10)

Background imageSmith Collection: A Private of the 5th West India Regiment, c1812 (1909). Artist: Joseph Constantine Stadler

A Private of the 5th West India Regiment, c1812 (1909). Artist: Joseph Constantine Stadler
A Private of the 5th West India Regiment, c1812 (1909). After Charles Hamilton Smith (1776-1859). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageSmith Collection: An Officer of the Guards in Full Dress, c1812 (1909). Artist: Joseph Constantine Stadler

An Officer of the Guards in Full Dress, c1812 (1909). Artist: Joseph Constantine Stadler
An Officer of the Guards in Full Dress, c1812 (1909). After Charles Hamilton Smith (1776-1859). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageSmith Collection: William Drummond, 1822. Artist: Edward Smith

William Drummond, 1822. Artist: Edward Smith
William Drummond, 1822. Called of Hawthornden, was a 17th century Scottish poet with a strong preference for imaginative literature, born at Hawthornden Castle, Midlothian

Background imageSmith Collection: S. S. Titanic - In Belfast Lough - April 1912, 1912

S. S. Titanic - In Belfast Lough - April 1912, 1912
S.S. Titanic - In Belfast Lough - April 1912, 1912. Operated by the White Star Line, RMS Titanic struck an iceberg in thick fog off Newfoundland on 14 April 1912

Background imageSmith Collection: Finishing Roving Frame, by Platt, Brothers & Co. Oldham, 1874. Artist: GB Smith

Finishing Roving Frame, by Platt, Brothers & Co. Oldham, 1874. Artist: GB Smith
Finishing Roving Frame, by Platt, Brothers & Co. Oldham, 1874. The Roving Frame winds spindles with thread. Platt Bros & Co manufactured textile machinery and by the end of the 19th century

Background imageSmith Collection: Drawing Frame, by Platt, Brothers & Co. Oldham, 1874. Artist: GB Smith

Drawing Frame, by Platt, Brothers & Co. Oldham, 1874. Artist: GB Smith
Drawing Frame, by Platt, Brothers & Co. Oldham, 1874. Textile machinery, the drawing frame is located in the spinning process

Background imageSmith Collection: Self-Acting Mule. Sharp & Roberts Principle, by P. MacGregor, Manchester, 1874. Artist: GB Smith

Self-Acting Mule. Sharp & Roberts Principle, by P. MacGregor, Manchester, 1874. Artist: GB Smith
Self-Acting Mule.-Sharp & Roberts Principle, by P. MacGregor, Manchester, 1874. Richard Roberts (1789-1864) was a British patternmaker

Background imageSmith Collection: Self Stripping Carding Engine, by Dobson and Barlow Bolton, 1874. Artist: GB Smith

Self Stripping Carding Engine, by Dobson and Barlow Bolton, 1874. Artist: GB Smith
Self Stripping Carding Engine, by Dobson and Barlow Bolton, 1874. A cotton spinning machine invented during the Industrial Revolution, the carding engine transformed raw cotton into cotton lap

Background imageSmith Collection: Landscape, c1750. Artist: John Smith

Landscape, c1750. Artist: John Smith
Landscape, c1750. From The Connoisseur Vol LXI, [Otto Limited, London, 1921]

Background imageSmith Collection: Love Vanquished By Avarice, c1790. Artist: John Raphael Smith

Love Vanquished By Avarice, c1790. Artist: John Raphael Smith
Love Vanquished By Avarice, c1790. From The Connoisseur Vol LXI, [Otto Limited, London, 1921]

Background imageSmith Collection: The Entrance to Speakers Ward as it appeared before the fire, c1897. Artist: William Patten

The Entrance to Speakers Ward as it appeared before the fire, c1897. Artist: William Patten
The Entrance to Speakers Yard, from New Palace Yard, as it appeared before the fire, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageSmith Collection: Broken Cross Within The Abbey Precincts, c1897. Artist: William Patten

Broken Cross Within The Abbey Precincts, c1897. Artist: William Patten
Broken Cross Within The Abbey Precincts, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageSmith Collection: Second part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. Artist: Anker Smith

Second part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. Artist: Anker Smith
Second part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

Background imageSmith Collection: King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley

King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & Artist: Anker Smith
King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & c, 1799. After Richard Westall (1765-1836)

Background imageSmith Collection: First part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. Artist: Anker Smith

First part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. Artist: Anker Smith
First part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

Background imageSmith Collection: Long Lane, Smithfield, City of London, 1810 (1911). Artist: John Thomas Smith

Long Lane, Smithfield, City of London, 1810 (1911). Artist: John Thomas Smith
Long Lane, Smithfield, City of London, 1810 (1911). From London - The City, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

Background imageSmith Collection: Inside view of the Poultry Compter, City of London, 1813 (1911). Artist: John Thomas Smith

Inside view of the Poultry Compter, City of London, 1813 (1911). Artist: John Thomas Smith
Inside view of the Poultry Compter, City of London, 1813 (1911). Poultry Compter was a small prison, run by a Sheriff of the City of London from medieval times until 1815

Background imageSmith Collection: The Old Manor House, Hackney, 1800 (1911). Artist: John Thomas Smith

The Old Manor House, Hackney, 1800 (1911). Artist: John Thomas Smith
The Old Manor House, Hackney, 1800 (1911). Shacklewell House, the manor house of the estate of Shacklewell, was the residence of the Heron family in the 16th century, including Giles Heron

Background imageSmith Collection: Nell Gwynnes House, Bagnigge Wells, Clerkenwell, London, c1814 (1911). Artist: C J Smith

Nell Gwynnes House, Bagnigge Wells, Clerkenwell, London, c1814 (1911). Artist: C J Smith
Nell Gwynnes House, Bagnigge Wells, Clerkenwell, London, c1814 (1911). Eleanor (Nell) Gwyn (1650-1687) was an actress and long time mistress of King Charles II of England and Scotland

Background imageSmith Collection: The Guard Room, Scotland Yard, Westminster, 1805 (1911). Artist: John Thomas Smith

The Guard Room, Scotland Yard, Westminster, 1805 (1911). Artist: John Thomas Smith
The Guard Room, Scotland Yard, Westminster, 1805 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

Background imageSmith Collection: Paolo and Francesca, c1779. Artist: John Raphael Smith

Paolo and Francesca, c1779. Artist: John Raphael Smith
Paolo and Francesca, c1779. From The Connoisseur Volume LXXX. [The Connoisseur Ltd. London, 1928]

Background imageSmith Collection: The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811

The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageSmith Collection: The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789

The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael Smith
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageSmith Collection: Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789

Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageSmith Collection: La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imageSmith Collection: Bangor Is-y-Coed, Denbighshire, c1795. Artist: John Warwick Smith

Bangor Is-y-Coed, Denbighshire, c1795. Artist: John Warwick Smith
Bangor Is-y-Coed, Denbighshire, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageSmith Collection: Palm Trees, Nassau, 1898, (1932). Artist: Winslow Homer

Palm Trees, Nassau, 1898, (1932). Artist: Winslow Homer
Palm Trees, Nassau, 1898, (1932). Painting held at The Metropolitan Museum of Art, New York. From An Outline of Modern Painting in Europe and America, by S. C. Kaines Smith

Background imageSmith Collection: A Vase of Flowers, 1896, (1932). Artist: Paul Gauguin

A Vase of Flowers, 1896, (1932). Artist: Paul Gauguin
A Vase of Flowers, 1896, (1932). Painting held at The National Gallery, London. From An Outline of Modern Painting in Europe and America, by S. C. Kaines Smith. [The Medici Society, London, 1932]

Background imageSmith Collection: The Shepherdess, 1787. Artist: John Raphael Smith

The Shepherdess, 1787. Artist: John Raphael Smith
The Shepherdess, 1787. After Samuel Woodforde (1763-1817). From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

Background imageSmith Collection: What You Will, c1790. Artist: John Raphael Smith

What You Will, c1790. Artist: John Raphael Smith
What You Will, c1790. From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

Background imageSmith Collection: The Cornfield, 1826, (1932). Artists: John Constable, Solomon Charles Kaines Smith

The Cornfield, 1826, (1932). Artists: John Constable, Solomon Charles Kaines Smith
The Cornfield, 1826, (1932). Painting held at The National Gallery, London. From An Outline of Modern Painting in Europe and America, by S. C. Kaines Smith. [The Medici Society, London, 1932]

Background imageSmith Collection: George Washington (The Athenaeum), 1796, (1932). Artist: Gilbert Charles Stuart

George Washington (The Athenaeum), 1796, (1932). Artist: Gilbert Charles Stuart
George Washington (The Athenaeum), 1796, (1932). Painting held at the Museum of Fine Arts, Boston. From An Outline of Modern Painting in Europe and America, by S. C. Kaines Smith

Background imageSmith Collection: Domestic Happiness, Laetitia with her Parents, 1789. Artist: John Raphael Smith

Domestic Happiness, Laetitia with her Parents, 1789. Artist: John Raphael Smith
Domestic Happiness, Laetitia with her Parents, 1789. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

Background imageSmith Collection: At Cobham, Surrey, 1797. Artist: John Thomas Smith

At Cobham, Surrey, 1797. Artist: John Thomas Smith
At Cobham, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageSmith Collection: At Clandon, Surrey, 1797. Artist: John Thomas Smith

At Clandon, Surrey, 1797. Artist: John Thomas Smith
At Clandon, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageSmith Collection: On Merrow Common, Surrey, 1797. Artist: John Thomas Smith

On Merrow Common, Surrey, 1797. Artist: John Thomas Smith
On Merrow Common, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageSmith Collection: The Death of Samson, 1770. Artist: T Smith

The Death of Samson, 1770. Artist: T Smith
The Death of Samson, 1770. After Jan Luyken. From The Antiquities of the Jews, by Josephus Flavius

Background imageSmith Collection: The Tate Gallery (National Gallery of British Art), 1906

The Tate Gallery (National Gallery of British Art), 1906. From Cassells History of England, Vol. IX, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Background imageSmith Collection: The First Day of Oysters, 1863. Artist: William Greatbach

The First Day of Oysters, 1863. Artist: William Greatbach
The First Day of Oysters, 1863. After George Smith

Background imageSmith Collection: Eddystone Light-House, 1836. Artist: William Bernard Cooke

Eddystone Light-House, 1836. Artist: William Bernard Cooke
Eddystone Light-House, 1836. Built by the English civil engineer John Smeaton (1724-1792) beginning in 1756, this was the third lighthouse to be sited on Eddystone Rocks

Background imageSmith Collection: Lady May Abel-Smith with her Children, 1937

Lady May Abel-Smith with her Children, 1937. Lady May (Helen Emma) Abel Smith, born Princess May of Teck, (1906-1994) was a great-granddaughter of Queen Victoria

Background imageSmith Collection: A Wife / Une Femme Mariee, 1791. Artist: John Raphael Smith

A Wife / Une Femme Mariee, 1791. Artist: John Raphael Smith
A Wife / Une Femme Mariee, 1791. From The Connoisseur Volume XX, edited by J. T. Herbert Baily. [Otto Limited, London, 1908]

Background imageSmith Collection: Lady Eleanor Smith, 1937. Artists: Unknown, WD & HO Wills

Lady Eleanor Smith, 1937. Artists: Unknown, WD & HO Wills
Lady Eleanor Smith (1902-1945), English writer, 1937. Cigarette card 33 of 40 from Famous British Authors published by WD & HO Wills

Background imageSmith Collection: The Honorable Mrs Bouverie, c18th century, (1902). Artist: John Raphael Smith

The Honorable Mrs Bouverie, c18th century, (1902). Artist: John Raphael Smith
The Honorable Mrs Bouverie, c18th century. After John Hoppner (1758-1810). From The Connoisseur Vol. II [Otto Limited, London, 1902.]

Background imageSmith Collection: Sophia Western, c18th century, (1902). Artist: John Raphael Smith

Sophia Western, c18th century, (1902). Artist: John Raphael Smith
Sophia Western, c18th century. Sophia Weston is the virtuous love interest in The History of Tom Jones, a Foundling by Henry Fielding (1707-1754). After John Hoppner (1758-1810)

Background imageSmith Collection: Almeria, c18th century, (1902). Artist: John Raphael Smith

Almeria, c18th century, (1902). Artist: John Raphael Smith
Almeria, c18th century. After John Opie (1761-1807). From The Connoisseur Vol. II [Otto Limited, London, 1902.]

Background imageSmith Collection: A Visit to the Grandfather, 1788, (1916). Artist: John Raphael Smith

A Visit to the Grandfather, 1788, (1916). Artist: John Raphael Smith
A Visit to the Grandfather, 1788. After William Ward (1766-1826). From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

Background imageSmith Collection: Mrs. Lorraine Smith, 19th century, (1916). Artist: William Bond

Mrs. Lorraine Smith, 19th century, (1916). Artist: William Bond
Mrs. Lorraine Smith. After Henry Singleton (1766-1839). From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]



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