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Sir Arthur Wellesley Collection (page 3)

Background imageSir Arthur Wellesley Collection: Interior of St Pauls Cathedral during the funeral of the Duke of Wellington, London, 1852 (1853)

Interior of St Pauls Cathedral during the funeral of the Duke of Wellington, London, 1852 (1853)

Background imageSir Arthur Wellesley Collection: Hyde Park Corner, Westminster, London, c1860. Artist

Hyde Park Corner, Westminster, London, c1860. Artist
Hyde Park Corner, Westminster, London, c1860. The Wellington Arch viewed from the north-east with St Georges Hospital and Knightsbridge in the background

Background imageSir Arthur Wellesley Collection: Queen Victoria and Prince Albert taking air in Hyde Park, London, c1840

Queen Victoria and Prince Albert taking air in Hyde Park, London, c1840. The royal couple passing Richard Westmacotts statue of Achilles, erected in honour of the Duke of Wellington

Background imageSir Arthur Wellesley Collection: The Park. Twas post meridian half past four, c1827

The Park. Twas post meridian half past four, c1827. Scene in Hyde Park, London, with horses, riders and coaches standing around the statue of Achilles by Richard Westmacott

Background imageSir Arthur Wellesley Collection: Apsley House, Hyde Park, London, 1823. Artist

Apsley House, Hyde Park, London, 1823. Artist
Apsley House, Hyde Park, London, 1823. View with two riders and dogs on the left and a woman and child on the right. Apsley House, also known as Number One, London

Background imageSir Arthur Wellesley Collection: View of the statue of Achilles, Hyde Park, London, 1822

View of the statue of Achilles, Hyde Park, London, 1822. The statue, by Richard Westmacott, was erected in the park in 1822 in honour of the Duke of Wellington

Background imageSir Arthur Wellesley Collection: New version of John Gilpin, after Stothard, 1846

New version of John Gilpin, after Stothard, 1846. Sir Robert Peel, shedding a hat inscribed Toryism and a wig inscribed Conservative, and with a purse, Income Tax

Background imageSir Arthur Wellesley Collection: The Looking Glass, 1831

The Looking Glass, 1831. 12 vignettes on 1 sheet, featuring a City feast, Alderman John Key, the Duke of Wellington, articles to be taxed: bonnets, bustles, teeth

Background imageSir Arthur Wellesley Collection: A Break, losing the Reins, 1830

A Break, losing the Reins, 1830. Prime Minister the Duke of Wellington and Home Secretary Sir Robert Peel about to fall from a vehicle, hauled by a horse (Alderman Hunter) and an ass (Alderman Key)

Background imageSir Arthur Wellesley Collection: Funeral of the Duke of Wellington, St Pauls Cathedral, City of London, 18 November, 1852

Funeral of the Duke of Wellington, St Pauls Cathedral, City of London, 18 November, 1852. Wellingtons funeral car arriving at the cathedral

Background imageSir Arthur Wellesley Collection: Procession of the Prince Regent, 1814

Procession of the Prince Regent, 1814. A broad sheet at the head of which is depicted the procession of the Prince Regent to Guildhall to celebrate peace after the Napoleonic Wars

Background imageSir Arthur Wellesley Collection: Bow Street, the pick-pockets examined, London, 1830. Artist: LB

Bow Street, the pick-pockets examined, London, 1830. Artist: LB
Bow Street, the pick-pockets examined, London, 1830. Wellington and Peel (?) are depicted in the dock at Bow Street, charged with delaying the coronation of William IV

Background imageSir Arthur Wellesley Collection: A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829 Artist

A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829 Artist
A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829. Showing Sir Robert Peel (Jerry) putting to flight a band of elderly nightwatchmen

Background imageSir Arthur Wellesley Collection: The Saveall, or Economy, 1828. Artist: Thomas McLean

The Saveall, or Economy, 1828. Artist: Thomas McLean
The Saveall, or Economy, 1828. The Duke of Wellington stands between Apsley House, (his future home - still under construction), and the Triumphal Arch on Constitution Hill

Background imageSir Arthur Wellesley Collection: The great general frightened by Don-Key, 1830. Artist: Henry Heath

The great general frightened by Don-Key, 1830. Artist: Henry Heath
The great general frightened by Don-Key, 1830; shows the Duke of Wellington running in alarm, from a donkey in mayoral cloak (Sir John Key)

Background imageSir Arthur Wellesley Collection: Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall, 1827

Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall, 1827
Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall ; a large board containing fairy lamps plummets towards the new Lord Mayor, Matthias Prime Lucas and guests

Background imageSir Arthur Wellesley Collection: Bird s-eye view of the Royal Exchange, London, c1860

Bird s-eye view of the Royal Exchange, London, c1860. The statue of the Duke of Wellingtob, figures, horses and coaches can be discerned outside

Background imageSir Arthur Wellesley Collection: St Pauls Cathedral (new) interior, London, c1852. Artist: Andrew Maclure

St Pauls Cathedral (new) interior, London, c1852. Artist: Andrew Maclure
An interior view of St Pauls Cathedral, London, showing the funeral of the Duke of Wellington, 1852

Background imageSir Arthur Wellesley Collection: Wellingtons Monument in St Pauls Cathedral, City of London, 1877. Artist

Wellingtons Monument in St Pauls Cathedral, City of London, 1877. Artist
Wellingtons Monument in St Pauls Cathedral, City of London, 1877. The memorial to the Duke of Wellington, designed by Alfred Stevens, was completed in 1878

Background imageSir Arthur Wellesley Collection: A serio comic extravaganza... 1820

A serio comic extravaganza... 1820. George IV seems to be dismissing a petition from the Lord Mayor, John Thomas Thorp, introduced by Alderman Matthew Wood (?)

Background imageSir Arthur Wellesley Collection: Jack Ketch executing sentence on a culprit, 1832. Artist

Jack Ketch executing sentence on a culprit, 1832. Artist
Jack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him

Background imageSir Arthur Wellesley Collection: The terror-stricken, horror-smitten ministers advice, or the R[oya]l visit postponed, 1830

The terror-stricken, horror-smitten ministers advice, or the R[oya]l visit postponed, 1830. The Duke of Wellington, attended by Sir Robert Peel, tells the King, William IV

Background imageSir Arthur Wellesley Collection: The self created brute... 1830

The self created brute... 1830. The Lord Mayors bedroom. A woman representing the City is ejecting the Lord Mayor, Sir John Key

Background imageSir Arthur Wellesley Collection: Ahithophel in the dumps, 1830. Artist: Henry Heath

Ahithophel in the dumps, 1830. Artist: Henry Heath
Ahithophel in the dumps, 1830. The Duke of Wellington on a donkey with a saddle resembling a mayoral gown approaching a gallows

Background imageSir Arthur Wellesley Collection: Locum Tenens, the celebrated Hunter, 1830

Locum Tenens, the celebrated Hunter, 1830. A donkey in aldermanic costume sitting astride a horse. The cartoon alludes to Sir Claudius Hunters involvement with the cancellation of the Royal visit to

Background imageSir Arthur Wellesley Collection: The Donkey Mare... 1830

The Donkey Mare... 1830
The Donkey Mare, braying Ecaw, ecaw loud and deep, from the great City to the great dictator, 1830. The Lord Mayor, Sir John Key, with asses ears

Background imageSir Arthur Wellesley Collection: The mares lamentation, or the self-willed Don-Key, 1830. Artist

The mares lamentation, or the self-willed Don-Key, 1830. Artist
The mares lamentation, or the self-willed Don-Key, 1830. Sir John Key, in mayoral robes, with asses ears and legs. The cartoon refers to the cancellation of the Lord Mayors show by Key for fear of

Background imageSir Arthur Wellesley Collection: Oh! Oh! Oh! Oh!... No go!!!, 1830

Oh! Oh! Oh! Oh!... No go!!!, 1830. The Lord Mayor, Sir John Key and a variety of City tradesmen and others, including a Christs Hospital scholar

Background imageSir Arthur Wellesley Collection: Bank of England, Threadneedle Street, London, (1840?) Artist: Henry Wallis

Bank of England, Threadneedle Street, London, (1840?) Artist: Henry Wallis
View of the Bank of England, Royal Exchange, Cornhill and King William Street, London, 1840(?); with a street scene and horse drawn carriages. Also showing a proposed statue of the Duke of Wellington

Background imageSir Arthur Wellesley Collection: Apsley House, Westminster, London, 1853. Artist: William Greatbach

Apsley House, Westminster, London, 1853. Artist: William Greatbach
Interior view of Apsley House, Westminster, London, 1853; showing the Duke of Wellington giving the annual banquet for his companions in arms on the anniversary of the Battle of Waterloo

Background imageSir Arthur Wellesley Collection: View of the funeral car of the Duke of Wellington, 1852. Artist: Richard Redgrave

View of the funeral car of the Duke of Wellington, 1852. Artist: Richard Redgrave
View of the funeral car of the Duke of Wellington, 1852. Two horses pull a large hearse containing the coffin covered in flags and banners. The carraige is accompanied by two soldiers in uniform

Background imageSir Arthur Wellesley Collection: Plan of seating arrangements for the Duke of Wellingtons funeral, 1852

Plan of seating arrangements for the Duke of Wellingtons funeral, 1852
Plan showing the seating arrangements for the funeral of the Duke of Wellington, 1852 in St Pauls Cathedral, London

Background imageSir Arthur Wellesley Collection: An illustrated songsheet, 1831

An illustrated songsheet, 1831. Two images with the songs Gog and Magog rewarded and King William and the citizens of London beneath

Background imageSir Arthur Wellesley Collection: Dukes own room, Apsley House, Westminster, London, 19th century

Dukes own room, Apsley House, Westminster, London, 19th century. Also known as Number One, London, Apsley House was the residence of the Duke of Wellington

Background imageSir Arthur Wellesley Collection: Wellingtons funeral procession passing the Senior United Service Club, Pall Mall, London, 1852

Wellingtons funeral procession passing the Senior United Service Club, Pall Mall, London, 1852

Background imageSir Arthur Wellesley Collection: Battle of Quatre Bras, June 16th 1815. Artist: Thomas Sutherland

Battle of Quatre Bras, June 16th 1815. Artist: Thomas Sutherland
Battle of Quatre Bras, June 16th 1815. Quatre Bras was a preliminary engagement to the Battle of Waterloo, fought two days before the main battle

Background imageSir Arthur Wellesley Collection: Entrance of Lord Wellington into Salamanca, May 20th 1813 1815. Artist: Matthew Dubourg

Entrance of Lord Wellington into Salamanca, May 20th 1813 1815. Artist: Matthew Dubourg
Entrance of Lord Wellington into Salamanca at the head of a Regiment of Hussars, May 20th 1813 1815. Scene during Wellingtons final, decisive advance of the Peninsular War

Background imageSir Arthur Wellesley Collection: The Left Wing of the British army in Action at the Battle of Waterloo, June 18th 1815 Artist

The Left Wing of the British army in Action at the Battle of Waterloo, June 18th 1815 Artist
The Left Wing of the British army in Action at the Battle of Waterloo, June 18th 1815. The Battle of Waterloo was the decisive defeat for Napoleon and marked the end of his empire

Background imageSir Arthur Wellesley Collection: A Plan of the Glorious Battle of Waterloo, 1815 (19th century)

A Plan of the Glorious Battle of Waterloo, 1815 (19th century)

Background imageSir Arthur Wellesley Collection: Second Battle of Porto, Portugal, 12th May 1809 (1819). Artist: T Fielding

Second Battle of Porto, Portugal, 12th May 1809 (1819). Artist: T Fielding
Second Battle of Porto, Portugal, 12th May 1809 (1819). Less than a month after taking command of the British army in Portugal, the Duke of Wellington captured the city of Porto from the French

Background imageSir Arthur Wellesley Collection: Battle of the Pyrenees, Spain, 28th July 1813 (1819). Artist: T Fielding

Battle of the Pyrenees, Spain, 28th July 1813 (1819). Artist: T Fielding
Battle of the Pyrenees, Spain, 28th July 1813 (1819). The battle saw the British under Wellington repel a French offensive to relieve the besieged garrisons of Pamplona and San Sebastian

Background imageSir Arthur Wellesley Collection: Battle of Vimeiro, Portugal, 1st August 1808 (1819). Artist: T Fielding

Battle of Vimeiro, Portugal, 1st August 1808 (1819). Artist: T Fielding
Battle of Vimeiro, Portugal, 1st August 1808 (1819). The British army commanded by Wellington defeated the French under Junot. From The Victories of the Duke of Wellington, 1819

Background imageSir Arthur Wellesley Collection: Battle of Talavera, Spain, 28th July 1809 (1819). Artist: T Fielding

Battle of Talavera, Spain, 28th July 1809 (1819). Artist: T Fielding
Battle of Talavera, Spain, 28th July 1809 (1819). The British and Spanish army commanded by Wellington won an indecisive victory over the French commanded by Napoleons brother Joseph Bonaparte

Background imageSir Arthur Wellesley Collection: Liberation of Madrid, 6th August 1812 (1819). Artist: T Fielding

Liberation of Madrid, 6th August 1812 (1819). Artist: T Fielding
Liberation of Madrid, 6th August 1812 (1819). Members of the clergy welcoming the Duke of Wellington to the city after the withdrawal of the occupying French

Background imageSir Arthur Wellesley Collection: Battle of Badajoz, Spain, 6th April 1812 (1819). Artist: T Fielding

Battle of Badajoz, Spain, 6th April 1812 (1819). Artist: T Fielding
Battle of Badajoz, Spain, 6th April 1812 (1819). The British succeeded in capturing the city from the French bu suffered heavy casualties in the process

Background imageSir Arthur Wellesley Collection: Battle of Busaco, Portugal, 27th September 1810 (1819). Artist: T Fielding

Battle of Busaco, Portugal, 27th September 1810 (1819). Artist: T Fielding
Battle of Busaco, Portugal, 27th September 1810 (1819). British and Portuguese troops commanded by Wellington repulsed the French under Massena. From The Victories of the Duke of Wellington, 1819

Background imageSir Arthur Wellesley Collection: Battle of Vitoria, Spain, 21st June 1813 (1819). Artist: T Fielding

Battle of Vitoria, Spain, 21st June 1813 (1819). Artist: T Fielding
Battle of Vitoria, Spain, 21st June 1813 (1819). The victory for Wellington and his Spanish and Portuguese allies at Vitoria was decisive in bringing about the defeat of the French in the Peninsular

Background imageSir Arthur Wellesley Collection: Capture of Toulouse, France, 10th April 1814 (1819). Artist: T Fielding

Capture of Toulouse, France, 10th April 1814 (1819). Artist: T Fielding
Capture of Toulouse, France, 10th April 1814 (1819). The Battle of Toulouse was fought after Napoleons surrender to the Sixth Coalition and abdication



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