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Silly Collection (page 5)

Background imageSilly Collection: Plate 34 from Los Caprichos : Sleep overcomes them (Las rinde el Sueno. ), 1799

Plate 34 from Los Caprichos : Sleep overcomes them (Las rinde el Sueno. ), 1799
Plate 34 from Los Caprichos : Sleep overcomes them (Las rinde el Sueno.), 1799

Background imageSilly Collection: Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Background imageSilly Collection: Plate 32 from Los Caprichos : Because she was susceptible (Por que fue sensible. ), 1799

Plate 32 from Los Caprichos : Because she was susceptible (Por que fue sensible. ), 1799
Plate 32 from Los Caprichos :Because she was susceptible (Por que fue sensible.), 1799

Background imageSilly Collection: Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Background imageSilly Collection: Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Background imageSilly Collection: Plate 26 from Los Caprichos : They ve already got a seat (Ya tienen asiento. ), 1799

Plate 26 from Los Caprichos : They ve already got a seat (Ya tienen asiento. ), 1799
Plate 26 from Los Caprichos :They ve already got a seat (Ya tienen asiento.), 1799

Background imageSilly Collection: Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Background imageSilly Collection: Plate 22 from Los Caprichos : Poor little girls! (Pobrecitas!), 1799

Plate 22 from Los Caprichos : Poor little girls! (Pobrecitas!), 1799

Background imageSilly Collection: Plate 21 from Los Caprichos : How they pluck her! (!Qual la descanonan

Plate 21 from Los Caprichos : How they pluck her! (!Qual la descanonan
Plate 21 from Los Caprichos : How they pluck her! (aQual la descanonan!), 1799

Background imageSilly Collection: Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Background imageSilly Collection: Plate 17 from Los Caprichos : It is nicely stretched (Bien tirada esta. ), 1799

Plate 17 from Los Caprichos : It is nicely stretched (Bien tirada esta. ), 1799
Plate 17 from Los Caprichos : It is nicely stretched (Bien tirada esta.), 1799

Background imageSilly Collection: Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Background imageSilly Collection: Plate 15 from Los Caprichos : Pretty Advice (Bellos consejos), 1799

Plate 15 from Los Caprichos : Pretty Advice (Bellos consejos), 1799

Background imageSilly Collection: Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Background imageSilly Collection: Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Background imageSilly Collection: Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Background imageSilly Collection: Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Background imageSilly Collection: Plate 8 from Los Caprichos : They carried her off! (Que se la llevaron!), 1799

Plate 8 from Los Caprichos : They carried her off! (Que se la llevaron!), 1799

Background imageSilly Collection: Plate 7 from Los Caprichos : Even thus he cannot make her out (Ni asi la distingue

Plate 7 from Los Caprichos : Even thus he cannot make her out (Ni asi la distingue.), 1799

Background imageSilly Collection: Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Background imageSilly Collection: Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Background imageSilly Collection: Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Background imageSilly Collection: Plate 2 from Los Caprichos : They say yes and give their hand to the first comer

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

Background imageSilly Collection: Ancient ceremony of Chopping Sticks, and Counting Horse-shoes and Hob-nails... 1844

Ancient ceremony of Chopping Sticks, and Counting Horse-shoes and Hob-nails... 1844
Ancient ceremony of Chopping Sticks, and Counting Horse-shoes and Hob-nails, in the Court of the Exchequer, 1844. London aldermen performing a traditional custom

Background imageSilly Collection: The Eureka, 1845. Creator: Unknown

The Eureka, 1845. Creator: Unknown
The Eureka, 1845....a Machine for Composing Hexameter Latin Verses, which is now exhibited at the Egyptian Hall, in Piccadilly

Background imageSilly Collection: Scene from 'The Castles of the Seven Passions', at the Lyceum Theatre, 1844

Scene from "The Castles of the Seven Passions", at the Lyceum Theatre, 1844
Scene from " The Castles of the Seven Passions", at the Lyceum Theatre, 1844. Robert and Mary Anne Keeley in a London stage production of...the successful new drama of " The Castles of

Background imageSilly Collection: Scene from 'Harlequin and Johnnys Ride', at Astley s, 1844. Creator: Unknown

Scene from "Harlequin and Johnnys Ride", at Astley s, 1844. Creator: Unknown
Scene from " Harlequin and Johnnys Ride", at Astley s, 1844. London stage production at Astleys Royal Amphitheatre

Background imageSilly Collection: Barry, the Clown, on the Thames, 1844. Creator: Unknown

Barry, the Clown, on the Thames, 1844. Creator: Unknown
Barry, the Clown, on the Thames, 1844. Scene on the River Thames in London:an eccentric feat of very rare, though not unprecedented enactment. Mr

Background imageSilly Collection: Railway Mania, 1845. Creator: Alfred Crowquill

Railway Mania, 1845. Creator: Alfred Crowquill
Railway Mania, 1845. Speculators hang on to the tail of a long-haired troll-like creature riding a steam locomotive, the personification of Railway Mania

Background imageSilly Collection: John Bull, with open mouth, is ready to swallow any quantity of Railroad, 1845

John Bull, with open mouth, is ready to swallow any quantity of Railroad, 1845. Illustration to a story by Alfred Crowquill

Background imageSilly Collection: The Railway World - Ironing Done Here, 1845. Creator: Alfred Crowquill

The Railway World - Ironing Done Here, 1845. Creator: Alfred Crowquill
The Railway World - Ironing Done Here, 1845. A globe covered in railway tracks, from a comic story written and illustrated by Alfred Crowquill on the subject of railway speculation - investment in

Background imageSilly Collection: The Mat de Cocagne, 1845. Creator: Unknown

The Mat de Cocagne, 1845. Creator: Unknown
The Mat de Cocagne, 1845. Bastille Day celebrations in Paris....the struggle for prizes is carried on by means of a high pole fixed in the Champs Elysees, and the prizes

Background imageSilly Collection: Waggoners Frocks or No Bodys of 1795, August 4, 1795. Creator: Anon

Waggoners Frocks or No Bodys of 1795, August 4, 1795. Creator: Anon
Waggoners Frocks or No Bodys of 1795, August 4, 1795

Background imageSilly Collection: Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas

Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas
Les Invisibles (The Invisible Ones), 1810

Background imageSilly Collection: The Rival Richards, or Sheakspear in Danger, May 18, 1814. Creator: William Heath

The Rival Richards, or Sheakspear in Danger, May 18, 1814. Creator: William Heath
The Rival Richards, or Sheakspear in Danger, May 18, 1814

Background imageSilly Collection: Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s

Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s
Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay Theres the Villainy - vide Shakespeare, June 30, 1829

Background imageSilly Collection: Locomotion: Walking by Steam, Riding by Steam, Flying by Steam, ca. 1830

Locomotion: Walking by Steam, Riding by Steam, Flying by Steam, ca. 1830

Background imageSilly Collection: Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1), August 1

Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1), August 1, 1795

Background imageSilly Collection: Dandies in Rotten Row, January 21, 1819. Creator: William Heath

Dandies in Rotten Row, January 21, 1819. Creator: William Heath
Dandies in Rotten Row, January 21, 1819

Background imageSilly Collection: Well-a-day, Is this my Son Tom, ca. 1773. Creator: Probably after Samuel Hieronymus Grimm

Well-a-day, Is this my Son Tom, ca. 1773. Creator: Probably after Samuel Hieronymus Grimm
Well-a-day, Is this my Son Tom, ca. 1773

Background imageSilly Collection: Foolish Knowledge and Foolish Love Trying to Restrain the World

Foolish Knowledge and Foolish Love Trying to Restrain the World, from The Unrestrained World, plate 2, 1550

Background imageSilly Collection: We re wearing lots of flowers this spring, especially on hats (Fashionable Magazine)

We re wearing lots of flowers this spring, especially on hats (Fashionable Magazine), plate IX from the suite The English At Home, from Masks and Faces, 1853

Background imageSilly Collection: A Wolf in Sheeps Clothing, 1870-1891. Creator: Charles Samuel Keene

A Wolf in Sheeps Clothing, 1870-1891. Creator: Charles Samuel Keene
A Wolf in Sheeps Clothing, 1870-1891

Background imageSilly Collection: Sir Joseph Banks about to Eat an Alligator (‘The Fish Supper )

Sir Joseph Banks about to Eat an Alligator (‘The Fish Supper )
Sir Joseph Banks about to Eat an Alligator ( The Fish Supper ), 1788 or later

Background imageSilly Collection: Sir Jeffery Dunstan Presenting an Address from the Corporation of Garratt, De

Sir Jeffery Dunstan Presenting an Address from the Corporation of Garratt, December 30, 1788

Background imageSilly Collection: French Barracks, August 12, 1791. August 12, 1791. Creators: Thomas Rowlandson

French Barracks, August 12, 1791. August 12, 1791. Creators: Thomas Rowlandson
French Barracks, August 12, 1791

Background imageSilly Collection: Veneration, 1800. 1800. Creator: Thomas Rowlandson

Veneration, 1800. 1800. Creator: Thomas Rowlandson
Veneration, 1800

Background imageSilly Collection: Horror, January 1, 1800. January 1, 1800. Creator: Thomas Rowlandson

Horror, January 1, 1800. January 1, 1800. Creator: Thomas Rowlandson
Horror, January 1, 1800



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