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Letter from Samuel Prout, 1843 (1915). Artist: Samuel ProutLetter from Samuel Prout, 1843 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Samuel Prout, 1823 (1915). Artist: John JacksonSamuel Prout, 1823 (1915). The painting is held at the National Portrait Gallery, London. From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
View in Ghent, c1820 (1915). Artist: Samuel ProutView in Ghent, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
A View of Ben Eim, 1813. Artist: Samuel MiddimanA View of Ben Eim, 1813. Otherwise known as Bla Bheinn - or Blaven. One of the most magnificent mountains in Britain; a great isolated citadel of rock stands apart from the rest of the Cuillin Ridge
Beaumont Lodge, Lord Ashbrooke, 1810. Artist: William Bernard CookeBeaumont Lodge, Lord Ashbrooke, 1810. The estate lies by the River Thames, In 1805 the Beaumont property was bought for about £ 14, 000 by Viscount Ashbrook, a friend of George IV
Central Administration Pavilion, Pennsylvania Hospital, Philadelphia, 1922. Founded in 1751 by Benjamin Franklin and Dr Thomas Bond
Samuel Drew, 1845. Artist: Robert HicksSamuel Drew, 1845. Cornish Methodist theologian, nicknamed the Cornish metaphysician for his works on the human soul, the nature of God, and the deity of Christ
Mr Samuel Drew, 1819. Artist: Robert HicksMr Samuel Drew, 1819. Cornish Methodist theologian, nicknamed the Cornish metaphysician for his works on the human soul, the nature of God, and the deity of Christ
Lucy Harington, Countess of Bedford, 1824. Artist: Samuel FreemanLucy Harington, Countess of Bedford, 1824. Aristocratic patron of the arts and literature in the Elizabethan and Jacobean eras. After Gerard van Honthorst (1592-1656)
St. Clement, 1824. Artist: Charles Joseph HullmandelSt. Clement, 1824. After Samuel Prout (1783?1852). [R. Ackermann, London, 1824]
Bristol (from Rownham Ferry), 1859. Artist: Samuel BradshawBristol (from Rownham Ferry), 1859. The Rownham Ferry was a boat service across the River Avon in Bristol, England. After William Henry Bartlett (1809-1854)
Edward V, 1783. Artist: Alexander HoggEdward V, 1783. After Samuel Wale (1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
Edward II, 1783. Artist: TaylorEdward II, 1783. After Samuel Wale (1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
Henry IV, 1783. Artists: Samuel Wale, John CaryHenry IV, 1783. After Samuel Wale (1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
Henry I, 1783. Artist: John Keyse SherwinHenry I, 1783. After Samuel Wale (1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
Edward III, 1783. Artist: George WalkerEdward III, 1783. After Samuel Wale (1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
The Dissolution of the Long Parliament, 1653, by Oliver Cromwell, in order to intoduce Triennal Ele Artist: John GoldarThe Dissolution of the Long Parliament, 1653, by Oliver Cromwell, in order to intoduce Triennal Elections, 1783. After Samuel Wale (1721-1786)
King Stephen, 1783. Artist: HawkinsKing Stephen, 1783. After Samuel Wale (1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
Edward VI, 1554. Artist: TaylorEdward VI, 1554. After Samuel Wale (c1721-1786). From New Complete and Authentic History of England, by Edward Barnard. [Alex Hogg, London, 1783]
The Bill of Rights ratified at the Revolution by King William, and Queen Mary previous to their Cor Artist: John CaryThe Bill of Rights ratified at the Revolution by King William, and Queen Mary previous to their Coronation, 1783. After Samuel Wale (c1721-1786)
Edward the Black Prince (eldest Son of Edward III) conducting the King of France his Prisoner throu ArtistEdward the Black Prince (eldest Son of Edward III) conducting the King of France his Prisoner through the City of London, 1356, 1783. After Samuel Wale (c1721-1786)
Lady Howes Villa, 1809. Artist: William Bernard CookeLady Howes Villa, 1809. After Samuel Owen (1768-1857). [Vernor, Hood & Sharpe, Poultry & W. Cooke, London, 1809]
Lady Sullivans Villa, 1809. Artist: William Bernard CookeLady Sullivans Villa, 1809. After Samuel Owen (1768-1857). [Vernor, Hood & Sharpe, Poultry & W. Cooke, London, 1809]
Eton Bridge, 1809. Artist: William Bernard CookeEton Bridge, 1809. After Samuel Owen (1768-1857). [Vernor, Hood & Sharpe, London, 1809]
Pont y Pair, 1807. Artist: Samuel MiddimanPont y Pair, 1807. After Paul Sandby Munn (1773-1845). [W. Clarke, London, 1807]
Salisbury, from the London Road, 1805. Artist: Samuel RawleSalisbury, from the London Road, 1805. After John Nixon. [James Asperne, London, 1805]
Samuel Rogers house, Green Park front, Westminster, London, c1854 (1878). The home of the celebrated English poet Samuel Rogers (1763-1855)
Samuel Rogers, English poet, c1854 (1878). Artist: SmythSamuel Rogers, English poet, c1854 (1878). Samuel Rogers (1763-1855) was a poet greatly celebrated in his lifetime. From Old and New London Illustrated, Vol IV, by Edward Walford
Samuel Foote, English playwright, actor and theatre manager, c1875 (1878). Samuel Foote (1720-1777) was a dramatist, actor and manager of the Haymarket Theatre, London
Vernon at Portobello, c1740. Artist: Samuel ScottVernon at Portobello, c1740. The capture of Porto Bello, Panama, from the Spanish by British Admiral Edward Vernon (1684-1757) on 21 August 1739 during the War of Jenkins Ear
Egyptian Hall, Mansion House: The Wilson Banquet, c1841. Artist: Henry MelvilleEgyptian Hall, Mansion House: The Wilson Banquet, c1841. The print depicts a sumptuous banquet held by Samuel Wilson, Lord Mayor of London, in 1839
Taste in High Life, 1798. Artist: Samuel PhillipsTaste in High Life, 1798. A satire on affected manners. A man holds a saucer and a woman daintily holds the teacup. Another woman tickles a black servant under the chin
One of the cigar manufacturing departments at Salmon and Gluckstein, Ltd, London, c1870s (1903). Salmon & Gluckstein was a British tobacco company
Samuel Richardson, English writer and printer, c1750 (1911). Artist: Joseph HighmoreSamuel Richardson (1689-1761), English writer and printer, c1750 (1911).From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]
Street Scene, Bayeux, Normandy, c1828. Artist: Samuel ProutStreet Scene, Bayeux, Normandy, c1828. Painting held in the Walker Art Gallery, Liverpool. From The Connoisseur Volume LXXXIX, [The Connoisseur Ltd, London, 1932]
A General Prospect of Vauxhall Gardens, c1756, (1912). Artist: Samuel WaleA General Prospect of Vauxhall Gardens, c1756, (1912). From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]
In Greenwich Park on Whit Monday, c1802, (1912). Artist: Samuel RawleIn Greenwich Park on Whit Monday, c1802, (1912). From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]
Cathedral Town on a River, c1825. Artist: Samuel ProutCathedral Town on a River, c1825. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe
View in the Forum, Rome, c1823. Artist: Samuel ProutView in the Forum, Rome, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe
Cottages at Glastonbury, c1819. Artist: Samuel ProutCottages at Glastonbury, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe
Off Plymouth, c1827. Artist: Samuel ProutOff Plymouth, c1827. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd
Milking in the Field, c1847. Artist: Samuel PalmerMilking in the Field, c1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe
Hudibras, c1770. Artist: Ralph WoodHudibras, c1770. Hudibras is an English mock-heroic narrative poem written by Samuel Butler. This figure is an example of late 18th century Staffordshire pottery. From The Connoisseur Volume XXV
The Shepherdess, 1787. Artist: John Raphael SmithThe Shepherdess, 1787. After Samuel Woodforde (1763-1817). From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]
Stonehenge, Wilts, 1776. Artist: GodfreyStonehenge, Wilts, 1776. [S. Hooper, 1776]
Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John HallAct of Trampling over the Images of Our Saviour & the Virgin Mary at the beginning of the New Year at Nagasaki, 1765. After Samuel Wale (c1721-1786)
Sion House, view d from opposite Isleworth Church, c1760. Artist: Edward RookerSion House, view d from oposite Isleworth Church, c1760. Formerly the site of an abbey, the estate at Syon was acquired after the dissolution of the monasteries by Edward Seymour
Medmenham Abbey near Henley on Thames, 1787. Artist: J NewtonMedmenham Abbey near Henley on Thames, 1787. A Cistercian abbey was founded in Medmenham in the 12th century under the ownership of Woburn Abbey