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Page from Tales of a Parrot (Tuti-nama): Fourteenth night: The origin of music... cPage from Tales of a Parrot (Tuti-nama): Fourteenth night: The origin of music from a fabulous bird of India which had seven holes in its beak, c. 1560
Page from Tales of a Parrot (Tuti-nama): Forty-second night: The Rajas daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, c. 1560
Page from Tales of a Parrot (Tuti-nama): Forty-fourth night: The parrot addresses Khujasta at the beginning of the forty-fourth night, c. 1560
Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad…, cPage from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad reveals his true identity to the Hashimi, c. 1560
Page from Tales of a Parrot (Tuti-nama): Twenty-third night: Kamjuy... c. 1560. Creator: UnknownPage from Tales of a Parrot (Tuti-nama): Twenty-third night: Kamjuy, the wife of the Raja, averts her face from the fishes, c. 1560
Page from Tales of a Parrot (Tuti-nama): Twenty-fourth night: The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, c. 1560
Page from Tales of a Parrot (Tuti-nama): Twenty-first night: The Brahman... c. 1560Page from Tales of a Parrot (Tuti-nama): Twenty-first night: The Brahman comes upon a lion who has a deer and a gazelle as his viziers, c. 1560
Page from Tales of a Parrot (Tuti-nama): Twenty-fifth night: The parrot addresses Khujasta at the beginning of the twenty-fifth night, c. 1560