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St Giless Courtship, 1799. 1799. Creator: Thomas RowlandsonSt Giless Courtship, 1799
A Sale of English-Beauties in the East Indies, [May 10, 1811], reprint
The Art of Ingeniously Tormenting, 1808. 1808. Creator: Thomas RowlandsonThe Art of Ingeniously Tormenting, 1808
An Old Member on his Road to the House of Commons, September 1, 1802. September 1, 1802An Old Member on his Road to the House of Commons, September 1, 1802
A Bawd on her Last Legs, 1792. 1792. Creator: Thomas RowlandsonA Bawd on her Last Legs, 1792
A Bawd on her Last Legs, October 1, 1792. October 1, 1792. Creator: Thomas RowlandsonA Bawd on her Last Legs, October 1, 1792
St Jamess and St Giless, 1792. 1792. Creator: Thomas RowlandsonSt Jamess and St Giles s, 1792
St. Jamess and St. Giless, December 1, 1791. December 1, 1791St. Jamess and St. Giles s, December 1, 1791
Plucking a Spoony, February 28, 1812. February 28, 1812. Creator: Thomas RowlandsonPlucking a Spoony, February 28, 1812
How Happy Could I Be With Either, Were t Other Dear Charmer Away, [1784]. [1784]How Happy Could I Be With Either, Were t Other Dear Charmer Away, [1784]
Woman before a Mirror, 1897. Creator: Henri de Toulouse-LautrecWoman before a Mirror, 1897
The Streetwalker, ca. 1890-91. Creator: Henri de Toulouse-LautrecThe Streetwalker, ca. 1890-91
Courtesan of Eguchi (Eguchi no kimi), Painting: 1770-80; inscription: 1820s-1830s. Creator: ShunshoCourtesan of Eguchi (Eguchi no kimi), Painting:1770-80; inscription: 1820s-1830s
Woman at a Balcony, 1887-88. Creator: Jean-Leon GeromeWoman at a Balcony, 1887-88
The Temptation, 1746. Creator: Pietro LonghiThe Temptation, 1746
The Letter, 1746. Creator: Pietro LonghiThe Letter, 1746
The Sofa, ca. 1894-96. Creator: Henri de Toulouse-LautrecThe Sofa, ca. 1894-96
In the Salon at the Rue des Moulins, 1894, (1952). Creator: Henri de Toulouse-LautrecIn the Salon at the Rue des Moulins, 1894, (1952). Sex workers in a Paris brothel on the Rue des Moulins. Painting in the Musee Toulouse-Lautrec, Albi, France
Rue des Moulins, 1894, (1952). Creator: Henri de Toulouse-LautrecRue des Moulins, 1894, (1952). Sex workers in a Paris brothel on the Rue des Moulins. Painting in the National Gallery of Art, Washington DC, USA
Soldiers With Prostitute. Creator: Vladimirov, Ivan Alexeyevich (1869-1947)Soldiers With Prostitute. Private Collection
Deux Lorettes, mid-late 19th century, (1943). Creator: Constantin GuysDeux Lorettes, mid-late 19th century, (1943). Lorette was a term for a female sex worker. The name derives from the Notre-Dame-de-Lorette area of Paris where many lorettes lived and worked
The death and the wife, ca 1521-1525. Creator: Baldung (Baldung Grien), Hans (1484-1545)The death and the wife, ca 1521-1525. Found in the Collection of Art Museum Basel
Prostitute in Half Figure, 1518. Creator: Graf, Urs (c. 1485-1527 / 28)Prostitute in Half Figure, 1518. Found in the Collection of Art Museum Basel
Nana (After Emile Zola novel Nana), 1934. Artist: Williams, Pyotr VladimirovichNana (After Emile Zola novel Nana), 1934. Found in the collection of the State Tretyakov Gallery, Moscow
Courtesans, 1661, (1924). Creator: Hishikawa MoronobuCourtesans, 1661, (1924). From the " Taka Byobu Kuda Monogatari" by Moronobu, 2 volumes, Manji 3, [1661]. Published in " Block Printing & Book Illustration in Japan"
Old man beguiled by courtesans, ca 1537. Artist: Cranach, Lucas, the Elder (1472-1553)Old man beguiled by courtesans, ca 1537. From a private collection
Thais is this, the harlot, c1890. Creator: Gustave DoréThais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890
The Streetwalker, 1892-1894, (1937). Creator: Henri de Toulouse-LautrecThe Streetwalker, 1892-1894, (1937). Portrait of a Parisian sex worker. Painting, formerly known as Portrait of a Prostitute, in the Norton Simon Museumn, Pasadena, California
Street with Cocotte, Berlin Street Scene, 1915-1916. Creator: Kirchner, Ernst Ludwig (1880-1938)Street with Cocotte, Berlin Street Scene, 1915-1916. Private Collection
Potsdamer Platz, 1914. Found in the Collection of Staatliche Museen, Berlin
Men with scantily dressed women sitting at the table. Found in the Collection of Muse e du Louvre, Paris
Les deux amies, 1895. Found in the Collection of Foundation E. G. Bü hrle Collection, Zurich
Illustration for Mimes des courtisanes de Lucien by Pierre LouysIllustration for Mimes des courtisanes de Lucien by Pierre Louy s. Private Collection
City Scavengers Cleansing the London Streets of Impurities, 1816. The Lord Mayor, Matthew Wood, Robert Waithman and Sir William Curtis forcibly removing prostitutes from the streets of the City
A three bottle buck. The way to Stanhope Street, 1803. A watchman holds his lamp out of his box to interrogate a young man of fashion who is drunk and unable to stand
Water Cresses, come buy my Water Cresses, plate V of Cries of London, 1799. ArtistWater Cresses, come buy my Water Cresses. An old man stands at the door of a brothel at the corner of Portland Street, with two prostitutes leaning out of a first floor window
Madam Creswell, Cries of London, (c1688?). Artist: Pierce TempestMadam Creswell, (c1688?). A madam, or employer of prostitutes. From Cries of London, (c1688?)
London Curtezan, Cries of London, (c1688?). Artist: Pierce TempestLondon Curtezan, (c1688?). A courtesan with beauty spots, holding a mask and a fan. Beauty spots were used to hide scars from smallpox or venereal disease. From Cries of London, (c1688?)
Catching an elephant, 1812. Two prostitutes encourage a hugely obese man towards the door of the Royal Bagnio in Bagnio Court, later known as Roman Bath Street
The idle prentice returned from sea... plate VII of Industry and Idleness 1833The idle prentice returned from sea, and in a garret with a prostitute, plate VII of Industry and Idleness, 1833; the apprentice
The London Courtesan, Cries of London, (c1688?)The London Courtesan. A London courtesan, holding a fan. From Cries of London, (c1688?)
The idle prentice betray d by his whore... plate IX of Industry and Idleness, 1747The idle prentice betray d by his whore and taken in a night cellar with his accomplice, plate IX of Industry and Idleness
In a high saliuation [sic] at the point of death, plate V of The Harlots Progress, 1732; the harlot is now dying from venereal disease and has been transferred to the sick room (of Bridewell Prison)
The Compleat trull at her lodging in Drury Lane, plate III of The Harlots Progress, 1732; the harlots handsome young lover has cost her an easy life with her Jewish protector
Innocence betrayed, or the journey to London, plate I of The Harlots Progress, 1732; shows Mary Hackabout arriving at the Bell Inn, Wood Street, London
In high keeping by a Jew, plate II of The Harlots Progress, 1732; Mary Hackabout, now the mistress of a wealthy London Jew, kicks over a table to divert his attention
Abandonment (The pair), 1895. Private Collection
Idealized Portrait of a Courtesan as Flora. Found in the Collection of Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt am Main