Prostitute Collection (page 4)

City Scavengers Cleansing the London Streets of Impurities, 1816. The Lord Mayor, Matthew Wood, Robert Waithman and Sir William Curtis forcibly removing prostitutes from the streets of the City

A three bottle buck. The way to Stanhope Street, 1803. A watchman holds his lamp out of his box to interrogate a young man of fashion who is drunk and unable to stand

Water Cresses, come buy my Water Cresses, plate V of Cries of London, 1799. Artist
Water Cresses, come buy my Water Cresses. An old man stands at the door of a brothel at the corner of Portland Street, with two prostitutes leaning out of a first floor window

Madam Creswell, Cries of London, (c1688?). Artist: Pierce Tempest
Madam Creswell, (c1688?). A madam, or employer of prostitutes. From Cries of London, (c1688?)

London Curtezan, Cries of London, (c1688?). Artist: Pierce Tempest
London Curtezan, (c1688?). A courtesan with beauty spots, holding a mask and a fan. Beauty spots were used to hide scars from smallpox or venereal disease. From Cries of London, (c1688?)

Catching an elephant, 1812. Two prostitutes encourage a hugely obese man towards the door of the Royal Bagnio in Bagnio Court, later known as Roman Bath Street

The idle prentice returned from sea... plate VII of Industry and Idleness 1833
The idle prentice returned from sea, and in a garret with a prostitute, plate VII of Industry and Idleness, 1833; the apprentice

The London Courtesan, Cries of London, (c1688?)
The London Courtesan. A London courtesan, holding a fan. From Cries of London, (c1688?)

The idle prentice betray d by his whore... plate IX of Industry and Idleness, 1747
The idle prentice betray d by his whore and taken in a night cellar with his accomplice, plate IX of Industry and Idleness

In a high saliuation [sic] at the point of death, plate V of The Harlots Progress, 1732; the harlot is now dying from venereal disease and has been transferred to the sick room (of Bridewell Prison)

The Compleat trull at her lodging in Drury Lane, plate III of The Harlots Progress, 1732; the harlots handsome young lover has cost her an easy life with her Jewish protector

Innocence betrayed, or the journey to London, plate I of The Harlots Progress, 1732; shows Mary Hackabout arriving at the Bell Inn, Wood Street, London

In high keeping by a Jew, plate II of The Harlots Progress, 1732; Mary Hackabout, now the mistress of a wealthy London Jew, kicks over a table to divert his attention

Abandonment (The pair), 1895. Private Collection

Idealized Portrait of a Courtesan as Flora. Found in the Collection of Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt am Main

The first money. Private Collection

Woman Pulling up her Stockings. Found in the Collection of Musee d Orsay, Paris

In the Salon: The Couch. Found in the Collection of Museu de Arte de Sao Paulo

The Customer. Private Collection

In the bed. Private Collection

Two Half-Naked Women Seen from behind. Found in the Collection of Musee Toulouse-Lautrec, Albi

Brothel scene, 1537. Artist: Brunswick Monogrammist (active First Half of 16 cen. )
Brothel scene, 1537. Found in the collection of Staatliche Museen, Berlin

A love letter. Artist: Clouet, Francois (1510-1572)
A love letter. Found in the collection of Thyssen-Bornemisza Collections

Albertine at the Police Doctors Waiting Room. Artist: Krohg, Christian (1852-1925)
Albertine at the Police Doctors Waiting Room. Found in the collection of National Museum of Art, Oslo

Albertine. Artist: Krohg, Christian (1852-1925)
Albertine. Found in the collection of National Museum of Art, Oslo

White Slave Trade. Artist: Sorolla y Bastida, Joaquin (1863-1923)
White Slave Trade. Found in the collection of Museo de Santa Cruz, Toledo

Street corner, four in the morning (Parodie humaine). Artist: Rops, Felicien (1833-1898)
Street corner, four in the morning (Parodie humaine). Private Collection

The Young Courtesan. Artist: Sigalon, Alexandre Francois Xavier (1787-1837)
The Young Courtesan. Found in the collection of Louvre, Paris

Phryne before the Areopagus. Artist: Gerome, Jean-Leon (1824-1904)
Phryne before the Areopagus. Found in the collection of Kunsthalle, Hamburg

Waiting (L attente), c. 1880. Found in the collection of Musee d Orsay, Paris

Rolla, 1878. Found in the collection of Musee d Orsay, Paris

The Procuress, 1656. Artist: Vermeer, Jan (Johannes) (1632-1675)
The Procuress, 1656. Found in the collection of the Dresden State Art Collections

Portrait of a Woman (Portrait of a Courtesan), 1520. Artist: Palma il Vecchio, Jacopo, the Elder (1480-1528)
Portrait of a Woman (Portrait of a Courtesan), 1520. Found in the collection of the Museo Poldi Pezzoli, Milan

You don t get richer by selling your virtue, 1988. Artist: Anonymous
You don t get richer by selling your virtue, 1988. From a private collection

The Stagnation (The modern dance), 1913. Artist: Grigoriev, Boris Dmitryevich (1886-1939)
The Stagnation (The modern dance), 1913. From a private collection

Morning Parting at the Temporary Lodgings of the Pleasure Quarter, 1801. Artist: Utamaro, Kitagawa (1753-1806)
Morning Parting at the Temporary Lodgings of the Pleasure Quarter, 1801. Found in the collection of the Honolulu Academy of Arts

Leaena - Femme Publique, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Leaena - Femme Publique, 1403, (1939). Leaina was a hetaera and the mistress of Aristogeiton the Tyrannicide. The illustration is part of the manuscript De Claris mulieribus

Olympia, 1863. Artist: Edouard Manet
Olympia, 1863. Painting held at the Musee d Orsay, Paris. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

Bankside, Southwark, London, in 1648, 1818 (1904). Artist: Bartholomew Howlett
Bankside, Southwark, London, in 1648, 1818 (1904). With a view of Hollands Leaguer, one of the ancient stews or licensed brothels, suppressed during the reign of Henry VIII

Swiss costumes, 15th-16th century (1849). Artist: Edward May
Swiss costumes, 15th-16th century (1849). Featured are a cook (first half of the 16th century), a doctor of Strasbourg (1572), a peasant (15th century) and a prostitute (16th century)

Her funerall properly attended, plate VI of The Harlots Progress, 1833. Artist: J Stubbs
Her funerall properly attended, plate VI of The Harlots Progress, 1833. Early 19th century version of Hogarths series of 1732; the body of the harlot is surrounded by mourners

In Bridewell beating hemp, plate IV of The Harlots Progress, 1833. Artist:s Davenport
In Bridewell beating hemp, plate IV of The Harlots Progress, 1833. Early 19th century version of a scene from Hogarths serieds of 1732; the harlot is now beating hemp in Bridewell Prison

Maison de Rendez-vous, 19th century, (1930). Artist: Constantin Guys
Maison de Rendez-vous, 19th century, (1930). Meeting-place, possibly a brothel. Illustration from The Painter of Victorian Life

Maruyama, Nagasaki, Japan. Hand-tinted picture postcard. The Maruyama area was the main entertainment area of Nagasaki for centuries. Its historic brothel buildings were built of timber

Punishment of Prostitutes in Switzerland, c18th century. Dragging the Scavengers Cart. Women shovel manure into a cart

The procuress, 1625. Artist: Honthorst, Gerrit, van (1590-1656)
The procuress, 1625. Found in the collection of the Centraal Museum, Utrecht

Company in a Brothel (Messalina und Gaius Silius), 1655. Artist: Knupfer, Nicolaes (1609-1655)
Company in a Brothel (Messalina und Gaius Silius), 1655. Found in the collection of the Rijksmuseum, Amsterdam

Courtesan, 1606. Artist: Goltzius, Hendrick (1558-1617)
Courtesan, 1606. Found in the collection of the State Hermitage, St. Petersburg

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