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Polynesian Collection (page 4)

Background imagePolynesian Collection: Nouvelle-Guinee. Pirogues Papoues, (Papua New Guinea. Papuan Pirogues), 1900. Creator: Unknown

Nouvelle-Guinee. Pirogues Papoues, (Papua New Guinea. Papuan Pirogues), 1900. Creator: Unknown
Nouvelle-Guinee. Pirogues Papoues, (Papua New Guinea. Papuan Pirogues), 1900. A pirogue is a type of dug-out canoe traditionally used by fishermen. From " Autour du Monde - Fascicule XLI"

Background imagePolynesian Collection: Nouvelle-Guinee. Danse Des Papous Barioles, (Papua New Guinea. Tribal Papuan Dance), 1900

Nouvelle-Guinee. Danse Des Papous Barioles, (Papua New Guinea. Tribal Papuan Dance), 1900. From " Autour du Monde - Fascicule XLI". [L. Boulanger, Paris, 1900 ]

Background imagePolynesian Collection: Tai-O-Hai, Marquesas Islands, 1923. Creator: Unknown

Tai-O-Hai, Marquesas Islands, 1923. Creator: Unknown
Tai-O-Hai, Marquesas Islands, 1923. From " Australia, New Zealand and Oceania in Pictures", by H. Clive Barnard, M.A. Blitt. [A. & C. Black, Limited, London, 1923]

Background imagePolynesian Collection: St. Anthony never was tempted like... ; c1880. Creator: English School (19th Century)

St. Anthony never was tempted like... ; c1880. Creator: English School (19th Century)
St. Anthony never was tempted like... ; from Ye Pilgrimage of ye Revnd. Simpleheart, Adventures of a naive missionary in the South Seas ; c.1880 (pen & w/c on paper)

Background imagePolynesian Collection: Decorative Figure, 1936. Artist: Paul Gauguin

Decorative Figure, 1936. Artist: Paul Gauguin
Decorative Figure, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: The Day of the God (Mahana No Atua), 1936. Artist: Paul Gauguin

The Day of the God (Mahana No Atua), 1936. Artist: Paul Gauguin
The Day of the God (Mahana No Atua), 1894, located at the The Art Institute of Chicago, IL, USA. 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Sketches of All Sorts, Random Ventures of My Pen and My Imagination, Stray Fancies

Sketches of All Sorts, Random Ventures of My Pen and My Imagination, Stray Fancies, But This Is Not An Illustration. Why Should It Be An Illustration? Haven t You Photographs? But This is Not Serious

Background imagePolynesian Collection: Study, 1936. Artist: Paul Gauguin

Study, 1936. Artist: Paul Gauguin
Study, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Change of Residence, 1936. Artist: Paul Gauguin

Change of Residence, 1936. Artist: Paul Gauguin
Change of Residence, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: We Greet Thee, Mary, 1936. Artist: Paul Gauguin

We Greet Thee, Mary, 1936. Artist: Paul Gauguin
We Greet Thee, Mary, 1936. Ia Orana Maria (Hail Mary), 1891 located Metropolitan Museum of Art, New York, USA. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: On the Way to the Feast, 1936. Artist: Paul Gauguin

On the Way to the Feast, 1936. Artist: Paul Gauguin
On the Way to the Feast, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Religious Fantasies, 1936. Artist: Paul Gauguin

Religious Fantasies, 1936. Artist: Paul Gauguin
Religious Fantasies, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Figures, 1936. Artist: Paul Gauguin

Figures, 1936. Artist: Paul Gauguin
Figures, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: The Wings are Heavy, 1936. Artist: Paul Gauguin

The Wings are Heavy, 1936. Artist: Paul Gauguin
The Wings are Heavy, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Much Ado About Nothing, 1936. Artist: Paul Gauguin

Much Ado About Nothing, 1936. Artist: Paul Gauguin
Much Ado About Nothing, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Where Do We Come From - What Are We? - Where Are We Going?, 1936. Artist: Paul Gauguin

Where Do We Come From - What Are We? - Where Are We Going?, 1936. Artist: Paul Gauguin
Where Do We Come From - What Are We? - Where Are We Going?, 1897 located at Museum of Fine Arts, Boston, Massachusetts, USA. 1936. From Paul Gauguins Intimate Journals

Background imagePolynesian Collection: Good Company, No Affectations, 1936. Artist: Paul Gauguin

Good Company, No Affectations, 1936. Artist: Paul Gauguin
Good Company, No Affectations, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Sketch, 1936. Artist: Paul Gauguin

Sketch, 1936. Artist: Paul Gauguin
Sketch, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Figure, 1936. Artist: Paul Gauguin

Figure, 1936. Artist: Paul Gauguin
Figure, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Conversation Without Words, 1936. Artist: Paul Gauguin

Conversation Without Words, 1936. Artist: Paul Gauguin
Conversation Without Words, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Spirit of the Dead Watching, 1936. Artist: Paul Gauguin

Spirit of the Dead Watching, 1936. Artist: Paul Gauguin
Spirit of the Dead Watching, 1936. Manao Tupapau (The Spirit of the Dead Watches), 1892, located at Albright Knox Art Gallery, Buffalo, New York, USA. 1936. From Paul Gauguins Intimate Journals

Background imagePolynesian Collection: Not Devoid of Feeling, 1936. Artist: Paul Gauguin

Not Devoid of Feeling, 1936. Artist: Paul Gauguin
Not Devoid of Feeling, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Tahitian Women, 1936. Artist: Paul Gauguin

Tahitian Women, 1936. Artist: Paul Gauguin
Tahitian Women, 1936. Women of Tahiti, On the Beach, 1891, located at Musee d Orsay, Paris, France. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Te Tamari, 1936. Artist: Paul Gauguin

Te Tamari, 1936. Artist: Paul Gauguin
Te Tamari, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Tahitiennes Au Mango, 1936. Artist: Paul Gauguin

Tahitiennes Au Mango, 1936. Artist: Paul Gauguin
Tahitiennes Au Mango, 1936. Two Tahitian Women, 1899, located at Metropolitan Museum of Art, New York, USA. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Ta Orana, 1936. Artist: Paul Gauguin

Ta Orana, 1936. Artist: Paul Gauguin
Ta Orana, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Peasants with Flowers, 1936. Artist: Paul Gauguin

Peasants with Flowers, 1936. Artist: Paul Gauguin
Peasants with Flowers, 1936. Te Tiare Farani Flowers of France, 1891 located Pushkin Museum, Moscow, Russia. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Eating, 1936. Artist: Paul Gauguin

Eating, 1936. Artist: Paul Gauguin
Eating, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: At Home, 1936. Artist: Paul Gauguin

At Home, 1936. Artist: Paul Gauguin
At Home, 1936. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]

Background imagePolynesian Collection: Silent Custodians of the Secrets of an Old Polynesian Culture, c1935

Silent Custodians of the Secrets of an Old Polynesian Culture, c1935. From Our Wonderful World, Volume II, edited by J.A. Hammerton. [The Amalgamated Press, Ltd. London]

Background imagePolynesian Collection: Captain Samuel Wallis being received by Queen Oberea on the Island of Tahiti, 1767 (19th century)

Captain Samuel Wallis being received by Queen Oberea on the Island of Tahiti, 1767 (19th century). Scene from Samuel Walliss voyage of circumnavigation in HMS Dolphin, undertaken from 1766-1768

Background imagePolynesian Collection: Deception of Captain Wallis by Queen Oberea Artist: G Bramati

Deception of Captain Wallis by Queen Oberea Artist: G Bramati
Deception of Captain Wallis by Queen Oberea, 1820-1839. Scene from Samuel Walliss voyage of circumnavigation in HMS Dolphin, undertaken from 1766-1768

Background imagePolynesian Collection: Statues on Easter Island, late 18th century. Artist: C Bottigella

Statues on Easter Island, late 18th century. Artist: C Bottigella
Statues on Easter Island, late 18th century. Known as Moai, these large stone statues in human form are carved from a type of volcanic rock known as tuff

Background imagePolynesian Collection: Polynesian War Canoes, 1924

Polynesian War Canoes, 1924. From The British Empire in Pictures, by H. Clive Barnard, M.A. B.Litt. [A. & C. Black, Limited, London, 1924]

Background imagePolynesian Collection: Tattooing a Maori Chief, c1880

Tattooing a Maori Chief, c1880. Episode of the First Taranaki War (1860-1861). From British Battles on Land and Sea, Vol. III, by James Grant

Background imagePolynesian Collection: New Zealand War-Dance, c1880

New Zealand War-Dance, c1880. Episode of the First Taranaki War (1860-1861). From British Battles on Land and Sea, Vol. III, by James Grant. [Cassell Petter & Galpin, London, Paris & New York, c1880]

Background imagePolynesian Collection: Maori pa, or fortified village, on the Whanganui River, North Island, New Zealand, 1902

Maori pa, or fortified village, on the Whanganui River, North Island, New Zealand, 1902. Artist: Muir & Moodie
Maori pa, or fortified village, on the Whanganui River, North Island, New Zealand, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Maori chief with elaborately tattooed face and weather cloak, 1902. Artist: Josiah Martin

A Maori chief with elaborately tattooed face and weather cloak, 1902. Artist: Josiah Martin
A Maori chief with elaborately tattooed face and weather cloak, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Maori youth carrying the flat greenstone (nephrite) club known as a mere, 1902. Artist: Iles

A Maori youth carrying the flat greenstone (nephrite) club known as a mere, 1902. Artist: Iles
A Maori youth carrying the flat greenstone (nephrite) club known as a mere, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: Maoris bathing in a hot pool, 1902. Artist: Muir & Moodie

Maoris bathing in a hot pool, 1902. Artist: Muir & Moodie
Maoris bathing in a hot pool, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: Hongi, traditional Maori greeting, New Zealand, 1902. Artist: Muir & Moodie

Hongi, traditional Maori greeting, New Zealand, 1902. Artist: Muir & Moodie
Hongi, traditional Maori greeting, New Zealand, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Maori girl with matting dress, 1902

A Maori girl with matting dress, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Samoan canoe with outrigger, and its occupants, 1902. Artist: Kerry & Co

A Samoan canoe with outrigger, and its occupants, 1902. Artist: Kerry & Co
A Samoan canoe with outrigger, and its occupants, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Maori lady in full dress, 1902. Artist: Josiah Martin

A Maori lady in full dress, 1902. Artist: Josiah Martin
A Maori lady in full dress, 1902.From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Samoan girl, with chaplet of hibiscus flowers, 1902. Artist: Thomas Andrew

A Samoan girl, with chaplet of hibiscus flowers, 1902. Artist: Thomas Andrew
A Samoan girl, with chaplet of hibiscus flowers, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Samoan chief in full ceremonial costume, 1902. Artist: Thomas Andrew

A Samoan chief in full ceremonial costume, 1902. Artist: Thomas Andrew
A Samoan chief in full ceremonial costume, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Background imagePolynesian Collection: A Samoan woman wearing a collar of cachalots teeth and a ceremonial headdress, 1902

A Samoan woman wearing a collar of cachalots teeth and a ceremonial headdress, 1902. Artist: Josiah Martin
A Samoan woman wearing a collar of cachalots teeth and a ceremonial headdress of tow and mother-of-pearl, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co. London, 1902]

Background imagePolynesian Collection: A group of Samoan dancing women in full costume, 1902

A group of Samoan dancing women in full costume, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]



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