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Petter And Galpin Collection (page 26)

Background imagePetter And Galpin Collection: Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré

Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré
" Why greedily thus bendest more on me, than on these other filthy ones, thy ken?", c1890. Dante and the Roman poet Virgil encounter Alessio Interminei of Lucca immers d in ordure

Background imagePetter And Galpin Collection: Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré

Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré
Ah! How they made them bound at the first stripe!, c1890. Naked sinners are lashed by demons. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré

Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré
Forthwith that image vile of fraud appear d, c1890. Dante and the Roman poet Virgil encounter the fell monster with the deadly sting

Background imagePetter And Galpin Collection: Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré

Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré
Unceasing was the play of wretched hands, ...to shake off the heat, still falling fresh, c1890. Dante and the Roman poet Virgil witness the damned afflicted by flakes of fire

Background imagePetter And Galpin Collection: One cried from far: Say to what pain ye come condemn d, c1890. Creator

One cried from far: Say to what pain ye come condemn d, c1890. Creator
One cried from far: " Say to what pain ye come condemn d, who down this steep have journied? Speak from whence ye stand, or else the bow I draw", c1890

Background imagePetter And Galpin Collection: And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890

And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890. Dante and the Roman poet Virgil encounter the Minotaur

Background imagePetter And Galpin Collection: Haste now, the foremost cried, now haste thee death!, c1890

Haste now, the foremost cried, now haste thee death!, c1890
" Haste now, " the foremost cried, " now haste thee death!", c1890. Men who who have been transformed into trees

Background imagePetter And Galpin Collection: From the profound abyss, behind the lid of a great monument we stood retired, c1890

From the profound abyss, behind the lid of a great monument we stood retired, c1890. Dante and the Roman poet Virgil shelter in craggy rocks and try to avoid the horrible excess of fetid exhalation

Background imagePetter And Galpin Collection: Here the brute Harpies make their nest, c1890. Creator: Gustave Doré

Here the brute Harpies make their nest, c1890. Creator: Gustave Doré
Here the brute Harpies make their nest, c1890. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri

Background imagePetter And Galpin Collection: Mark thou each dire Erynnis, c1890. Creator: Gustave Doré

Mark thou each dire Erynnis, c1890. Creator: Gustave Doré
Mark thou each dire Erynnis, c1890. Dante and the Roman poet Virgil encounter the Erinyes: three hellish furies stain d with blood

Background imagePetter And Galpin Collection: I could not hear what terms he offer d them, c1890. Creator: Gustave Doré

I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx

Background imagePetter And Galpin Collection: My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré

My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré
Then stretch d he forth hands to the bark; whereof my teacher sage aware, thrusting him back: " Away! down there To the other dogs!", c1890

Background imagePetter And Galpin Collection: Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré

Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante

Background imagePetter And Galpin Collection: To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré

To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré
To the gate he came, and with his wand touch d it, whereat open without impediment it flew, c1890. Dante and the Roman poet Virgil pass through the gate of Dis

Background imagePetter And Galpin Collection: Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré

Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré
Not all the gold, that is beneath the moon or ever hath been, of these toil-worn souls Might purchase rest for one, c1890. The damned struggling to push heavy weights uphill

Background imagePetter And Galpin Collection: Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator

Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator
Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré

Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré
Thy city heap d with envy to the brim, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©

Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©
Then my guide, his palms expanding on the ground, thence filled with earth, rais d them, and cast it in his ravenous maw, c1890

Background imagePetter And Galpin Collection: I through compassion fainting, seem d not far from death, c1890. Creator: Gustave Doré

I through compassion fainting, seem d not far from death, c1890. Creator: Gustave Doré
I through compassion fainting, seem d not far from death, and like a corpse fell to the ground, c1890. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: In its leaves that day we read no more, c1890. Creator: Gustave Doré

In its leaves that day we read no more, c1890. Creator: Gustave Doré
The book and writer both were loves purveyors. In its leaves that day we read no more, c1890. Paolo and Francesca, the adulterous lovers

Background imagePetter And Galpin Collection: The stormy blast of hell with restless fury drives the spirits on, c1890. Creator

The stormy blast of hell with restless fury drives the spirits on, c1890. Creator
The stormy blast of hell with restless fury drives the spirits on, c1890. Dante and the Roman poet Virgil, watching souls in torment

Background imagePetter And Galpin Collection: There Minos stands, c1890. Creator: Gustave Doré

There Minos stands, c1890. Creator: Gustave Doré
There Minos stands, grinning with ghastly feature: he, of all who enter, strict examining the crimes, gives sentence, and dismisses them beneath, c1890

Background imagePetter And Galpin Collection: Only so far afflicted, that we live desiring without hope, c1890. Creator: Gustave Doré

Only so far afflicted, that we live desiring without hope, c1890. Creator: Gustave Doré
Only so far afflicted, that we live desiring without hope, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: So I beheld united the bright school of him the monarch of sublimest song, c1890

So I beheld united the bright school of him the monarch of sublimest song, c1890
So I behold united the bright school of him the monarch of sublimest song, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: E en in like manner Adams evil brood, c1890. Creator: Gustave Doré

E en in like manner Adams evil brood, c1890. Creator: Gustave Doré
E en in like manner Adams evil brood, cast themselves one by one down from the shore, c1890. The dead crossing the river Styx to Hell

Background imagePetter And Galpin Collection: All hope abandon, ye who enter here, c1890. Creator: Gustave Doré

All hope abandon, ye who enter here, c1890. Creator: Gustave Doré
All hope abandon, ye who enter here, c1890. Dante and the Roman poet Virgil enter Hell. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: I, who now bid thee on this errand forth, am Beatrice, c1890. Creator: Gustave Doré

I, who now bid thee on this errand forth, am Beatrice, c1890. Creator: Gustave Doré
I, who now bid thee on this errand forth, am Beatrice, c1890. Dante and Beatrice. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré

He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré
He, soon as he saw that I was weeping, answer d, " Thou must needs another way pursue, if thou wouldst scape from out that savage wilderness", c1890. Dante and the Roman poet Virgil

Background imagePetter And Galpin Collection: Scarce the ascent began, c1890. Creator: Gustave Doré

Scarce the ascent began, c1890. Creator: Gustave Doré
Scarce the ascent began, when, lo! a panther, nimble, light. And cover d with a speckled skin, appear d, c1890. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: In the midway of this our mortal life, c1890. Creator: Gustave Doré

In the midway of this our mortal life, c1890. Creator: Gustave Doré
In the midway of this our mortal life, c1890. Dante in a wood. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Portrait of Dante Alighieri, (c1890). Creator: Gustave Doré

Portrait of Dante Alighieri, (c1890). Creator: Gustave Doré
Portrait of Dante Alighieri, (c1890). Italian writer and poet Dante Alighieri (1265-1321) whose long narrative poem " The Divine Comedy" written in Italian c1308-1321

Background imagePetter And Galpin Collection: Midhat Pasha, (late 19th century). Creators: Cassell, Petter & Galpin, Adele Perlmutter

Midhat Pasha, (late 19th century). Creators: Cassell, Petter & Galpin, Adele Perlmutter
Midhat Pasha, (late 19th century). Portrait of Ahmed Sefik Midhat Pasha (1822-1883), leading Ottoman statesmen during the late Tanzimat era (1839-1876)

Background imagePetter And Galpin Collection: The Captain Hung at the Yard-Arm, c1870

The Captain Hung at the Yard-Arm, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: The Mutiny, c1870

The Mutiny, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe Discovers Goats on the Island, c1870

Crusoe Discovers Goats on the Island, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe Makes A Little Tent With A Sail, c1870

Crusoe Makes A Little Tent With A Sail, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe Instructing Friday, c1870

Crusoe Instructing Friday, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe at Dinner, c1870

Crusoe at Dinner, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe In His Bower, c1870

Crusoe In His Bower, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe and Friday Out Shooting, c1870

Crusoe and Friday Out Shooting, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: The Shipwreck, c1870

The Shipwreck, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe Ill Reading The Bible, c1870

Crusoe Ill Reading The Bible, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe Sees a Foot-Print in the Sand, c1870

Crusoe Sees a Foot-Print in the Sand, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe and Friday On The Hill, c1870

Crusoe and Friday On The Hill, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: The Mutineers Overpowered, c1870

The Mutineers Overpowered, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe A Slave, c1870

Crusoe A Slave, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: Crusoe Advised by his Father, c1870

Crusoe Advised by his Father, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]

Background imagePetter And Galpin Collection: The Burial of Friday, c1870

The Burial of Friday, c1870. From The Life and Adventures of Robinson Crusoe, by Daniel Defoe. [Cassell, Petter and Galpin, London]



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