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Petter And Galpin Collection (page 25)

Background imagePetter And Galpin Collection: The Paddington Canal, 1840, (c1876). Creator: Unknown

The Paddington Canal, 1840, (c1876). Creator: Unknown
The Paddington Canal, 1840, (c1876). The Paddington arm of the Grand Union Canal was opened on 10 July 1801, authorised by an Act of April 1795 as a water-transport route to the Midlands during

Background imagePetter And Galpin Collection: Map of Paddington, in 1815, (c1876). Creator: Unknown

Map of Paddington, in 1815, (c1876). Creator: Unknown
Map of Paddington, in 1815, (c1876). Paddington, in the City of Westminster had Roman roads on north-eastern and southern boundaries which became toll roads in 18th century

Background imagePetter And Galpin Collection: Paddington Canal, 1820, (c1876). Creator: Unknown

Paddington Canal, 1820, (c1876). Creator: Unknown
Paddington Canal, 1820, (c1876). The Paddington arm of the Grand Union Canal was opened on 10 July 1801, authorised by an Act of April 1795 as a water-transport route to the Midlands during

Background imagePetter And Galpin Collection: Old Bridge Over the Lake, Regents Park, in 1847, (c1876). Creator: Unknown

Old Bridge Over the Lake, Regents Park, in 1847, (c1876). Creator: Unknown
Old Bridge Over the Lake, Regents Park, in 1847, (c1876). One of the Royal Parks of London, Regents park was appropriated by Henry VIII on Dissolution of the Monasteries

Background imagePetter And Galpin Collection: The Place of Execution, Tyburn, in 1790, (c1876). Creator: Unknown

The Place of Execution, Tyburn, in 1790, (c1876). Creator: Unknown
The Place of Execution, Tyburn, in 1790, (c1876). Tyburn village close to the current location of Marble Arch in present-day London

Background imagePetter And Galpin Collection: Farm in the Regents Park, 1750, (c1876). Creator: Unknown

Farm in the Regents Park, 1750, (c1876). Creator: Unknown
Farm in the Regents Park, 1750, (c1876). One of the Royal Parks of London, appropriated by Henry VIII on Dissolution of the Monasteries, it has been Crown property since

Background imagePetter And Galpin Collection: The Monkey-House, c1876. Creator: Unknown

The Monkey-House, c1876. Creator: Unknown
The Monkey-House, c1876. London Zoological Society was founded in 1826 by Sir Stamford Raffles and Sir Humphrey Davy, the Zoo opened on 27 April 1828

Background imagePetter And Galpin Collection: The Eyre Arms in 1820, (c1876). Creator: Unknown

The Eyre Arms in 1820, (c1876). Creator: Unknown
The " Eyre Arms" in 1820, (c1876). Eyre Arms Tavern and Assembly Rooms on the corner of Grove End Road and Wellington Road, in St Johns Wood was built in 1820 and opened in 1821

Background imagePetter And Galpin Collection: The Priory, Kilburn, 1750, (c1876). Creator: Unknown

The Priory, Kilburn, 1750, (c1876). Creator: Unknown
The Priory, Kilburn, 1750, (c1876). Kilburn Priory established c1130-1134 where Watling Street (now Kilburn High Road) met the stream now known as the Westbourne, was dissolved by Henry VIII in 1537

Background imagePetter And Galpin Collection: This proud one would of his strength against almighty Jove make trial, c1890

This proud one would of his strength against almighty Jove make trial, c1890
" This proud one would of his strength against almighty Jove make trial, " said my guide; " whence he is thus requited: Ephialtes him they call", c1890

Background imagePetter And Galpin Collection: By that hidden way my guide and I did enter, to return to the fair world, c1890

By that hidden way my guide and I did enter, to return to the fair world, c1890. Dante and the Roman poet Virgil emerge from Hell, and see the dawn on Easter Sunday morning

Background imagePetter And Galpin Collection: Then, fasting got the mastery of grief, c1890. Creator: Gustave Doré

Then, fasting got the mastery of grief, c1890. Creator: Gustave Doré
" Then, fasting got the mastery of grief", c1890. Count Ugolino, his sons and grandsons condemned to death by starvation in the Torre dei Gualandi

Background imagePetter And Galpin Collection: That sprite of air is Schicchi; in like mood of random mischief vents he still his spite, c1890

That sprite of air is Schicchi; in like mood of random mischief vents he still his spite, c1890. The alchemist Capocchio is attacked by Gianni Schicchi de Cavalcanti

Background imagePetter And Galpin Collection: Lo! he exclaimed, lo Dis!, c1890. Creator: Gustave Doré

Lo! he exclaimed, lo Dis!, c1890. Creator: Gustave Doré
" Lo!" he exclaimed, " lo Dis!: and lo! the place, where thou hast need to arm thy heart with strength", c1890

Background imagePetter And Galpin Collection: Yet in the abyss, that Lucifer with Judas low ingulfs, lightly he placed us, c1890

Yet in the abyss, that Lucifer with Judas low ingulfs, lightly he placed us, c1890. Antaeus the giant lowers Dante and the Roman poet Virgil to the final level of Hell

Background imagePetter And Galpin Collection: The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré

The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré
The crust came drawn from underneath in flakes, like scales scraped from the bream, or fish of broader mail, c1890. Dante

Background imagePetter And Galpin Collection: He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré

He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré
He, soon as there I stood at the tombs foot, ey d me a space, then in disdainful mood address d me: " Say, what ancestors were thine?", c1890. Dante and the Roman poet Virgil

Background imagePetter And Galpin Collection: He answer thus return d: The arch-heretics are here, c1890. Creator

He answer thus return d: The arch-heretics are here, c1890. Creator
He answer thus return d: " The arch-heretics are here", c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: The guide, who mark d how I did gaze attentive, thus began, c1890. Creator: Gustave Doré

The guide, who mark d how I did gaze attentive, thus began, c1890. Creator: Gustave Doré
The guide, who mark d how I did gaze attentive, thus began: " Within these ardours are the spirits, each swath d in confining fire", c1890

Background imagePetter And Galpin Collection: Be none of you outrageous, c1890. Creator: Gustave Doré

Be none of you outrageous, c1890. Creator: Gustave Doré
Be none of you outrageous: ere your time dare seize me, come forth from amongst you one, who having heard my words, decide he then if he shall tear these limbs, c1890

Background imagePetter And Galpin Collection: And straight the trunk exclaim d, Why pluck st thou me?, c1890. Creator

And straight the trunk exclaim d, Why pluck st thou me?, c1890. Creator
And straight the trunk exclaim d, " Why pluck st thou me?", c1890. Dante and the Roman poet Virgil encounter men who who have been transformed into trees

Background imagePetter And Galpin Collection: Then, not to make them sadder, I kept down my spirit in stillness, c1890

Then, not to make them sadder, I kept down my spirit in stillness, c1890
" Then, not to make them sadder, I kept down my spirit in stillness", c1890. Count Ugolino, his sons and grandsons condemned to death by starvation in the Torre dei Gualandi

Background imagePetter And Galpin Collection: That pierced spirit... was he who gave the Pharisees council, c1890. Creator

That pierced spirit... was he who gave the Pharisees council, c1890. Creator
" That pierced spirit, whom intent thou view st, was he who gave the Pharisees council, that it were fitting for one man to suffer for the people", c1890

Background imagePetter And Galpin Collection: New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré

New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré
New terror I conceived at the steep plunge, c1890. Dante and the Roman poet Virgil ride on the back of Geryon, the Monster of Fraud

Background imagePetter And Galpin Collection: Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré

Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré
" Sir! Brunetto! And are ye here?", c1890. Dante and the Roman poet Virgil meet Dantes tutor and guardian, Brunetto Buanaccorso Latini, in a firestorm

Background imagePetter And Galpin Collection: Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator

Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator
Love brought us to one death: Caina waits the soul, who split our life, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: O senseless spirit! let thy horn for thee interpret, c1890. Creator

O senseless spirit! let thy horn for thee interpret, c1890. Creator
" O senseless spirit! let thy horn for thee interpret: therewith vent thy rage, if rage or other passion wring thee", c1890

Background imagePetter And Galpin Collection: And, lo ! Towards us in a bark comes an old man, c1890. Creator: Gustave Doré

And, lo ! Towards us in a bark comes an old man, c1890. Creator: Gustave Doré
And, lo ! Towards us in a bark comes an old man, c1890. Charon, ferryman of the dead. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Onward he moved, I close his steps pursued, c1890. Creator: Gustave Doré

Onward he moved, I close his steps pursued, c1890. Creator: Gustave Doré
Onward he moved, I close his steps pursued, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: A lion came, gainst me as it appear d, c1890. Creator: Gustave Doré

A lion came, gainst me as it appear d, c1890. Creator: Gustave Doré
A lion came, gainst me as it appear d, with his head held aloft, and hunger-mad, c1890. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré

Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré
Not more furiously on Menalippus temples Tydeus gnawed, than on that skull and on its garbage he, c1890. Dante and the Roman poet Virgil visit a frozen lake

Background imagePetter And Galpin Collection: By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator

By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator
By the hair it bore the sever d member, lantern-wise pendant in hand, which look d at us and said, " Woes me!", c1890

Background imagePetter And Galpin Collection: Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father

Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father
" Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father! ", c1890. Count Ugolino

Background imagePetter And Galpin Collection: all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré

all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré
Then my sight was livelier to explore the depth, wherein the minister of the most mighty Lord, all-searching Justice, dooms to punishment the forgers noted on her dread record, c1890

Background imagePetter And Galpin Collection: Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?

Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?
But Virgil roused me: " What yet gazest on? Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?", c1890

Background imagePetter And Galpin Collection: Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here

Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here
Then seizing on his hinder scalp, I cried: " Name thee, or not a hair shall tarry here", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imagePetter And Galpin Collection: Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890

Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890
" Look how thou walkest. Take good heed, thy soles do tread not on the heads of thy poor brethren", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imagePetter And Galpin Collection: Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré

Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré
Call thou to mind Piero of Medicina, if again returning, c1890. Dante and the Roman poet Virgil encounter Pier da Medicina who must hold open his windpipe to speak

Background imagePetter And Galpin Collection: Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator

Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator
" Now mark how I do rip me! lo! How is Mahomet mangled!", c1890. Dante and the Roman poet Virgil witness the suffering of the prophet Mohammed, who is repeatedly ripped open

Background imagePetter And Galpin Collection: The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890

The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890
The other two look d on, exclaiming, " Ah! How dost thou change, Agnello!", c1890. The Florentine thief Agnello Brunelleschi and Cianfa Donati the serpent merging into a single body

Background imagePetter And Galpin Collection: Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré

Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré
" Tuscan, who visitest the college of the mourning hypocrites, disdain not to instruct us who thou art", c1890. Dante and the Roman poet Virgil encounter the Hypocrites

Background imagePetter And Galpin Collection: Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator

Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator
Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890

Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890. The damned, handcuffed with snakes: With serpents were their hands behind them bound

Background imagePetter And Galpin Collection: But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator

But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator
But the other proved a goshawk able to rend well his foe; and in the boiling lake both fell, c1890. Two demons fall into a lake of molten pitch

Background imagePetter And Galpin Collection: In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator

In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator
In pursuit he therefore sped, exclaiming; " Thou art caught", c1890. The demon Alichino chases the escaping sinner Bonturo Dati

Background imagePetter And Galpin Collection: This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré

This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré
This said, they grappled him with more than hundred hooks, c1890. Naked sinners are punished by demons. Illustration from " The Vision of Hell" (Inferno)

Background imagePetter And Galpin Collection: There stood I like the friar, that doth shrive a wretch for murder doom d, c1890

There stood I like the friar, that doth shrive a wretch for murder doom d, c1890. Dante and the Roman poet Virgil encounter Pope Nicholas III

Background imagePetter And Galpin Collection: Thais is this, the harlot, c1890. Creator: Gustave Doré

Thais is this, the harlot, c1890. Creator: Gustave Doré
Thais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890



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