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Pavement Collection (page 9)

Background imagePavement Collection: A corner, near the Bank; - or - an example for fathers, 1797. Artist

A corner, near the Bank; - or - an example for fathers, 1797. Artist
A corner, near the Bank; - or - an example for fathers, 1797. Two young women on a street corner arm in arm, one flirting with a fan, the other raising her skirt to show her leg

Background imagePavement Collection: Middle Temple, London, 1912. Artist: Robert Jobling

Middle Temple, London, 1912. Artist: Robert Jobling
Middle Temple, London, 1912

Background imagePavement Collection: View of Clerks Well pump in Ray Street, Finsbury, London, c1825. Artist

View of Clerks Well pump in Ray Street, Finsbury, London, c1825. Artist
View of Clerks Well pump in Ray Street, Finsbury, London, c1825. Also showing two boys and a range of advertisements

Background imagePavement Collection: Residence of Titus Oates, Oat Lane, City of London, 1845. Artist

Residence of Titus Oates, Oat Lane, City of London, 1845. Artist
Residence of Titus Oates, Oat Lane, City of London, 1845. View with figures in mid 18th century costume

Background imagePavement Collection: Specimen of pavement used in the Church of St Mary-le-Bow, Cheapside, City of London, 1818

Specimen of pavement used in the Church of St Mary-le-Bow, Cheapside, City of London, 1818

Background imagePavement Collection: View east along the south side of Holborn and Stable Inn, London, 1860. Artist

View east along the south side of Holborn and Stable Inn, London, 1860. Artist
View east along the south side of Holborn and Stable Inn, London, 1860. With figures and horse-drawn vehicles on the street

Background imagePavement Collection: View east along Holborn with figures and horse-drawn vehicles on the street, London, 1875

View east along Holborn with figures and horse-drawn vehicles on the street, London, 1875

Background imagePavement Collection: Mail coach outside the General Post Office, Lombard Street, City of London, 1827

Mail coach outside the General Post Office, Lombard Street, City of London, 1827. With figures in the coach and on the pavement, including a fruit seller

Background imagePavement Collection: View of wooden gates dated 1631, at no 46 Lime Street, 1855. Artist: James Findlay

View of wooden gates dated 1631, at no 46 Lime Street, 1855. Artist: James Findlay
View of wooden gates dated 1631, at no 46 Lime Street, 1855

Background imagePavement Collection: Partial view of St Katherine Cree and the Aldgate watch house, City of London, 1830

Partial view of St Katherine Cree and the Aldgate watch house, City of London, 1830

Background imagePavement Collection: National School, Harp Alley, City of London, 1850. Artist: James Findlay

National School, Harp Alley, City of London, 1850. Artist: James Findlay
National School, Harp Alley, City of London, 1850

Background imagePavement Collection: View of a mansion in Great Winchester Street, City of London, 1841

View of a mansion in Great Winchester Street, City of London, 1841. The house was the residence of Sir James Houblon, the brother of Sir John Houblon, the first Governor of the Bank of England

Background imagePavement Collection: Blanchards premises, Fleet Street, City of London, 1835

Blanchards premises, Fleet Street, City of London, 1835

Background imagePavement Collection: Buttons pastry and confectionery shop, 187 Fleet Street, City of London, 1887. Artist

Buttons pastry and confectionery shop, 187 Fleet Street, City of London, 1887. Artist
Buttons pastry and confectionery shop, 187 Fleet Street, City of London, 1887

Background imagePavement Collection: Roman pavement disovered in Cannon Street, City of London, 1852

Roman pavement disovered in Cannon Street, City of London, 1852. From the Illustrated London News

Background imagePavement Collection: Coleman Street, City of London, 1868. Artist

Coleman Street, City of London, 1868. Artist
Coleman Street, City of London, 1868

Background imagePavement Collection: St Brides Schools, Bride Lane, City of London, 1840. Artist: James Findlay

St Brides Schools, Bride Lane, City of London, 1840. Artist: James Findlay
St Brides Schools, Bride Lane, City of London, 1840

Background imagePavement Collection: View of the London Opthalmic Infirmary, Blomfield Street, City of London, 1830

View of the London Opthalmic Infirmary, Blomfield Street, City of London, 1830

Background imagePavement Collection: The doorway and lower windows of Crosby Hall at no 95 Bishopsgate, City of London, 1860

The doorway and lower windows of Crosby Hall at no 95 Bishopsgate, City of London, 1860

Background imagePavement Collection: View of no 2 Blackhorse Alley, Fleet Street, City of London, 1850. Artist: James Findlay

View of no 2 Blackhorse Alley, Fleet Street, City of London, 1850. Artist: James Findlay
View of no 2 Blackhorse Alley, Fleet Street, City of London, 1850

Background imagePavement Collection: View of no 7 Blackhorse Alley, Fleet Street, City of London, 1850. Artist: James Findlay

View of no 7 Blackhorse Alley, Fleet Street, City of London, 1850. Artist: James Findlay
View of no 7 Blackhorse Alley, Fleet Street, City of London, 1850

Background imagePavement Collection: Temple Bar, London, 1877

Temple Bar, London, 1877, with supporting beams, advertising boards on the right and traffic passing on the street

Background imagePavement Collection: View of a street fight scene at night, City of Westminster, London, 1822

View of a street fight scene at night, City of Westminster, London, 1822. The scene shows an affray between three fashionably dressed men and two watchmen who use bludgeons

Background imagePavement Collection: View of the residence of Joseph Mallord William Turner, Cheyne Walk, Chelsea, London, 1882

View of the residence of Joseph Mallord William Turner, Cheyne Walk, Chelsea, London, 1882

Background imagePavement Collection: Rhubarb!, Cries of London, 1804

Rhubarb!, Cries of London, 1804
Rhubarb! A Rhubarb Seller in Russell Square, Bloomsbury, London, pictured on a pavement with a box of rhubarb, and a pair of scales in one hand. From Cries of London, 1804

Background imagePavement Collection: Roman tessellated pavement, discovered in Leadenhall Street, London, 1804. Artist

Roman tessellated pavement, discovered in Leadenhall Street, London, 1804. Artist
Roman tessellated pavement, discovered in Leadenhall Street, City of London, in December, 1803 (1804)

Background imagePavement Collection: Mosaic pavement from the British Museum, Holborn, London, 1812

Mosaic pavement from the British Museum, Holborn, London, 1812. From Gallery of Antiquities in the British Museum. The square design incorporates floral patterns and simple colours

Background imagePavement Collection: Roman tessellated pavement beneath Bank of England, London, 1806

Roman tessellated pavement beneath Bank of England, London, 1806
Roman tessellated pavement, 1806. The pavement was discovered under the south west angle of the Bank of England, London in 1805

Background imagePavement Collection: A thoroughbred November and London particular, 1827. Artist: George Hunt

A thoroughbred November and London particular, 1827. Artist: George Hunt
A thoroughbred November and London particular, 1827; a lean man in a fog, (a London particular ), steps from the pavement under the hooves of approaching carriage horses

Background imagePavement Collection: Chester Terrace, St Marylebone, London, c1830

Chester Terrace, St Marylebone, London, c1830
View of Chester Terrace, Regents Park, St Marylebone, London, c1830; also showing figures and horse drawn vehicles

Background imagePavement Collection: Fitzroy Square, St Pancras, London, c1820

Fitzroy Square, St Pancras, London, c1820
View of Fitzroy Squares east side, St Pancras, London, c1820; with horse drawn carriages in the street and figures out walking

Background imagePavement Collection: Dukes Place, London, 1861

Dukes Place, London, 1861; orange mart in Dukes Place, with figures carrying baskets

Background imagePavement Collection: View of Bridge House in Bridge Yard, Tooley Street, Bermondsey, London, 1846. Artist

View of Bridge House in Bridge Yard, Tooley Street, Bermondsey, London, 1846. Artist
View of Bridge House in Bridge Yard, Tooley Street, Bermondsey, London, 1846. Building with a clock tower and weather vane, and bollards along the pavement outside. A man leads a horse down the road

Background imagePavement Collection: Cheapside, London, 1813

Cheapside, London, 1813
View of the south west end of Cheapside, London, 1813. Street scene with figures, carriages and shopfronts

Background imagePavement Collection: Sketch for an Al-bum, 1835. Artist: George Cruikshank

Sketch for an Al-bum, 1835. Artist: George Cruikshank
Sketch for an Al-bum, 1835. A high wind is blowing in the same direction as the riders and pedestrians, causing the buttocks of the persons in the picture to be accentuated either by the pressure of

Background imagePavement Collection: Anglo-Gallic salutations in London - or Practice makes perfect -, 1835. Artist

Anglo-Gallic salutations in London - or Practice makes perfect -, 1835. Artist
Anglo-Gallic salutations in London - or Practice makes perfect -, 1835. Two Frenchmen meet on the pavement outside the door of the White Bear coaching inn, Piccadilly

Background imagePavement Collection: Miss Macaroni and her gallant at a print shop, 1773. Artist: John Raphael Smith

Miss Macaroni and her gallant at a print shop, 1773. Artist: John Raphael Smith
Miss Macaroni and her gallant at a print shop, 1773. Scene showing four people gazing at a print shop window, possibly 13 Cornhill. One points at the prints which are clearly delineated

Background imagePavement Collection: The Covent Garden macaronies, 1772

The Covent Garden macaronies, 1772. A macaroni (possibly George Colman) standing outside entrance to Covent Garden Theatre has snatched the wig off the head of a smaller man

Background imagePavement Collection: View of Brick Court, Middle Temple, London, 1882

View of Brick Court, Middle Temple, London, 1882

Background imagePavement Collection: View of nos 3 and 4 Garden Court, Middle Temple, London, 1883

View of nos 3 and 4 Garden Court, Middle Temple, London, 1883

Background imagePavement Collection: Cordwainers Hall, Distaff Lane, City of London, 1832. Artist: Thomas Hosmer Shepherd

Cordwainers Hall, Distaff Lane, City of London, 1832. Artist: Thomas Hosmer Shepherd
Cordwainers Hall, Distaff Lane, City of London, 1832

Background imagePavement Collection: Five fashionably dressed men advance along Old Bond Street, Westminster, London, 1796

Five fashionably dressed men advance along Old Bond Street, Westminster, London, 1796.They push a woman, wearing a dress with a voluminous train and a turban with an enormous feather

Background imagePavement Collection: SS Jaguar 100 of SH Newsome competing in the RAC Rally, 1939. Artist: Bill Brunell

SS Jaguar 100 of SH Newsome competing in the RAC Rally, 1939. Artist: Bill Brunell
SS Jaguar 100 25 hp Vehicle Reg. No. EHP201. Event Entry No: 169. Driver: Newsome, S.H. Finished: 2nd out of 35. Place: R.A.C. Rally. Date: 25-29.4.39

Background imagePavement Collection: 1931 Austin 16 / 6 on a road test, parked outside the Church House Inn, Stoke Gabriel, Devon

1931 Austin 16 / 6 on a road test, parked outside the Church House Inn, Stoke Gabriel, Devon
Austin 16/6 1931 2249 cc. Vehicle Reg. No. GP8679. Place: The Church House Inn, Stoke Gabriel, Totnes, Devon. Road test

Background imagePavement Collection: Representation of a thick Stratum of Lava, that ran into the sea from Mount Vesuvius in 1631, 1776

Representation of a thick Stratum of Lava, that ran into the sea from Mount Vesuvius in 1631, 1776
Representation of a thick Stratum of Lava, that ran into the sea from Mount Vesuvius in the Eruption of 1631, Plate VIII, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies

Background imagePavement Collection: Members at the entrance of Murrays Club, Beak Street, Soho, London, c1913-c1929(?)

Members at the entrance of Murrays Club, Beak Street, Soho, London, c1913-c1929(?). Founded in 1913, Murrays Club was formerly the old Blanchards restaurant, a famous coaching house

Background imagePavement Collection: Suffragettes armed with materials to chain themselves to railings, 1909

Suffragettes armed with materials to chain themselves to railings, 1909. The Suffragettes found that by chaining themselves to railings they could gain much needed time to deliver their speeches

Background imagePavement Collection: Ronnie Scotts, London, 2001. Artist: Brian O Connor

Ronnie Scotts, London, 2001. Artist: Brian O Connor
Ronnie Scott s, London, 2001



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