Paul Collection (page 20)

The Chair of Dagobert, 7th century, (1849). Made of gilt bronze, this was originally a folding chair. A 19th century version based on an original manuscript illustration held by the Bibliotheque

The Palace of Treves, France, c17th century (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Arquebusier, 16th century (1849). Artist: Jost Amman
Arquebusier, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wire worker, 16th century (1849). Artist: Jost Amman
Wire worker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Sword maker, 16th century (1849). Artist: Jost Amman
Sword maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Fisherman, 16th century (1849). Artist: Jost Amman
Fisherman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Physician, 16th century (1849). Artist: Jost Amman
Physician, 16th century, (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Painter, 16th century (1849). Artist: Jost Amman
Painter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Painter of popular pictures, 16th century (1849). Artist: Jost Amman
Painter of popular pictures, 16th century (1849). A 19th century version based on an original 16th century wood engraving

Illuminator, 16th century (1849). Artist: Jost Amman
Illuminator, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wood engraver, 16th century (1849). Artist: Jost Amman
Wood engraver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Draughtsman, 16th century (1849). Artist: Jost Amman
Draughtsman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Paper maker, 16th century, (1849). Artist: Jost Amman
Paper-maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Hatter, 16th century (1849). Artist: Jost Amman
Hatter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Clockmaker, 16th century (1849). Artist: Jost Amman
Clockmaker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Weaver, 16th century (1849). Artist: Jost Amman
Weaver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The manufacture of oil, 16th century (1849). Artist: Jost Amman
The manufacture of oil, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Thimble makers, 16th century (1849). Artist: Jost Amman
Thimble makers, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Clasp-maker, 16th century (1849). Artist: Jost Amman
Clasp-maker, 16th century (1849). A 19th century version based on an original wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris)

Tinman, 16th century (1849). Artist: Jost Amman
Tinman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The market, 15th century (1849). Artist: H Moulin
The market, 15th century, (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Barber and wigmaker, 16th century (1849). Artist: H Moulin
Barber and wigmaker, 16th century (1849). Swiss stained glass in the collection of the Musee de Cluny, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The ancient Pont aux Changers, Paris, France, c16th century (1849). A 19th century version based on an original illustration in a manuscript on the topography of Paris

Commemorative painting of the Union of the Merchants of Rouen, late 17th century (1849). A 19th century version based on an original 17th century manuscript illustration

Wholesale dealers, 15th century (1849). Artist: Thurwanger Freres
Wholesale dealers, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

A brewery, 15th century (1849). Artist: Franz Kellerhoven
A brewery, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Brussels town hall, 17th century (1849). A 19th century version based on an original 17th century manuscript illustration

A carpenters apprentice working at a trial piece, 15th century (1849). From one of the stalls called Misericordes in Rouen Cathedral, France

Professional tradesmen, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels

Merchants, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels

Monnoyeurs et Changeurs, 13th century (1849). Artist: Thurwanger Freres
Monnoyeurs et Changeurs, 13th century (1849). Stained glass from the chapel dedicated to the Virgin Mary in Le Mans Cathedral

Toll bridge, 15th century (1849). Artist: H Moulin
Toll bridge, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Wine making, 13th century (1849). Artist: Thurwanger Freres
Wine making, 13th century (1849). Stained glass window from Le Mans Cathedral. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Saint Colette (1381-1447), c16th century (1849). A 19th century version based on an original earlier manuscript illustration

Ship carpenter, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chronique de Nuremberg

Boat and ship carpenters, c late 11th / early 12th century (1849)
Boat and ship carpenters, c late 11th/early 12th century (1849). A 19th century version based on a fragment of the Bayeux Tapestry

King Philip II of France (1165-1223), 16th century (1849). Artist: Dutillet
King Philip II of France (1165-1223), 16th century (1849). A 19th century version based on an original 16th century miniature in Rois de France, held by the Bibliotheque Nationale, Paris

Tomb of Dagobert I (603-689), Merovingian king, Basilisque Saint-Denis, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Dagobert I (603-689), Merovingian king, c16th century (1849). A 19th century version based on an original manuscript illustration from the Gaignieres Collection, held by the Cabinet des Estampes

Building construction, France, 15th century (1849). Artist: Franz Kellerhoven
Building construction, France, 15th century (1846). A 19th century version based on an original 15th century manuscript illustration in From Le Moyen Age et la Renaissance, by Paul Lacroix

Entry of the King of Epinette, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Library of Rouen

Officers of the table and the chamber of the imperial court, 1512 (1849). Artist: J Resch
Officers of the table and the chamber of the imperial court, 1512 (1849). Featured are a cup-bearer, a cook, a barber, a tailor and a shoemaker

Meeting at the Field of the Cloth of Gold, c16th century (1849). A 19th century version based on an original bas-relief on the Hotel Bourgtheroulde, Rouen

The Congress of Wartburg, 15th century (1849). Artist: A Bisson
The Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris

Sergeant at arms, 14th century (1849). Artist: Edward May
Sergeant at arms, 14th century (1849). A 19th century version based on a 14th century carving at the Church of St catherine du Val des Ecoliers

Imperial procession, 1529-1530 (1849). Artist: Lucas Cranach the Elder
Imperial procession, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Solemn Entry of Charles V and Clement VII into Bologna

The entry of Queen Isabel into Paris, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chroniques of Froissart, volume IV

Standards of the church and the empire, 1529-1530 (1849). Artist: Lucas Cranach the Elder
Standards of the church and the empire, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Entry of Charles V and Clement VII into Bologna

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