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Paul Collection (page 17)

Background imagePaul Collection: The hanging of Hetherington and Brace, San Francisco, 29th July 1856 (1954)

The hanging of Hetherington and Brace, San Francisco, 29th July 1856 (1954). Joseph Hetherington and Philander Brace were executed for four murders by the Vigilance Committee of San Francisco

Background imagePaul Collection: Lola Montez, Irish-born dancer and actress, c1850s (1954)

Lola Montez, Irish-born dancer and actress, c1850s (1954). A print from the Pictorial History of the Wild West, by James D Horan and Paul Sann, Spring Books, London, 1954

Background imagePaul Collection: The execution at Lechmere Point, Cambridge, Massachusetts, 18th century (1954)

The execution at Lechmere Point, Cambridge, Massachusetts, 18th century (1954). A print from the Pictorial History of the Wild West, by James D Horan and Paul Sann, Spring Books, London, 1954

Background imagePaul Collection: Poster, 1882 (1954)

Poster, 1882 (1954). A print from the Pictorial History of the Wild West, by James D Horan and Paul Sann, Spring Books, London, 1954

Background imagePaul Collection: Paul Cavanagh (1888-1964) and Kay Francis (1905-1968), 20th century

Paul Cavanagh (1888-1964) and Kay Francis (1905-1968), 20th century. Cavanagh was an English actor who appeared in over 100 films between 1928 and 1959

Background imagePaul Collection: And the Gold of their Bodies, 1901 (1939). Artist: Paul Gauguin

And the Gold of their Bodies, 1901 (1939). Artist: Paul Gauguin
And the Gold of their Bodies, 1901 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Background imagePaul Collection: Tahitian Women on the Beach, 1891 (1939). Artist: Paul Gauguin

Tahitian Women on the Beach, 1891 (1939). Artist: Paul Gauguin
Tahitian Women on the Beach, 1891 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Background imagePaul Collection: The White Horse, 1898 (1939). Artist: Paul Gauguin

The White Horse, 1898 (1939). Artist: Paul Gauguin
The White Horse, 1898 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Background imagePaul Collection: Otahi (Alone), 1893 (1939). Artist: Paul Gauguin

Otahi (Alone), 1893 (1939). Artist: Paul Gauguin
Otahi (Alone), 1893 (1939). Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium, 1939)

Background imagePaul Collection: Haere Mai, 1891 (1939). Artist: Paul Gauguin

Haere Mai, 1891 (1939). Artist: Paul Gauguin
Haere Mai, 1891 (1939). Found in the collection of the Guggenheim Museum. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium)

Background imagePaul Collection: Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Artist: Paul Gauguin

Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Artist: Paul Gauguin
Aita Tamari vahina Judith te Parari (Annah the Javanese), 1893 (1939). Annah the Javanese (born 1880/81) was Gauguin?s lover and model

Background imagePaul Collection: Still Life with Fruit, Brittany, 19th century (1939). Artist: Paul Gauguin

Still Life with Fruit, Brittany, 19th century (1939). Artist: Paul Gauguin
Still Life with Fruit, Brittany, 19th century (1939). Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium, 1939)

Background imagePaul Collection: Little Breton Boy with a Goose, 1889 (1939). Artist: Paul Gauguin

Little Breton Boy with a Goose, 1889 (1939). Artist: Paul Gauguin
Little Breton Boy with a Goose, 1889 (1939). Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto, printed in France and Belgium, 1939)

Background imagePaul Collection: The Green Christ, 1889 (1939). Artist: Paul Gauguin

The Green Christ, 1889 (1939). Artist: Paul Gauguin
The Green Christ, 1889 (1939). Found in the collection of the Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium

Background imagePaul Collection: Landscape in Brittany, 1888 (1939). Artist: Paul Gauguin

Landscape in Brittany, 1888 (1939). Artist: Paul Gauguin
Landscape in Brittany, 1888 (1939). Found in the collection of the Indianapolis Museum of Art. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Background imagePaul Collection: La Belle Angele, 1889 (1939). Artist: Paul Gauguin

La Belle Angele, 1889 (1939). Artist: Paul Gauguin
La Belle Angele, 1889 (1939). Found in the collection of the Musee d Orsay, Paris, France. The portrait depicts Madame Angele Satre, the Innkeeper at Pont-Aven

Background imagePaul Collection: Self Portrait in a Hat, 1893-1894 (1939). Artist: Paul Gauguin

Self Portrait in a Hat, 1893-1894 (1939). Artist: Paul Gauguin
Self Portrait in a Hat, 1893-1894 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald, published by William Heinemann (London and Toronto)

Background imagePaul Collection: Portrait of an Old Man with a Stick, 1889-1890 (1939). Artist: Paul Gauguin

Portrait of an Old Man with a Stick, 1889-1890 (1939). Artist: Paul Gauguin
Portrait of an Old Man with a Stick, 1889-1890 (1939). Found in the collection of the Musee de la Ville de Paris. Plate taken from Gauguin, by John Rewald

Background imagePaul Collection: Self Portrait with the Yellow Christ, 1889 (1939). Artist: Paul Gauguin

Self Portrait with the Yellow Christ, 1889 (1939). Artist: Paul Gauguin
Self Portrait with the Yellow Christ, 1889 (1939). Found in the collection of the Musee d Orsay, Paris, France. Plate taken from Gauguin, by John Rewald

Background imagePaul Collection: Winter, 1899. Artist: Paul Baum

Winter, 1899. Artist: Paul Baum
Winter, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Background imagePaul Collection: The Sir Paul Pindar public house, Bishopsgate Street, London, 1887

The Sir Paul Pindar public house, Bishopsgate Street, London, 1887. This building was the home of Sir Paul Pindar, a merchant who was ambassador for King James I to the Ottoman Empire from 1611-1620

Background imagePaul Collection: Paul Henreid (1908-1992), Austrian-born American actor and director, c1940s

Paul Henreid (1908-1992), Austrian-born American actor and director, c1940s

Background imagePaul Collection: Paul Lukas (1895-1971), Hungarian actor, c1930s

Paul Lukas (1895-1971), Hungarian actor, c1930s

Background imagePaul Collection: Luke, from Ars Memorandi, c1470 (1849). Artist: A Bisson

Luke, from Ars Memorandi, c1470 (1849). Artist: A Bisson
Luke, from Ars Memorandi, c1470 (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Royal de Dresden

Background imagePaul Collection: Fragment facsimile of page 28 of the Bible of the Poor, 1849. Artist: A Bisson

Fragment facsimile of page 28 of the Bible of the Poor, 1849. Artist: A Bisson
Fragment facsimile of page 28 of the Bible of the Poor, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849)

A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). Artist: Franz Kellerhoven
A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: The Triumph of Galatea, 1512 (1849). Artist: L Delaistre

The Triumph of Galatea, 1512 (1849). Artist: L Delaistre
The Triumph of Galatea, 1512 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: Rest on the Flight into Egypt, c1515-1519 (1849). Artist: Albrecht Altdorfer

Rest on the Flight into Egypt, c1515-1519 (1849). Artist: Albrecht Altdorfer
Rest on the Flight into Egypt, c1515-1519, (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: Venus, c1520s (1849). Artist: Jacob Binck

Venus, c1520s (1849). Artist: Jacob Binck
Venus, c1520s (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: Cimon and Pero, 1544 (1849). Artist: Sebald Beham

Cimon and Pero, 1544 (1849). Artist: Sebald Beham
Cimon and Pero, 1544 (1849). Roman Charity is the story of a daughter, Pero, who secretly breastfeeds her father, Cimon, after he is incarcerated and sentenced to death by starvation

Background imagePaul Collection: The Virgin, 1527 (1849). Artist: Heinrich Aldegrever

The Virgin, 1527 (1849). Artist: Heinrich Aldegrever
The Virgin, 1527 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: The Feast of Salome, c1490s (1849). Artist: Rosotte

The Feast of Salome, c1490s (1849). Artist: Rosotte
The Feast of Salome, c1490s (1849). From the opera Herodiade. A 19th century version based on an original 15th century copper engraving

Background imagePaul Collection: Wandering minstrels, 1574 (1849). Artist: A Bisson

Wandering minstrels, 1574 (1849). Artist: A Bisson
Wandering minstrels, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Background imagePaul Collection: Samson and Delilah, 1574 (1849). Artist: A Bisson

Samson and Delilah, 1574 (1849). Artist: A Bisson
Samson and Delilah, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Background imagePaul Collection: St Peter, 1519 (1849). Artist: A Bisson

St Peter, 1519 (1849). Artist: A Bisson
St Peter, 1519 (1849). A 19th century version based on an original 16th century wood engraving held by the Bibliotheque Royal

Background imagePaul Collection: Stained glass of Moses, King David and Isaiah, Bourges Cathedral, 13th century (1849)

Stained glass of Moses, King David and Isaiah, Bourges Cathedral, 13th century (1849). Artist: Lemercier
A stained glass window featuring Moses, King David and Isaiah, Bourges Cathedral, Bourges, France, 13th century (1849). Bourges Cathedral is dedicated to Saint Stephen

Background imagePaul Collection: Stained glass window, Bourges Cathedral, Bourges, France, 13th century (1849). Artist: Hauger

Stained glass window, Bourges Cathedral, Bourges, France, 13th century (1849). Artist: Hauger
Stained glass window featuring the story of the Prodigal Son, Bourges Cathedral, Bourges, France, 13th century (1849). Bourges Cathedral is dedicated to Saint Stephen

Background imagePaul Collection: Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. Artist: Hauger

Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. Artist: Hauger
Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849

Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. Artist: Franz Kellerhoven
Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: Small Godfathers, 1885. Artist: Moreau

Small Godfathers, 1885. Artist: Moreau
Small Godfathers, 1885. From 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix (Paris, 1885)

Background imagePaul Collection: The gardens of a French palace of King Louis XV, 1763 (1885). Artist: Moreau

The gardens of a French palace of King Louis XV, 1763 (1885). Artist: Moreau
The gardens of a French palace of King Louis XV, 1763 (1885). From 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, Paris, 1885

Background imagePaul Collection: A princess costume, 18th century (1885). Artist: Leclere

A princess costume, 18th century (1885). Artist: Leclere
A princess costume, 18th century (1885). From 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix (Paris, 1885)

Background imagePaul Collection: The Emperor Charlemagne (742-814), 1870

The Emperor Charlemagne (742-814), 1870. A 19th century version of an earlier original from the book of the Gospels of Charlemagne, held by the library of the Louvre, Paris

Background imagePaul Collection: Citizens of France aiding poor scholars, 1257 (1870)

Citizens of France aiding poor scholars, 1257 (1870). A 19th century version of an original 13th century wood engraving in the Notre Dame

Background imagePaul Collection: Seal of the King of the Basoche, 16th century (1870)

Seal of the King of the Basoche, 16th century (1870)
Seal of the King of the Basoche, 16th century, (1870). The Basoche was the guild of legal clerks of the Paris court system under the pre-revolutionary French monarchy

Background imagePaul Collection: Paris, 15th century, 1870. Artist: Franz Kellerhoven

Paris, 15th century, 1870. Artist: Franz Kellerhoven
Paris, 15th century, 1870. A 19th century version of an extract from an earlier Beauvais tapestry. From The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix (London, 1870)

Background imagePaul Collection: A soldier of King Philip IV of France, 1849

A soldier of King Philip IV of France, 1849
A soldier of King Philip IV of France, c13th century (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imagePaul Collection: 16th century armour, 1849

16th century armour, 1849. Found in the collection of the Musee d Artillerie, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)



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