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Paul Sandby Collection (page 2)

Background imagePaul Sandby Collection: Warwick Castle from the Lodge Hill, plate 1, January 1776. Creator: Paul Sandby

Warwick Castle from the Lodge Hill, plate 1, January 1776. Creator: Paul Sandby
Warwick Castle from the Lodge Hill, plate 1, January 1776

Background imagePaul Sandby Collection: The Entrance of Warwick Castel from the Lower Court, plate 2, January 1776

The Entrance of Warwick Castel from the Lower Court, plate 2, January 1776

Background imagePaul Sandby Collection: Part of Warwick Castel from the Southeast, plate 4, January 1776. Creator: Paul Sandby

Part of Warwick Castel from the Southeast, plate 4, January 1776. Creator: Paul Sandby
Part of Warwick Castel from the Southeast, plate 4, January 1776

Background imagePaul Sandby Collection: Design for Wallpaper 'L Innocent Badinage, or Boys at Play', ca. 1745-50. ca

Design for Wallpaper "L Innocent Badinage, or Boys at Play", ca. 1745-50. ca
Design for Wallpaper " L Innocent Badinage, or Boys at Play", ca. 1745-50

Background imagePaul Sandby Collection: Valle Crucis Abbey, Denbighshire, 1770-79 (?). Creator: Paul Sandby

Valle Crucis Abbey, Denbighshire, 1770-79 (?). Creator: Paul Sandby
Valle Crucis Abbey, Denbighshire, 1770-79 (?)

Background imagePaul Sandby Collection: Windsor Great Park, 1790-99. Creator: Paul Sandby

Windsor Great Park, 1790-99. Creator: Paul Sandby
Windsor Great Park, 1790-99

Background imagePaul Sandby Collection: Travelers Entering a Town, 1751-1809. Creator: Paul Sandby

Travelers Entering a Town, 1751-1809. Creator: Paul Sandby
Travelers Entering a Town, 1751-1809

Background imagePaul Sandby Collection: Windsor Castle: St. Georges Chapel, 1768, (1942). Creator: Paul Sandby

Windsor Castle: St. Georges Chapel, 1768, (1942). Creator: Paul Sandby
Windsor Castle: St. Georges Chapel, 1768, (1942). View of St Georges Chapel and entrance to Cloister. The high-medieval Gothic Chapel was originally founded in the 14th century

Background imagePaul Sandby Collection: A Military Camp in St. James Park During the Gordon Riots, 1780, c1783, (1944)

A Military Camp in St. James Park During the Gordon Riots, 1780, c1783, (1944). Troops were stationed in St Jamess Park, Westminster, London, as a response to the Gordon Riots

Background imagePaul Sandby Collection: Edinburgh from the West, in the Time of David Hume, c1750, (1943). Creator: Paul Sandby

Edinburgh from the West, in the Time of David Hume, c1750, (1943). Creator: Paul Sandby
Edinburgh from the West, in the Time of David Hume, c1750, (1943). View of the Scottish capital with Edinburgh Castle and Arthurs Seat

Background imagePaul Sandby Collection: Views of Warwick Castle: Warwick Castle from the Lodge Hill, 1776. Creator: Paul Sandby (British)

Views of Warwick Castle: Warwick Castle from the Lodge Hill, 1776. Creator: Paul Sandby (British)
Views of Warwick Castle: Warwick Castle from the Lodge Hill, 1776

Background imagePaul Sandby Collection: Views of Warwick Castle: Caesars ower and Part of Warwick Castle from the Island, 1776

Views of Warwick Castle: Caesars ower and Part of Warwick Castle from the Island, 1776

Background imagePaul Sandby Collection: Views of Warwick Castle: Part of Warwick Castle from the South East, 1776. Creator

Views of Warwick Castle: Part of Warwick Castle from the South East, 1776. Creator
Views of Warwick Castle: Part of Warwick Castle from the South East, 1776

Background imagePaul Sandby Collection: Views of Warwick Castle: The Entrance of Warwick Castle from the Lower Court, 1776

Views of Warwick Castle: The Entrance of Warwick Castle from the Lower Court, 1776

Background imagePaul Sandby Collection: Twelve Views in South Wales: St. Quintins Castle near Cowbridge in Glamorganshire, 1775

Twelve Views in South Wales: St. Quintins Castle near Cowbridge in Glamorganshire, 1775

Background imagePaul Sandby Collection: Landscape. Creator: Paul Sandby (British, 1731-1809)

Landscape. Creator: Paul Sandby (British, 1731-1809)
Landscape

Background imagePaul Sandby Collection: Stanton Harcourt, Anno 1750, 1779. Creator: Richard Godfrey

Stanton Harcourt, Anno 1750, 1779. Creator: Richard Godfrey
Stanton Harcourt, Anno 1750, 1779. View of Stanton Harcourt Manor in Oxfordshire. [Richard Godfrey, London, 1779]

Background imagePaul Sandby Collection: Landscape near a Lake, 1785, (c1900). Creator: Unknown

Landscape near a Lake, 1785, (c1900). Creator: Unknown
Landscape near a Lake, 1785, (c1900). Rural scene with peasants in the foreground, and a lake with hills in the distance. Print after a painting by Paul Sandby

Background imagePaul Sandby Collection: Gate under Queen Elizabeths Picture Gallery, Windsor Castle, Berkshire, 1812. Artist

Gate under Queen Elizabeths Picture Gallery, Windsor Castle, Berkshire, 1812. Artist
Gate under Queen Elizabeths Picture Gallery, Windsor Castle, Berkshire, 1812

Background imagePaul Sandby Collection: View from Woolwich Warren, Kent, 1794. Artist: Thomas Tagg

View from Woolwich Warren, Kent, 1794. Artist: Thomas Tagg
View from Woolwich Warren, Kent, 1794. Cannons can be seen on the left with ships on the River Thames in the distance

Background imagePaul Sandby Collection: Scotland Yard with part of the Banqueting House, Whitehall, Westminster, London, c1776

Scotland Yard with part of the Banqueting House, Whitehall, Westminster, London, c1776

Background imagePaul Sandby Collection: Army encampment in St Jamess Park, Westminster, London, 1780

Army encampment in St Jamess Park, Westminster, London, 1780. Troops were stationed in St Jamess Park in the aftermath of the Gordon Riots

Background imagePaul Sandby Collection: East front of Horse Guards, Westminster, London, c1749. Artist

East front of Horse Guards, Westminster, London, c1749. Artist
East front of Horse Guards, Westminster, London, c1749

Background imagePaul Sandby Collection: Army camp in Hyde Park, London, 1780. Artist

Army camp in Hyde Park, London, 1780. Artist
Army camp in Hyde Park, London, 1780. View of an army camp in Hyde Park which was set up as a response to the Gordon Riots in 1780

Background imagePaul Sandby Collection: The Thatched House Inn and the New River, Islington, London, c1790

The Thatched House Inn and the New River, Islington, London, c1790. The New River scheme was one of Britains first attempts since the Romans to increase Londons water supply

Background imagePaul Sandby Collection: Interior of the Great Room of Freemasons Tavern, Great Queen Street, Holborn, London, c1800

Interior of the Great Room of Freemasons Tavern, Great Queen Street, Holborn, London, c1800
Interior of the Great Room of the Freemasons Tavern, Great Queen Street, Holborn, London, c1800. View with allegorical figures and objects around a table

Background imagePaul Sandby Collection: William Hogarth, 1762. Artist: Paul Sandby

William Hogarth, 1762. Artist: Paul Sandby
William Hogarth, 1762. The scene satirises William Hogarth and his line of beauty. He is seen precariously balanced at the top of the structure with a variety of other figures beneath

Background imagePaul Sandby Collection: Street entertainers, Cries of London, 1760. Artist: Paul Sandby

Street entertainers, Cries of London, 1760. Artist: Paul Sandby
Street entertainers, 1760. Ballad singers reciting songs or poems in the street. From Cries of London, 1760

Background imagePaul Sandby Collection: Two spoon sellers, Cries of London, 1760. Artist: Paul Sandby

Two spoon sellers, Cries of London, 1760. Artist: Paul Sandby
Two spoon sellers, 1760. A couple selling spoons and asking for old brass or pewter; the man smokes a clay pipe and bangs the base of a pot or saucepan to attract peoples attention

Background imagePaul Sandby Collection: Two oyster sellers, Cries of London, 1760. Artist: Paul Sandby

Two oyster sellers, Cries of London, 1760. Artist: Paul Sandby
Two oyster sellers, 1760. Two women carrying baskets of Rare Meltin and Stewing oysters on their heads. From Cries of London, 1760

Background imagePaul Sandby Collection: Flint and steel seller, Cries of London, 1760. Artist: Paul Sandby

Flint and steel seller, Cries of London, 1760. Artist: Paul Sandby
Flint and steel seller, 1760. A seller of flint and steel cries his wares. They are good quality: All fire and no Smoke, (for use in lighting fires). From Cries of London, 1760

Background imagePaul Sandby Collection: Mackerel seller, Cries of London, 1760. Artist: Paul Sandby

Mackerel seller, Cries of London, 1760. Artist: Paul Sandby
Mackerel seller, 1760. A mackerel seller with a large basket, crying her wares, or possibly shouting at the person in the doorway. Her dog barks at a cat who has raised its fur

Background imagePaul Sandby Collection: Pudding seller, Cries of London, 1760. Artist: Paul Sandby

Pudding seller, Cries of London, 1760. Artist: Paul Sandby
Pudding seller, 1760. Street seller sprinkling a pudding as he walks along; his barrow is attached to him by straps, leaving his hands free

Background imagePaul Sandby Collection: The Walking Stationer, Cries of London, 1760. Artist: Paul Sandby

The Walking Stationer, Cries of London, 1760. Artist: Paul Sandby
The Walking Stationer, 1760. A blind stationery seller with a child, to lead him. He carries a basket of memorandum books. From Cries of London, 1760

Background imagePaul Sandby Collection: Two crockery sellers, Cries of London, 1760. Artist: Paul Sandby

Two crockery sellers, Cries of London, 1760. Artist: Paul Sandby
Two crockery sellers, 1760. Two women carrying a large basket of earthenware pottery between them. The woman on the right wears a dress revealing one breast. From Cries of London, 1760

Background imagePaul Sandby Collection: Nosegay and memo book seller, Cries of London, 1760. Artist: Paul Sandby

Nosegay and memo book seller, Cries of London, 1760. Artist: Paul Sandby
Nosegay and memo book seller, 1760. Woman with a low-cut dress carrying a small basket containing posies of flowers. The skirt is hitched up to reveal her ankles. From Cries of London, 1760

Background imagePaul Sandby Collection: Offal seller, Cries of London, 1760. Artist: Paul Sandby

Offal seller, Cries of London, 1760. Artist: Paul Sandby
Offal seller, 1760. An offal seller pushing a wheelbarrow loaded with a basket of tripe, calves feet, trotters, hearts, livers and lights. From Cries of London, 1760

Background imagePaul Sandby Collection: Stick seller, Cries of London, 1760. Artist: Paul Sandby

Stick seller, Cries of London, 1760. Artist: Paul Sandby
Stick seller, 1760. A ragged stick seller and two background views; to the left a woman is holding a stick over her kneeling husband and twisting his nose

Background imagePaul Sandby Collection: Woman with a raree show, Cries of London, 1760. Artist: Paul Sandby

Woman with a raree show, Cries of London, 1760. Artist: Paul Sandby
Woman with a raree show, 1760. Spectators and a dog in front of a street show. One of the spectators is on crutches carrying a pile of boxes on which are listed six of the street cries from

Background imagePaul Sandby Collection: Woodcutters near a river, 1755(?) Artist: Paul Sandby

Woodcutters near a river, 1755(?) Artist: Paul Sandby
Woodcutters near a river, 1755(?); three men attempt to pull down a tree using ropes while two others look on

Background imagePaul Sandby Collection: The south lodge at the Rangers House, Greenwich, London, 1812. Artist: Paul Sandby

The south lodge at the Rangers House, Greenwich, London, 1812. Artist: Paul Sandby
The south lodge at the Rangers House, Greenwich, London, 1812

Background imagePaul Sandby Collection: The painters march from Finchly... 1753. Artist: Paul Sandby

The painters march from Finchly... 1753. Artist: Paul Sandby
The painters march from Finchly, dedicated to the King of ye Gypsies as an encourager of Art &c, 1753. Hogarth, accompanied by a woman who points to a pair of horns over his head, flees from a village

Background imagePaul Sandby Collection: St Jamess Gate leading to St Jamess Palace, London, 1766 Artist: Edward Rooker

St Jamess Gate leading to St Jamess Palace, London, 1766 Artist: Edward Rooker
A view of St Jamess Gate leading to St Jamess Palace from Cleveland Row, London, 1766. In the foreground stone masons can be seen on the right with a horse and cart in the centre

Background imagePaul Sandby Collection: Pont y Pair, 1807. Artist: Samuel Middiman

Pont y Pair, 1807. Artist: Samuel Middiman
Pont y Pair, 1807. After Paul Sandby Munn (1773-1845). [W. Clarke, London, 1807]

Background imagePaul Sandby Collection: A letter from Paul Sandby, 1795 (1904). Artist: Paul Sandby

A letter from Paul Sandby, 1795 (1904). Artist: Paul Sandby
A letter from Paul Sandby, 1795 (1904). Paul Sandby (1731-1809), English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imagePaul Sandby Collection: Letter to Benjamin West, President of the Royal Academy, 1803 (1904)

Letter to Benjamin West, President of the Royal Academy, 1803 (1904). A letter from Paul Sandby (1731-1809), Richard Cosway (1742-1821), John Francis Rigaud (1742-1810)

Background imagePaul Sandby Collection: Windsor, 1785. Artist: Paul Sandby

Windsor, 1785. Artist: Paul Sandby
Windsor, 1785. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imagePaul Sandby Collection: An Old Castle, c1764. Artist: Paul Sandby

An Old Castle, c1764. Artist: Paul Sandby
An Old Castle, c1764. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]



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