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English hunter, gamekeeper and fisherman, 1435 (1849). Artist: DrouartEnglish hunter, gamekeeper and fisherman, 1435 (1849). A 19th century version based on an original 15th century manuscript illustration
French noblemen and women, a yeomen of the guard, and a gentleman, 15th century (1849)French noblemen and women, a yeomen of the guard and a gentleman, 15th century (1849). The image of the yeoman comes from a tapestry in the Church of St Paterne a Orleans
Florentine plebeian and henchman, 14th century (1849)Florentine plebeian and henchman, 16th century (1849). A 19th century version based on an original 14th century engraving
The Dance of Death, 15th century (1849). Sections of the wall painting of Danse Macabre at Abbey Church of St-Robert in La Chaise-Dieu, France
Dukes of Bavaria, Germany, 16th century (1849). Artist: Franz KellerhovenDukes of Bavaria, 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Bibliotheque Nationale, Paris
An English gatekeeper (1480) and domestic servant (1475), 15th century (1849). Originally from a manuscript held by the British Museum
A German man of letters, 16th century (1849). Artist: Jost AmmanA German man of letters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix
Italian doctors, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Vie de St Catherine de Sienne, held by the Bibliotheque Nationale, Paris
Etienne de Poncher (1446-1524), Bishop of Paris, 16th century (1849). Original found in the collection of Mr Quedeville, Paris
St Louis (1274-1297), Bishop of Toulouse, 1849. Original found in the collection of Mr Quedeville, Paris. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix
Italian gardener and woodcutter, 15th century (1849). Originally from a contemporary manuscript. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Italian costumes of the 15th century (1849). Notary and henchman. Originally from a contemporary manuscript. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix
Grand Swiss provost marshal, 15th century (1849). Originally from a painting in Danse des Morts, by Bale. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix
Costumes of the period of King Louis XII of France, 15th century (1849). Artist: DumontCostumes of the period of King Louis XII of France, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Nationale, Paris
Swiss courier, 15th century (1849). Originally from a statue on the Hotel de ville de Bale. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
A young noble of the court of King Charles VIII of France, c15th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Bibliotheque Nationale
Marie de Bourgogne, daughter of Charles le Temeraire, 16th century (1849). A 19th century version based on an original 16th century engraving held by the Cabinet des Estampes, Bibliotheque Nationale
Noble women and children, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in Merveilles du Monde, held by the Bibliotheque Nationale, Paris
A noblewoman, servant and member of the bourgeoisie, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in Merveilles du Monde
Clotaire I (497-560), King of the Franks, 1849Clotaire I (497-560), King of the Franks, 1846. Originally from his tomb at the portal of the church of St Germain des Pres
King Charles V of France (1337-1380) and Joanna of Bourbon (1338-1378), 1849. Originally after their statues at the Church of Celestins, Paris
King Louis VII of France (1120-1180), 16th century (1849). A 19th century version based on an original 16th century manuscript illustration in the Rois de France, by du Tillet
Charles the Simple (879-929), 16th century (1849). Also known as Charles III. A 19th century version based on an original 16th century manuscript illustration in the Rois de France, by du Tillet
Statue of Childebert, 13th century (1849). Originally from the refectory of the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix
Childeberts tomb, 11th century (1849). Originally from his tomb at the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix
Childeric II (c653-675), 12th century (1849). Originally from his tomb at the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix
King Clotaire II (584-629) and Bertude (575-604), 12th century (1849). A 19th century version based on images on their tombs in St Germain des Pres
North front of the Hotel des Ursins, Paris, c17th century (1849). The hotel was built during the 14th century, restord in the 16th century and iwas destroyed some time after that
A bourgeoise, a peasant and a noble women, 14th century (1849). Artist: A BissonBourgeoise, peasant and noble women, 14th century (1849). A 19th century version based on original painted windows in the church of Moulins, Bourbonnais, France
A young nobleman and of a member of the bourgeoisie, 14th century (1849). A 19th century version based on an original painted window in the church of St Oen, Rouen, and from a window at Moulins
Barber, 16th century (1849). Artist: Jost AmmanBarber, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Bookbinder, 16th century (1849). Artist: Jost AmmanBookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Coppersmith, 16th century (1849). Artist: Jost AmmanCoppersmith, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Spur maker, 16th century (1849). Artist: Jost AmmanSpur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Coin maker, 16th century (1849). Artist: Jost AmmanCoin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Goldbeater, 16th century (1849). Artist: Jost AmmanGoldbeater, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Jean Jouvenel des Ursins his wife, Michelle de Vitry, praying, 14th or 15th century (1849)Jean Jouvenel des Ursins and his wife, Michelle de Vitry, praying, 14th or 15th century (1849). Jouvenel des Ursins (c1360-1431) was provost of the merchants of Paris
Miner, 16th century (1849). Artist: Jost AmmanMiner, 16th century (184). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Dentist, 16th century (1849). Artist: Jost AmmanDentist, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The bourgeoisie of Gand praying, 15th century (1846). A 19th century version based on an original 15th century stained glass window
Tailor, 16th century (1849). Artist: Jost AmmanTailor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Cobbler, 16th century (184). Artist: Jost AmmanCobbler, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Wheelwright, 16th century (1849). Artist: Jost AmmanWheelwright, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Cooper, 16th century (1849). Artist: Jost AmmanCooper, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Carpenters, 16th century (1849). Artist: Jost AmmanCarpenters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Inside the physicians house, 15th century (1849). Artist: A BissonInside the physicians house, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Othea, held by the Royal Library, Brussels
Dyer, 16th century (1849). Artist: Jost AmmanDyer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Bell and cannon caster, 16th century (1849). Artist: Jost AmmanBell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix