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The Temptation of Saint Anthony, ca. 1550-60. Creator: Workshop of Herri met de BlesThe Temptation of Saint Anthony, ca. 1550-60
Christs Descent into Hell. Creator: UnknownChrists Descent into Hell. Desolate landscape with a burning city at the right and the river Styx
The Nightmare, 1783 by Henri Fuseli
Fatal effects of gluttony, a Lord Mayors Day night mare, 1830; depicting an alderman asleep in bed. On top of him is a crowd of animals including a turtle, lobster and duck
The Lusitania: Herods Nightmare, 1915 Are They Crying Mother or Murder ?, 1916. Plate 60 from The Great War: A Neutrals Indictment by Louis Raemaekers
The Nightmare, 1800. Found in the collection of Soro Kunstmuseum
The Fairys Banquet, c. 1858. Artist: Fitzgerald, John Anster (1832-1906)The Fairys Banquet, c. 1858. Private Collection
Fairyland, 1887. Artist: Fitzgerald, John Anster (1832-1906)Fairyland, 1887. Private Collection
The dream after the masked ball. Artist: Fitzgerald, John Anster (1832-1906)The dream after the masked ball. Private Collection
The Nightmare I, 1781. Artist: Fussli (Fuseli), Johann Heinrich (1741-1825)The Nightmare I, 1781. Found in the collection of the Detroit Institute of Art
The Nightmare II, 1802. Artist: Fussli (Fuseli), Johann Heinrich (1741-1825)The Nightmare II, 1802. Found in the collection of the Goethemuseum, Frankfurt am Main
The Shepherds Dream, 1786. Artist: Fussli (Fuseli), Johann Heinrich (1741-1825)The Shepherds Dream, 1786. Found in the collection of the Albertina, Vienna
The Nightmare. Private Collection
Nightmare (Mareridt). Found in the Collection of Nivaagaards Malerisamling
When School Began as we Remembered, c1890. Artist: Frederick RichardsonWhen School Began as we Remembered, c1890. From the pen drawing by Fred Richardson. 1905-6. From The Studio Volume 36. [The Offices of the Studio Ltd. London, 1905-6]
Shoki and Attendant Demons, 1898. Artist: Kawanabe KyosaiShoki and Attendant Demons, 1898. Fom a kakemono by Kawanabe Kyosai. Zhong Kui (Shoki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings
Caricature of the Laocoon group, 1937. Artist: Nicolo BoldriniCaricature of the Laocoon group, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937
Horseman, c1565, (1937). Artist: TitianHorseman, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Graphische Sammlung, Munich
Caged Lion with sleeping woman. c19th century
The Chaos, 1733. Artist: Bernard PicartThe Chaos, 1733. A plate from Le temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere
Scene of Hell, 1733. Artist: Bernard PicartScene of Hell, 1733. A plate from Le temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere
Lycaon Metamorphosed into a Wolf, 1733. Artist: Bernard PicartLycaon Metamorphosed into a Wolf, 1733. A plate from Le temple des Muses, Amsterdam, 1733. Fround in the collection of Jean Claude Carriere
La Traversee du Styx, c1591-1638. Artist: Jacob Isaacz van SwanenburgLa Traversee du Styx, c1591-1638. In Greek mythology, Styx is the name of a river which formed the boundary between earth and the underworld, Hades
How they pluck her!, 1799. Artist: Francisco GoyaHow they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Bon Voyage, 1799. Artist: Francisco GoyaBon Voyage, 1799. Plate 64 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Can t anyone unite us?, 1799. Artist: Francisco GoyaCan t anyone unite us?, 1799. Plate 75 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
The Chinchillas, 1799. Artist: Francisco GoyaThe Chinchillas, 1799. Plate 50 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
What a tailor can do!, 1799. Artist: Francisco GoyaWhat a tailor can do!, 1799. Plate 52 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Who would have thought it!, 1799. Artist: Francisco GoyaWho would have thought it!, 1799. Plate 62 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
Saturn Devouring one of his Children, 1821-1823. Artist: Francisco GoyaSaturn Devouring one of his Children, 1821-1823. Found in the collection of the Prado, Madrid, Spain. A Greco-Roman mythological scene of the god Saturn consuming a child in reference to Spains
To rise and to fall, 1799. Artist: Francisco GoyaTo rise and to fall, 1799. Plate 56 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
Matrimonial nightmare, 1819-1823. Artist: Francisco GoyaMatrimonial nightmare, 1819-1823. Plate 7 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)
The exhortations, 1819-1823. Artist: Francisco GoyaThe exhortations, 1819-1823. Plate 16 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Here comes the bogeyman, 1799. Artist: Francisco GoyaHere comes the bogeyman, 1799. Plate 3 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
The sleep of reason produces monsters, 1799. Artist: Francisco GoyaThe sleep of reason produces monsters, 1799. From Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Correction, 1799. Artist: Francisco GoyaCorrection, 1799. Plate 46 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political
There is plenty to suck, 1799. Artist: Francisco GoyaThere is plenty to suck, 1799. Plate 45 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
The Nightmare, c1850-1890. Artist: Stanislas LepineThe Nightmare, c1850-1890. Stansislas participated in the first Impressionist exhibition, held in 1874, although he is generally not considered an Impressionist. Private Collection
Scorpion Fish, (Peixe Carneiro), 20th century. Artist: CM DixonScorpion Fish, (Peixe Carneiro), 20th century. Scorpionfish, are a family of mostly marine fish that include many of the worlds most venomous species
Hercules with Cerberus from a Sarcophagus in Asia Minor (Hellenstic Period), 20th century. Held in Archaeological Museum, Istanbul
Terracotta head of a demon: a votive offering from a temple, now in the Istanbul Archaeological Museum
Basile, c1825-1877. Artist: Henry Bonaventure MonnierBasile, c1825-1877
Percival Delivering Belisane... exhibited 1783. Artist: Henry FuseliPercival Delivering Belisane from the Enchantment of Urma, exhibited 1783. Found in the collection of the Tate, London
Lady Macbeth Seizing the Daggers, exhibited 1812. Artist: Henry FuseliLady Macbeth Seizing the Daggers, exhibited 1812. Found in the collection of the Tate, London
Riddle of Fear, 1819-1823. Artist: Francisco GoyaRiddle of Fear, 1819-1823. Plate 2 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Distressing Infant Nightmare, 1865. Artist: George du MaurierDistressing Infant Nightmare, 1865. Founded on the legend of Banbury Cross. The nursery rhyme, Ride a cock-horse to Banbury Cross is pictured here through the imagination of a little girl