Museum Of Ornamental Art Collection (page 6)

The Knight is Dust, 1869. Artist: John Skinner Prout
The Knight is Dust, 1869. The fourteenth century tomb of King Edward IIs valet Sir Philip De La Beche, Aldworth Church, Berkshire. Painting held in the Victoria & Albert Museum, London

Satan Arousing the Rebel Angels, 1808. Artist: William Blake
Satan Arousing the Rebel Angels, 1808. Painting held in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Hove Beach, with Fishing Boats, c1824. Artist: John Constable
Hove Beach, with Fishing Boats, c1824. Painting held in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

View from the Terrace of Old Somerset House, c1770. Artist: Paul Sandby
View from the Terrace of Old Somerset House, c1770. Painting held at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy

The River, King Street, Norwich, c1800. Artist: John Thirtle
The River, King Street, Norwich, c1800. Painting held at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

The Hunt Supper, c1780-1825. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Woman at a Fountain, c1840
Woman at a Fountain, 1840. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Willy Lott?s House, c1811. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

A Country Road with Trees and Figures (recto); Willy Lotts House (verso), c1830. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII

View on Mousehold Heath, Near Norwich, c1812. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Sketch of a Female Head, 18th century. Artist: George Romney
Sketch of a Female Head, 18th century. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Mrs. Hobson of Markfield, c1895. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Brighton Beach, with Colliers, 1824. Artist: John Constable
Brighton Beach, with Colliers, 1824. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Chimneypiece with Arms of James I, circa 1606: from the Old Palace, Bromley-By-Bow, 1945. Bromley Old Palace was built in 1606 for James I

Sketch in Portugal; Moorish Castle from the Penha; Moorish Castle, Mafra, 1837. Artist: James Holland
Sketch in Portugal; Moorish Castle from the Penha; Moorish Castle, Mafra, 1837. Painting housed in the Victoria & Albert Museum, London. [The Offices of the Studio, London & New York, 1944]

Panelled room, early eighteenth century, 26, Hatton Garden, 1907
Panelled room, first half of the eighteenth century, 26, Hatton Garden, E.C. showing the early Georgian style, 1907. This room interior was moved to the Victoria

The Wood Sawyers; Les scieurs de long, c1850, (1911). Artist: Jean Francois Millet
The Wood Sawyers; Les scieurs de long, c1850. Painting held in the Victoria & Albert Museum, London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C

East Bergholt Church: part of the west end seen beyond a group of elms, (1812), 1925
East Bergholt Church: part of the west end seen beyond a group of elms, 1812. Original house in the Victoria and Albert Museum. After a drawing by John Constable (1776-1837)

Potter Gate, Lincoln, (1800-1849), 1937
Potter Gate, Lincoln, c1800-1849. After a watercolour by Peter De Wint (1784-1849). Original housed in the Victoria & Albert Museum. From The Connoisseur, 1937

Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V)
Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V, Scene 3), 1791, (1938). Painting held at the Victoria And Albert Museum, London

Lady Easys Steinkirk: A Scene from The Fearless Husband by Colley Cibber (Act V, Scene 5), c1787, (1938). Depicts the last scene from Cibbers 1704 comedy, The Careless Husband

Box Lobby Loungers of 1785, c1785. Artist: Thomas Rowlandson
Box Lobby Loungers of 1785, c1785. Etching held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

Room from the Old Palace at Bromley-By-Bow, 1908. Bromley Old Palace was built in 1606 for James I. This was the parlour of the house and is now housed in the Victoria & Albert Museum, London

Spring, 1931 (1932). Artist: Mark Gertler
Spring, 1931 (1932). painting held in the Victoria & Albert Museum, London. From The Studio Volume 104. [The Offices of the Studio, London, 1932]

The new Victoria and Albert Museum opened on June 26th, 1909, c1909. From The Connoisseur Vol. XXIV. [Otto Limited, London, 1909]

A Cornfield, 1815, (1938). Artist: Peter de Wint
A Cornfield, 1815. Picture housed at the Victoria and Albert Museum, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Sir Henry Cole, KCB, British designer, civil servant and writer, 1877. Artist: Lock & Whitfield
Sir Henry Cole, KCB, British designer, civil servant and writer, 1877. Cole (1808-1882) assisted Rowland Hill in designing the worlds first adhesive postage stamp, the Penny Black

Stained Glass, Minstrel. 1882-1884. Artist: William Morris
Stained Glass, Minstrel. 1882-1884. Stained glass window in the Victoria and Albert Museum, London

Ball at the Hotel de Ville, 1860. Artist: Eugene Louis Lami
Ball at the Hotel de Ville, 1860

The Tuileries Gardens, 1858. Artist: William Wyld
The Tuileries Gardens, Paris, France, 1858. Ffrom the collection of Victoria and Albert Museum, London, United Kingdom

Chinese Tomb Guardian, T ang Dynasty, 7th-10th century. The Tang Dynasty is generally regarded as a high point in Chinese civilization, and a golden age of cosmopolitan culture

Gilded Bronze Harness Plaque of Two Animals Fighting, Ordos Region, c3rd century BC. Victoria and Albert Museum

Persian Manuscript Illustration c16th-17th century. Victoria and Albert Museum

Siva, followed by his consort Parvati, walking with the Bull, Nandi, c1730. Painting from Mandi, Victoria and Albert Museum. London

Vishnu worshipped in Five Manifestations, c1690. Illustration from Hindu Text of the Vishnu Sahabranama. At Victoria + Albert Museum

Vishnu in his 10th Incarnation as the White Houre Kalki, 1710-1720. Painting from Bilaspur at Victoria and Albert Museum. London

Krishna Celebrating Spring Festival of Holi, c1770-1780. Painting from Kangra, Punjab Hills. Victoria and Albert Museum

Siva and Parvati with their children, Ganesh and Karttikgya on Mount Kailash, c1745. Painting from Punjab Hills. At Victoria and Albert Museum, London

Krishna, (on Bird-God, Garuda) fights Indra (on elephant), Harivamsa manuscript, c1590. Mughal painting. At Victoria and Albert Museum. London

Siva as Lord of the Dance, Indian Bronze From Madras, (Chola Dynasty), 10th century. 69 cm high. At Victoria and Albert Museum. London

Hanuman, the Monkey-Demon, causing mischief among men, c1730. Painting, opaque watercolour on paper, illustration to the Bhagavata Purana Divivida the monkey demon causing mischief Indian painting

Detail of front of Ivory Casket, Hispano-Arabic work, Cordoba, 11th century. At London Victoria and Albert Museum

Seven Angels with Seven Vials, 14th-15th century. Artist: Master Bertram of Hamburg
Seven Angels with Seven Vials, 14th-15th century. Revelations 15 v5--8, Panel 38 of the Altarpiece of the Apocalypse. German, at Victoria and Albert Museum

The Seven Letters to the Seven Churches, 14th-15th century. Artist: Master Bertram of Hamburg
The Seven Letters to the Seven Churches, 14th-15th century. Revelations Chap 2-3. Panel 3 from Altarpiece of the Apocalypse. German work of master Betram. Victoria and Albert Museum

The Lamb of Mount Zion, 14th-15th century. Artist: Master Bertram of Hamburg
The Lamb of Mount Zion, 14th-15th century. Panel 34 from the altarpiece of the Apocalypse, Master Bertram of Hamburg, Revelations 14 v.1-4. German

The Fourth Horseman of the Apocalypse, Roman Emperor Domitian, 14th-15th century. Artist: Master Bertram of Hamburg
The Fourth Horseman of the Apocalypse, Roman Emperor Domitian, 14th-15th century. Panel Ii from Altarpiece of the Apocalypse. (Rev. c16 v7-8)

The First Horseman, identified with Roman Emperor Gaius (AD37-41), 14th-15th century. Artist: Master Bertram of Hamburg
The First Horseman, identified with Roman Emperor Gaius (AD37-41), 14th-15th century. Panel Eight from the Altarpiece of the Apocalypse, German. At Victoria and Albert Museum

Cartoon of the miraculous draft of fishes, 15th century. Artist: Raphael
Cartoon of the miraculous draft of fishes, for the Mortlake series of tapestries, now in the Victoria and Albert Museum, 15th century

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