Museum Of Ornamental Art Collection (page 5)

Bronze inkstand, early-mid 15th century, (1881). Creator: W F Randall
Bronze inkstand, early-mid 15th century, (1881). Etching of an inkstand with clawed feet, made c1400-1450 in Italy. The object was made to be used

Bronze inkstand with figurine of a Roman emperor, mid 16th century, (1881). Creator: W
Bronze inkstand with figurine of a Roman emperor, mid 16th century, (1881). Etching of a circular inkstand ornamented with masks and garlands, made in Italy, probably Padua

Silver pax with nativity scene, early-mid 19th century, (1881). Creator: W. M. McGill
Silver pax with nativity scene, early-mid 19th century, (1881). Etching of a pax (latin for peace ), a religious item which is kissed during the catholic service of the Mass as a sign of peace

The Salutation, book cover, 15th century, (1881). Creator: W. Rawson
The Salutation, book cover, 15th century, (1881). Etching of a gilt metal panel made in Germany, depicting a biblical scene, decorating the wooden cover of a book

Knights and Ladies Seated under Canopies, pierced ivory panel, mid-late 14th century, (1881). Etching of carved ivory detail from a casket, made c1350-1400 in Paris, showing figures

The Valence Casket, c1305-1312, (1881). Creator: W Harbutt
The Valence Casket, c1305-1312, (1881). Etching of an engraved copper casket with gold and champleve enamel, made in the early 14th century, possibly in England, or in Limoges, France

Central Door, South Kensington Museum, c1860s, (1881). Creator: Unknown
Central Door, South Kensington Museum, c1860s, (1881). Original bronze front entrance doors to the South Kensington Museum, (later renamed the Victoria & Albert Museum), in London

Chrismatory, late 15th century, (1881). Creator:s Thomas
Chrismatory, late 15th century, (1881). Etching of a container designed to hold chrism, (from the Greek word for anoint ), the holy oil used in the Christian sacraments of confirmation

Giovanni Cimabue: design for a mosaic, c1868, (1881). Creator: Bernard Collier
Giovanni Cimabue: design for a mosaic, c1868, (1881). Design for a glass mosaic in the Kensington Valhalla at the South Kensington Museum (later renamed the Victoria & Albert Museum)

Standing mirror, c1510, (1881). Creator: Andrew Fingar Brophy
Standing mirror, c1510, (1881). Etching of a carved walnut table mirror with metal mirror plate in a rectangular frame that rotates on a four-sided pedestal, made in Italy in the early 16th century

West Staircase, Leading to the Ceramic Gallery, c1876, (1881). Creators: John Watkins, John R
West Staircase, Leading to the Ceramic Gallery, c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moodys ceramic tile mosaic pavement

The Victoria and Albert Museum, London, 1914. Creator: Unknown
The Victoria and Albert Museum, London, 1914. The V&A in South Kensington was founded in 1852 and named after Queen Victoria and Prince Albert

The Victoria and Albert Museum, c1900s. Creator: Eyre & Spottiswoode
The Victoria and Albert Museum, c1900s. The V&A in South Kensington was founded in 1852 and named after Queen Victoria and Prince Albert

The Camera Catches a View of South Kensington from a Low-Flying Aeroplane, c1935. The V&A Museum in South Kensington, central London

Stained glass window, 1951. Creator: Shirley Markham
Stained glass window, 1951. Detail of a 13th-century window from a French cathedral, in the Victoria & Albert Museum in London

Floral design, c1950. Creator: Shirley Markham
Floral design, c1950. Late 16th century cushion cover; linen canvas embroidered with coloured silks and wools. Detail of textile, possibly from an item in the Victoria & Albert Museum in London

South American textile design, 1951. Creator: Shirley Markham
South American textile design, 1951. Panel of Peruvian (Huacho) cotton woven as double cloth, late Chimu period (before c1470), in the Victoria & Albert Museum in London

The Annunciation to St Anne, section of stained glass window, 1951. Creator: Shirley Markham
The Annunciation to St Anne, section of stained glass window, 1951. Detail of a window made 1350-1355 for the Wallfahrtskirche in Strassengel, in Austria

Panelled Room from the Old Palace, Bromley-By-Bow, 1927. From Old Furniture, Volume I. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd. London, 1927]

Victoria and Albert Museum, South Kensington, London. In 1909 new premises for the Museum of Ornamental Art, renamed the Victoria & Albert Museum, were opened in Kensington

The Marquis De Pompadour, 1758, (c1915). Artist: Francois Boucher
The Marquis De Pompadour, 1758, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Wood-Sawyers, 1850-1852, (c1915). Artist: Jean Francois Millet
The Wood-Sawyers, 1850-1852, (c1915). Held by the Victoria and Albert Museum. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Ecouen, 1858, (c1915). Artist: Emile Lambinet
Ecouen, 1858, (c1915). The painting is held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Day Dreams, 1880, (c1915). Artist: Dante Gabriel Rossetti
Day Dreams, 1880, (c1915). The painting is held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Elijah Restoring the Widows Son, 1868, (1947). Artist: Ford Madox Brown
Elijah Restoring the Widows Son, 1868, (1947). Part of the collection of the Victoria and Albert Museum, London. From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]

Charles Dickens (1812-1870), 1859, (1912). Artist: William Powell Frith
Charles Dickens (1812-1870), 1859, (1912). Painting held at the Victoria And Albert Museum, London. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

The Syon Cope, 1310-1320, (1902). The Syon Cope is a Christian liturgical vestment associated with Syon Abbey, Middlesex (England), which was made between 1300 and 1320

Henry, Prince of Wales, c1580-1610, (1903). Artist: Isaac Oliver I
Henry, Prince of Wales, c1580-1610, (1903). From the collection of the Victoria and Albert Museum, London. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Sir Philip Sidney, c1580-1610, (1903). Artist: Isaac Oliver I
Sir Philip Sidney, c1580-1610, (1903). Courtier, statesman, soldier, poet, patron of scholars and poets. From the collection of the Victoria and Albert Museum, London

Robert Devereux, Earl of Essex, c1580-1610, (1903). From the collection of the Victoria and Albert Museum, London. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Sir Francis Drake, c1580-1610, (1903). Artists: Unknown, Sir Francis Drake
Sir Francis Drake, c1580-1610, (1903). From the collection of the Victoria and Albert Museum, London. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Mary, Queen of Scots, c1580-1610, (1903). From the collection of the Victoria and Albert Museum, London. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Miniatures of the Elizabethan Period (Victoria and Albert Museum. ), c1580-1610, (1903)
Miniatures of the Elizabethan Period (Victoria and Albert Museum.), c1580-1610, (1903). From the collection of the Victoria and Albert Museum, London. From Social England, Volume III, edited by H.D

The Hurduwar - where the Ganges enters the Plains of Hindoostan, c1786-1791, (1935). Artist: William Daniell
The Hurduwar - where the Ganges enters the Plains of Hindoostan, c1786-1791, (1935). From the collection of the Victoria and Albert Museum, London

Anopshur, c1789, (1935). Artist: William Daniell
Anopshur, c1789, (1935). From the collection of the Victoria and Albert Museum, London. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

The Calthorpe Purse, c1900, (1936). A heraldic purse made around 1540 to commemorate the second marriage of Sir Henry Parker to Elizabeth Calthorpe, daughter of Sir Philip Calthorpe

Pegwell Bay, Ramsgate, c1800, (1936). Artists: Unknown, James Ward
Pegwell Bay, Ramsgate, c1800, (1936). Housed at the Victoria & Albert Museum, London. From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

Caroline of Brunswick (1768-1821), Queen of George IV, 1798, (c1915). Artist: Thomas Lawrence
Caroline of Brunswick (1768-1821), Queen of George IV, 1798, (c1915). The painting is held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney

Portrait of Thomas Carlyle, historian and philosopher, c1830. Artist: Daniel Maclise
Portrait of Thomas Carlyle, historian and philosopher, c1830. Thomas Carlyle (1795-1881), Scottish, philosopher, historian and writer. Drawing held in the Victoria And Albert Museum, London

The Pont des Arts and the Louvre from the Quai Conti, c1849. Artist: David Cox the elder
The Pont des Arts and the Louvre from the Quai Conti, c1849. Painting held at the Victoria And Albert Museum, London. From A Catalogue of the Pictures

Three China Figures From The Wallace Elliot Collection, c1775
Three China Figures From The Wallace Elliot Collection, left, bow figure of a shepherd boy after Giovanni Bologna (British Museum, London), centre Longton Hall figure of a goatherd and right

Door of Panelled Room, Early Georgian, 26, Hatton Garden, c1909. This door is part of a room interior which was moved to the Victoria and Alebert Museum upon the buildings demolition in 1907

The Alarm, La Gouvernante Fidele, 1723. Artist: Jean Francois de Troy
The Alarm, La Gouvernante Fidee, 1723. Painting held at the Victoria And Albert Museum, London. From The Connoisseur Volume 106. [Otto Limited, London, 1940]

Detail of English Crewel Work Bed-Curtain, c1680. Artist: Abigail Pett
Detail of English Crewel Work Bed-Curtain, c1680. A section of a bed hanging produced in England between 1680-1700 by Abigail Pett

Study for The Nymphs Finding the Head of Orpheus, c1899 Artist: John William Waterhouse
Study for The Nymphs Finding the Head of Orpheus, c1899. A Pencil study in the sketch books held in the Victoria and Albert Museum, London. From The Studio Volume 71

Main Entrance, Victoria and Albert Museum, With Scuplture by Alfred Drury, c1909
Main Entrance, Victoria and Albert Museum, with sculpture by Alfred Drury, c1909. The main entrance to the Victoria and Albert Museum is regard as one of (Edward) Alfred Briscoe Drurys (1856)

Rhyl Sands, c1850. Artist: David Cox the elder
Rhyl Sands, c1850. Painting housed in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Landscape with Sportsman, and Distant View of Middleburg, c17th century. Artist: Jan Goedart
Landscape with Sportsman, and Distant View of Middleburg, c17th century. Painting held in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy

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