Mughal Collection (page 9)

Page from Tales of a Parrot (Tuti-nama): Forty-first night: The parrot addresses Khujasta at the beginning of the forty-first night, c. 1560

Page from the Poem of Beauty and Love, 1848. Creator: Unknown
Page from the Poem of Beauty and Love, 1848

Page from Tales of a Parrot (Tuti-nama): Forty-fifth night: The Amir slays the snake after giving it shelter, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-fourth night: The parrot addresses Khujasta at the beginning of the thirty-fourth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-third night: Salim and Salima return to Ayaz and Mahmuda in the sanctuary, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirteenth night: The parrot addresses Khujasta at the beginning of the thirteenth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Twenty-second night: As punishment... c
Page from Tales of a Parrot (Tuti-nama): Twenty-second night: As punishment, the jesters wife and the Zangi are thrown into fire and the amirs wife and the mahout are trampled by an elephant, c

Page from Tales of a Parrot (Tuti-nama): Thirtieth night: The parrot addresses Khujasta at the beginning of the thirtieth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): second night: The sentinel in the employ…, c1560
Page from Tales of a Parrot (Tuti-nama): second night: The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shahs soul, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-ninth night: The queen of Rum... c
Page from Tales of a Parrot (Tuti-nama): Thirty-ninth night: The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, c. 1560

Page from Tales of a Parrot (Tuti-nama): Nineteenth night: The parrot addresses Khujasta at the beginning of the nineteenth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Twentieth night: Three suitors fight... c
Page from Tales of a Parrot (Tuti-nama): Twentieth night: Three suitors fight amongst themselves for the hand of the devotees daughter, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-sixth night: The parrot addresses Khujasta at the beginning of the thirty-sixth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-seventh night: The parrot addresses Khujasta at the beginning of the thirty-seventh night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: Latif, who has murdered his brother, falsely accuses Khurshid of the deed, c. 1560

Page from Tales of a Parrot (Tuti-nama): Thirty-first night: The parrot... 1558-1560
Page from Tales of a Parrot (Tuti-nama): Thirty-first night: The parrot addresses Khujasta at the beginning of the thirty-first night, 1558-1560

Page from Tales of a Parrot (Tuti-nama): Thirty-eight night: The parrot addresses Khujasta…
Page from Tales of a Parrot (Tuti-nama): Thirty-eight night: The parrot addresses Khujasta at the beginning of the thirty-eighth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Third night: The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, c. 1560

Page from Tales of a Parrot (Tuti-nama): The Rajas daughter and her lover stoned to death for adultery, c. 1560

Page from Tales of a Parrot (Tuti-nama): Sixteenth night: The vagabond crosses... c
Page from Tales of a Parrot (Tuti-nama): Sixteenth night: The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, c. 1560

Page from Tales of a Parrot (Tuti-nama): Seventh night: The daughter of the king of the jinns bows before the King of Kings who has just undergone the ordeal of passing through boiling oil to emerge

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The parrot... c. 1560
Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The parrot addresses Khujasta at the beginning of the seventeenth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Ninth night: The parrot brings a fruit from the Tree of Life to the king of Syria, c. 1560

Page from Tales of a Parrot (Tuti-nama): Fourteenth night: The origin of music... c
Page from Tales of a Parrot (Tuti-nama): Fourteenth night: The origin of music from a fabulous bird of India which had seven holes in its beak, c. 1560

Page from Tales of a Parrot (Tuti-nama): Forty-second night: The Rajas daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, c. 1560

Page from Tales of a Parrot (Tuti-nama): Forty-fourth night: The parrot addresses Khujasta at the beginning of the forty-fourth night, c. 1560

Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad…, c
Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad reveals his true identity to the Hashimi, c. 1560

Page from Tales of a Parrot (Tuti-nama): Twenty-third night: Kamjuy... c. 1560. Creator: Unknown
Page from Tales of a Parrot (Tuti-nama): Twenty-third night: Kamjuy, the wife of the Raja, averts her face from the fishes, c. 1560

Page from Tales of a Parrot (Tuti-nama): Twenty-fourth night: The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, c. 1560

Page from Tales of a Parrot (Tuti-nama): Twenty-first night: The Brahman... c. 1560
Page from Tales of a Parrot (Tuti-nama): Twenty-first night: The Brahman comes upon a lion who has a deer and a gazelle as his viziers, c. 1560

Page from Tales of a Parrot (Tuti-nama): Twenty-fifth night: The parrot addresses Khujasta at the beginning of the twenty-fifth night, c. 1560

Portrait of a Prince with a Hawk, 1700s. Creator: Unknown
Portrait of a Prince with a Hawk, 1700s

Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556-60; border c. 1602. One of the few surviving works that appear to have been made by an artist brought from Iran by Akbars father

Jewel Portrait of a Young Girl, c. 1660. Creator: Unknown
Jewel Portrait of a Young Girl, c. 1660. This small drawing of a young girl wearing a chaghtai cap may be a likeness of a member of a royal or courtly Mughal family

Lady after a Bath, 1700s. Creator: Unknown
Lady after a Bath, 1700s

Jesus among the doctors in the Temple, c. 1760. Creator: Mir Kalan Khan (Indian, c
Jesus among the doctors in the Temple, c. 1760

Jahangir, early 1600s. Creator: Unknown
Jahangir, early 1600s. Emperor Jahangir had tiny portraits of himself made to give as gifts to his friends, family, and courtiers as a sign of royal favor

Babar(?), 1700s. Creator: Unknown
Babar(?), 1700s

Battle of Ravana and Jatayu, from sarga (chapter) 49 of the Aranya-kanda (Book of the Forest) from a Ramayana (Ramas Journey) of Valmiki (Indian, active c. mid-1000s BC), c. 1605

Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi…, c
Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934-1020), c. 1610. This battle sets the stage for the ages-long enmity in the epic Shah-nama between

Alamshah cleaving asunder the chain of the wheel, from volume 11 of a Hamza-nama (Adventures of Hamza), c. 1560s - 1570s. Wielding a curved sword, and with a stabbing dagger tucked into his belt

Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind, c. 1602-1604. Emperor Akbar sits against a purple bolster under a canopy looking aged and careworn

Ghatotkacha and three demons in his company chase Bhagadatta... 1616-1617. Creator: Fazl (Indian)
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars)

Calligraphy, 1702. Creator: Ahmad al-Husaini
Calligraphy, 1702

Calligraphy of Lyrical Quatrains, c. 1760. Creator: Muhammad Rizavi Hindi (Indian
Calligraphy of Lyrical Quatrains, c. 1760. Floral sprigs illuminate the central calligraphic work, and paired verses have been written in smaller script all around the border

Calligraphy, c. 1650. Creator: Unknown
Calligraphy, c. 1650

Calligraphy: A Page of Text from Sadis Bustan, c. 1710-1720. Creator: Unknown
Calligraphy: A Page of Text from Sadis Bustan, c. 1710-1720

Calligraphy, c. 1760. Creator: Unknown
Calligraphy, c. 1760

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