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Michael Angelo Collection (page 2)

Background imageMichael Angelo Collection: Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, 16th century

Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, 16th century

Background imageMichael Angelo Collection: The Tomb of Giuliano de Medici from The Tombs of the Medici, 1570

The Tomb of Giuliano de Medici from The Tombs of the Medici, 1570

Background imageMichael Angelo Collection: Leda and the Swan, 1544-66. Creator: Cornelis Bos

Leda and the Swan, 1544-66. Creator: Cornelis Bos
Leda and the Swan, 1544-66

Background imageMichael Angelo Collection: Specimen of wood-engraving - the Prophet Jeremiah, from the painting by Michael Angelo

Specimen of wood-engraving - the Prophet Jeremiah, from the painting by Michael Angelo, in the Sistine Chapel at Rome, 1844

Background imageMichael Angelo Collection: St. Veronica with the Sudarium, after Michelangelo, 1540-66. 1540-66

St. Veronica with the Sudarium, after Michelangelo, 1540-66. 1540-66
St. Veronica with the Sudarium, after Michelangelo, 1540-66

Background imageMichael Angelo Collection: Joseph of Arimathea, after Michelangelos Crucifixion fresco in the Cappella Paolina, V

Joseph of Arimathea, after Michelangelos Crucifixion fresco in the Cappella Paolina, Vatican, 1540-66

Background imageMichael Angelo Collection: Conversion of Saul, from Michelangelos fresco in the Pauline Chapel at the Vatican

Conversion of Saul, from Michelangelos fresco in the Pauline Chapel at the Vatican, ca. 1545-60

Background imageMichael Angelo Collection: The Rape of Ganymede by Jupiter in the guise of an eagle carrying him into the heavens

The Rape of Ganymede by Jupiter in the guise of an eagle carrying him into the heavens, his dog barking below, 1542

Background imageMichael Angelo Collection: The Fall of Phaeton, 1540-66. 1540-66. Creator: Nicolas Beatrizet

The Fall of Phaeton, 1540-66. 1540-66. Creator: Nicolas Beatrizet
The Fall of Phaeton, 1540-66

Background imageMichael Angelo Collection: Michelangelos Last Judgment, 1562. 1562. Creator: Nicolas Beatrizet

Michelangelos Last Judgment, 1562. 1562. Creator: Nicolas Beatrizet
Michelangelos Last Judgment, 1562

Background imageMichael Angelo Collection: Trumpeting Angels from The Last Judgment, after Michelangelo, 1530-66. 1530-66

Trumpeting Angels from The Last Judgment, after Michelangelo, 1530-66. 1530-66
Trumpeting Angels from The Last Judgment, after Michelangelo, 1530-66

Background imageMichael Angelo Collection: Pietawith Angels in Front of the Cross, 1547. 1547. Creator: Nicolas Beatrizet

Pietawith Angels in Front of the Cross, 1547. 1547. Creator: Nicolas Beatrizet
Pieta with Angels in Front of the Cross, 1547

Background imageMichael Angelo Collection: Angels Carrying the Cross with Saints below (upper left section of the Last Judgment)

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment), 1548

Background imageMichael Angelo Collection: Trumpeting Angels and Damned Souls Being Pulled Down by Devils

Trumpeting Angels and Damned Souls Being Pulled Down by Devils (lower center and right section of the Last Judgment), 1548

Background imageMichael Angelo Collection: Michelangelo Buonarroti (1475-1564), probably ca. 1544. Creator: Daniele da Volterra

Michelangelo Buonarroti (1475-1564), probably ca. 1544. Creator: Daniele da Volterra
Michelangelo Buonarroti (1475-1564), probably ca. 1544

Background imageMichael Angelo Collection: M. A. Rooker, A. R. A. 1793, (c1900). Creator: Unknown

M. A. Rooker, A. R. A. 1793, (c1900). Creator: Unknown
M.A. Rooker, A.R.A. 1793, (c1900). Portrait of British painter, illustrator and engraver Michael Angelo Rooker (c1743-1801). Rooker was principal scene painter at the Haymarket Theatre in London

Background imageMichael Angelo Collection: Guilford Street, St Pancras, London, 1749. Artist: Michael Angelo Rooker

Guilford Street, St Pancras, London, 1749. Artist: Michael Angelo Rooker
View of the Foundling Hospital, Guilford Street, St Pancras, London, 1749; with women at the gate bringing their babies to be given up

Background imageMichael Angelo Collection: Review of the 1st Life Guards and 8th Hussars, June 4th, 1842, 1842 (1909)

Review of the 1st Life Guards and 8th Hussars, June 4th, 1842, 1842 (1909). Artist: James Henry Lynch
Review of the 1st Life Guards and 8th Hussars, June 4th, 1842, 1842 (1909). After Michael Angelo Hayes R. H. A. (1820-1877). From British Military Prints, by Ralph Nevill

Background imageMichael Angelo Collection: 71st Highland Light Infantry (Regiment (Review Order), c1840 (1909). Artist: James Henry Lynch

71st Highland Light Infantry (Regiment (Review Order), c1840 (1909). Artist: James Henry Lynch
71st Highland Light Infantry (Regiment (Review Order), c1840 (1909). After Michael Angelo Hayes R. H. A. (1820-1877). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageMichael Angelo Collection: The Light Infantry (1846), c1846 (1909). Artists: Unknown, William Walker

The Light Infantry (1846), c1846 (1909). Artists: Unknown, William Walker
The Light Infantry (1846), c1846 (1909). Light infantry (or skirmishers) are soldiers whose job was to provide a skirmishing screen ahead of the main body of infantry

Background imageMichael Angelo Collection: West Gate, Winchester, 1779. Artist: Michael Angelo Rooker

West Gate, Winchester, 1779. Artist: Michael Angelo Rooker
West Gate, Winchester, 1779. Manchester Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Background imageMichael Angelo Collection: Regiments of Light Infantry (showing the 90th Light Infantry), 19th century (1909)

Regiments of Light Infantry (showing the 90th Light Infantry), 19th century (1909). Artist: John Henry Lynch
Regiments of Light Infantry (showing the 90th Light Infantry), 19th century (1909). From British Military Prints - Connoisseur Extra No. 6 by Ralph Nevill

Background imageMichael Angelo Collection: Marylebone Old Manor House: Garden Front, 1791, (1923). Artist: Michael Angelo Rooker

Marylebone Old Manor House: Garden Front, 1791, (1923). Artist: Michael Angelo Rooker
Marylebone Old Manor House: Garden Front, 1791. Marylebone Manor House was converted into a hunting lodge by Henry VIII and was later used as a boarding school. It was eventually demolished in 1791

Background imageMichael Angelo Collection: General Pepperell at the Siege of Louisburg, Canada, 18th century. Artist: W Ridgeway

General Pepperell at the Siege of Louisburg, Canada, 18th century. Artist: W Ridgeway
General Pepperell at the Siege of Louisburg, Canada, 18th century. Sir William Pepperrell (1696-1759) was a merchant and soldier in Colonial Massachusetts

Background imageMichael Angelo Collection: A View of the Princes House at Kew, 1776. Artist: Michael Angelo Rooker

A View of the Princes House at Kew, 1776. Artist: Michael Angelo Rooker
A View of the Princes House at Kew, 1776. The Princes House, built in the 17th century by a merchant of Dutch origin, has also been known as the Dutch House and Kew Palace

Background imageMichael Angelo Collection: Colonel Onslows Lodge at Try-Hill, near Chertsey, Surry, 1777. Artist: Michael Angelo Rooker

Colonel Onslows Lodge at Try-Hill, near Chertsey, Surry, 1777. Artist: Michael Angelo Rooker
Colonel Onslows Lodge at Try-Hill, near Chertsey, Surry, 1777

Background imageMichael Angelo Collection: North East View of Sir John Elvils House on Englefield Green near Egham in Surry, 1775

North East View of Sir John Elvils House on Englefield Green near Egham in Surry, 1775. Artist: Michael Angelo Rooker
North East View of Sir John Elvils House on Englefield Green near Egham in Surry, 1775

Background imageMichael Angelo Collection: Datchet Bridge near Windsor, Berkshire, 1774. Artist: Michael Angelo Rooker

Datchet Bridge near Windsor, Berkshire, 1774. Artist: Michael Angelo Rooker
Datchet Bridge near Windsor, Berkshire, 1774. View of the River Thames with Datchet Bridge in the distance

Background imageMichael Angelo Collection: Wakefield Lodge in Whitlebury Forest, Northamptonshire, 1774. Artist: Michael Angelo Rooker

Wakefield Lodge in Whitlebury Forest, Northamptonshire, 1774. Artist: Michael Angelo Rooker
Wakefield Lodge in Whitlebury Forest, The Seat of his Grace the Duke of Grafton, 1774

Background imageMichael Angelo Collection: Bolton, North Riding of Yorkshire the Seat of His Grace the Duke of Bolton, 1775

Bolton, North Riding of Yorkshire the Seat of His Grace the Duke of Bolton, 1775. Artist: Michael Angelo Rooker
Bolton, North Riding of Yorkshire the Seat of His Grace the Duke of Bolton, 1775

Background imageMichael Angelo Collection: Barrington, near Burford in Gloucestershire, the Seat of the Countess of Talbot, 1776

Barrington, near Burford in Gloucestershire, the Seat of the Countess of Talbot, 1776. Artist: Michael Angelo Rooker
Barrington, near Burford in Gloucestershire, the Seat of the Countess of Talbot, 1776

Background imageMichael Angelo Collection: North west view of Wakefield Lodge, the Seat of his Grace the Duke of Grafton, 1776

North west view of Wakefield Lodge, the Seat of his Grace the Duke of Grafton, 1776. Artist: Michael Angelo Rooker
North west view of Wakefield Lodge, the Seat of his Grace the Duke of Grafton, Nottinghamshire, 1776. An eighteenth century print of the Capability Brown park with a yacht on the lake

Background imageMichael Angelo Collection: The Royal Military Academy at Woolwich, London, 1775. Artist: Michael Angelo Rooker

The Royal Military Academy at Woolwich, London, 1775. Artist: Michael Angelo Rooker
The Royal Military Academy at Woolwich, London, 1775

Background imageMichael Angelo Collection: Hackwood Park, the Seat of his Grace the Duke of Bolton, near Basingstoke, Hampshire, 1775

Hackwood Park, the Seat of his Grace the Duke of Bolton, near Basingstoke, Hampshire, 1775

Background imageMichael Angelo Collection: Chatsworth in Derbyshire, The Seat of his Grace the Duke of Devonshire, 1775

Chatsworth in Derbyshire, The Seat of his Grace the Duke of Devonshire, 1775. Artist: Michael Angelo Rooker
Chatsworth in Derbyshire, The Seat of his Grace the Duke of Devonshire, 1775. The first house at Chatsworth was built by Bess of Hardwick (c1527-1608)

Background imageMichael Angelo Collection: Wynn Stay in Denbighshire, Wales, 1775. Artist: Michael Angelo Rooker

Wynn Stay in Denbighshire, Wales, 1775. Artist: Michael Angelo Rooker
Wynn Stay in Denbighshire, The Seat of Sir Watkin Williams Wynn Bart, 1775

Background imageMichael Angelo Collection: A View of Charlton near Woolwich in Kent, 1775. Artist: Michael Angelo Rooker

A View of Charlton near Woolwich in Kent, 1775. Artist: Michael Angelo Rooker
A View of Charlton near Woolwich in Kent, 1775. A view looking east along what is now Charlton Road in Greater London, showing St Lukes Church on the left

Background imageMichael Angelo Collection: Jennings near Maidstone in Kent, the Seat of her Grace the Dutchess of St Albans, 1776

Jennings near Maidstone in Kent, the Seat of her Grace the Dutchess of St Albans, 1776. Artist: Michael Angelo Rooker
Jennings near Maidstone in Kent, the Seat of her Grace the Dutchess of St Albans, 1776

Background imageMichael Angelo Collection: A South Prospect of the Abby-Gate at Reading, Berkshire, 1775. Artist: Michael Angelo Rooker

A South Prospect of the Abby-Gate at Reading, Berkshire, 1775. Artist: Michael Angelo Rooker
A South Prospect of the Abby-Gate at Reading, Berkshire, 1775

Background imageMichael Angelo Collection: South East Prospect of his Grace the Duke of Queensberrys seat at Drumlanrig, Scotland, 1775

South East Prospect of his Grace the Duke of Queensberrys seat at Drumlanrig, Scotland, 1775. The castle, completed in 1691 by William Douglas, 1st Duke of Queensberry

Background imageMichael Angelo Collection: Seat of the Right Honourable the Earl of Harcourt at Nuneham, with a distant view of Oxford, 1775

Seat of the Right Honourable the Earl of Harcourt at Nuneham, with a distant view of Oxford, 1775



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