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Marriage A-la-Mode, Plate VI, April 1, 1745. Creator: Gerard Jean-Baptiste ScotinMarriage A-la-Mode, Plate VI, April 1, 1745. After William Hogarth
Marriage A-la-Mode, Plate II, April 1745. Creator: Bernard BaronMarriage A-la-Mode, Plate II, April 1745. After William Hogarth
Marriage A-la-Mode, Plate II, April 1, 1745. Creator: Bernard BaronMarriage A-la-Mode, Plate II, April 1, 1745. After William Hogarth
The Family, 1647. Creator: Adriaen van OstadeThe Family, 1647
The Family (reverse copy), 1610-85. Creator: UnknownThe Family (reverse copy), 1610-85
Peasant Family in a Barn, 1640s. Creator: UnknownPeasant Family in a Barn, 1640s. Copy after Isaac van Ostade
The Death of King Dasharatha, the Father of Rama, Folio from a Ramayana, ca. 1605
Don Quixote in His Study, 1857. Creator: William Henry Lake PriceDon Quixote in His Study, 1857
The Antiquarys Last Will and Testament (The English Dance of Death, plate 2), April 1, 1814
The Antiquarys Last Will and Testament (from The English Dance of Death, vol. I, plate 2), 1816
Directions to Footmen, November 10, 1807. November 10, 1807. Creator: Thomas RowlandsonDirections to Footmen, November 10, 1807
They found Schubert hard at work, (1907). Creator: UnknownThey found Schubert hard at work, (1907). In 1817, Franz Schober takes Johann Vogl, a famous opera singer in Vienna, to meet his friend the young composer Schubert
Interior of an office with a man on the telephone, Greenwich, London, November 1936Interior of an office on the ground floor, with a man on the telephone, 1 High Bridge, Greenwich, London, November 1936. A messy office is piled with papers and box files
Cemetery at Bunhill Fields, Finsbury, London, 1866. Gloomy scene in a graveyard with tombs and headstones; the foreground looks untidy with undergrowth or branches blown down in a storm
I the Industrious, 1903. Artist: John HassallI the Industrious, 1903. An initial letter I from a child alphabet. From An A.B.C. of Everyday People, by G. E. Farrow. [Dean & Son Limited, London, 1903]
The Ault & Wiborg Co. advert, 1907. Printed with The Ault & Wiborg Co.s inks. From The British Printer Vol. XX. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1907]
She had read all the newspapers in the world and had forgotten them again, so clever is she, 1912. Artist: Edmund DulacShe had read all the newspapers in the world and had forgotten them again, so clever is she, 1912. Illustration for The Snow Queen in Stories from Hans Christian Andersen, watercolour and bodycolour
Grace Before Meat, c1665, (c1915). Artist: Jan SteenGrace Before Meat, c1665, (c1915). The painting is held by the National Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
The Invasion, 1865. Artist: Hablot Knight BrowneThe Invasion, 1865. From Mr. Facey Romfords Hounds, by Robert Smith Surtees. [Bradbury and Evans, London, 1865]
Diego Martelli, 1879. Artist: Edgar DegasDiego Martelli, 1879. Painting held at the National Galleries of Scotland, Edinburgh. From The Life and Work of Edgar Degas, by J. B. Manson. [The Studio Limited, London, 1927]
The Student, c1877. Artist: Adam DistonThe Student, c1877. From The Studio Volume 1 [London Offices of the Studio, London, 1893]
Marriage A La Mode - Death of the Countess c19th century. Artist: MansellMarriage A La Mode - Death of the Countess c19th century. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745
Marriage A La Mode - Breakfast Scene, c1832. Artist: TE NicholsonMarriage A La Mode - Breakfast Scene, c1832. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745. They are a criticism of upper class 18th century society
A Window in Warren Street, c1922. Artist: F Gregory BrownA Window in Warren Street, c1922. From The Studio Volume 83. [London Offices of the Studio, London, 1922]
Vase de Fleurs, c1911. Artist: Charles DufresneVase de Fleurs, c1911. From The Studio Volume 96. [London Offices of the Studio, London, 1928]
Nu A La Coiffeuse, 1935. Artist: Pierre BonnardNu A La Coiffeuse, 1935. After the painting by Pierre Bonnard. 1935. From Modern Masterpieces Part 9. [George Newnes Ltd, London, 1935]
Times of the Day - Noon, 1870. Artist: WH WorthingtonTimes of the Day - Noon. After the original print by William Hogarth published in 1738. [London Printing and Publishing Co, 1870]
The Admonition, 18th century. Artist: Jean-Simeon ChardinThe Admonition, 18th century. From French Painting by T. W. Earp. [Avalon Press, London, 1945]
Bad Company, c1665. Artist: Jan SteenBad Company, c1665. Painting held in the Louvre, Paris. From A History of Painting, Volume V by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]
Joseph Ernest Renan (1823-1892), 1892, (1898). Artist: Anders Leonard ZornJoseph Ernest Renan (1823-1892), French expert in Middle East ancient languages and civilizations, philosopher and writer, 1892. (1898). After an engraving by Anders Leonard Zorn (1860-1920)
The Governess, 1739 (1885). Artist: Francois Bernard LepicieThe Governess, 1739 (1885)
Small Ramponneau, 18th century, c1870-1950. Artist: Ferdinand Sigismund BacSmall Ramponneau, 18th century, c1870-1950
The Royal Palace Garden, (1885). Artist: UrrabietaThe Royal Palace Garden, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
A room after a search, Russia, early 20th century(?). Found in the collection of the Russian State Film and Photo Archive, Krasnogorsk
Article on The State in its Relations with the Church, 1839. Artist: Thomas Babington Macaulay, 1st Baron MacaulayArticle on The State in its Relations with the Church, 1839. Thomas Babington Macaulay, Lord Macaulays original MS, as sent to the press
Tavern scene from The Rakes Progress, 1735. Artist: William HogarthTavern scene from The Rakes Progress, 1735. Plate II in William Hogarths series of eight illustrations originally published in 1735. Here the Rake squanders his fortune on drink, women and gambling
A Holiday Task, 1880. Artist: Joseph SwainA Holiday Task, 1880. A bewhiskered aristocrat is handed a broom by Mr Punch and told to begin cleaning up. Great pieces of the inner cities were owned by the aristocracy