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La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco GoyaLa Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). First owned by Prime Minister Manuel de Godoy, who was known as a womaniser
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco GoyaLa Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady
El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco GoyaEl Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street
La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Artist: Francisco GoyaLa Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Portrait of the family of King Carlos IV (1748-1819)
Retrato de Familia, (Painters Family), 1612-1622, (c1934). Artist: Jacob JordaensRetrato de Familia, (Painters Family), 1612-1622, (c1934). Set in a garden, wife Catherine van Noort, sits next to the little girl
La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Artist: Frans SnydersLa Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Frans Snyders was a Flemish painter of animals and still lifes. A woman stands at a table laden with a variety of fruits. Oil on canvas
La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934). Artist: Antonis MorLa Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934) The Queen sits in a crimson velvet chair, holding the red rose of Tudor in hand she has a tense
El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Artist: Peter Paul RubensEl Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Commissioned by Philip IV of Spain, to illustrate a story from Greek mythology, Paris
El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Artist: Peter Paul RubensEl Jardin Del Amor, (The Garden of Love), 1633, (c1934). Scene of a party in a park, the home of Rubens in Antwerp. The cherubs are symbolic of love and idepicted wearing crowns
Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Artist: Peter Paul RubensNinfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Diana appears on far right of composition with her nymphs attacked by a group of satyrs in a forest
Eva, (Eve), 1507, (c1934). Artist: Albrecht DurerEva, (Eve), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans
Autorretrato, (Self-portrait), 1498, (c1934). Artist: Albrecht DurerAutorretrato, (Self-portrait), 1498, (c1934). Self-portrait (or Self-portrait at 26) is the second of Albrecht Durers (1471-1528) three painted self-portraits
Adan, (Adam), 1507, (c1934). Artist: Albrecht DurerAdan, (Adam), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans
Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo LottoDesposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. The Cassotti family were wealthy textile merchants from Bergamo
Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo VeroneseJesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). From the Book of Matthew, the encounter between two groups of characters
La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: TitianLa Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Depicts a Roman rite of worship conducted in honour of the goddess Venus each 1 April
Speech of the Marquis del Vasto, c1540, (c1934). Artist: TitianSpeech of the Marquis del Vasto, c1540, (c1934). Alfonso d Avalos, Marchese del Vasto, (1502-1546) was a noble Neapolitan, who participated in the Battle of Pavia and the conquest of Tunisia in 1535
Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: TitianVenus Con El Musico, (Venus and music), 1550, (c1934). Venus lies before a large window. At her feet an organist plays his instruments in contemplation of the nakedness of the goddess. Oil on canvas
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: RaphaelEl Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion
Noli Me Tangere, 1523-1524, (c1934). Artist: CorreggioNoli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: RaphaelCardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II
La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). Artist: Hieronymus BoschLa Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). A triptych panel by Hieronymus Bosch, executed around 1485-1500. Detail of the central panel with the Magi
Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert CampinAla De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal
La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van EyckLa Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). A theological allegory responding to a point of medieval
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert CampinSt. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)
La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). Artist: El GrecoLa Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). From the altarpiece of Saint Lazarus of Palencia, the Virgin Mary
Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). Artist: El GrecoCristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). El Greco painted his only version of the Trinity, with the semi-nude corpse of Christ being supported
La Asuncion, (Assumption), 1660, (c1934). Artist: Mateo CerezoLa Asuncion, (Assumption), 1660, (c1934). The Catholic Church teaches as dogma that the Virgin Mary having completed the course of her earthly life, was assumed body and soul into heavenly glory
Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934). Artist: Alonso CanoCristo Llorado Por Un Angel, (Dead Christ Supported by an Angel), 1646-1652, (c1934). A meditation on the death of Christ
Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934). Artist: Alonso Sanchez CoelloPrincipe Don Carlos hijo de Felipe II, (Prince Carlos de Austrias), 1557-1559, (c1934). Don Carlos (1545-1548), son of Philip II and his first wife Maria of Portugal
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban MurilloLa Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus
Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban MurilloEcce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban MurilloMartirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare
El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban MurilloEl Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban MurilloLa Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child
Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink
La Anunciacion, (The Annunciation), 1660, (c1934). Artist: Bartolome Esteban MurilloLa Anunciacion, (The Annunciation), 1660, (c1934). New Testament scene depicting Archangel Gabriels Annunciation to the Virgin Mary, accompanied by a sewing basket and book
Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). Artist: Bartolome Esteban MurilloRebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). An episode from Genesis when Abraham asks one of his servants (Eliezer) to find a wife for his son (Isaac)
El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Artist: Jusepe de RiberaEl Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Jacob appears as a shepherd sleeping, resting on his left shoulder with a tree behind
San Antonio Abad Visita A San Pablo, (San Antonio Abad visits Saint Paul), 1634, (c1934). Artist: Diego VelasquezSan Antonio Abad Visita A San Pablo, (San Antonio Abad visits Saint Paul), 1634, (c1934). San Antonio visits St Paul the hermit at his cave and recounts the Golden Legend
Infante Don Baltasar Carlos, (Prince Balthasar Charles as a Hunter), 1635-1636, (c1934). Artist: Diego VelasquezInfante Don Baltasar Carlos, (Prince Balthasar Charles as a Hunter), 1635-1636, (c1934). King Phillip IV commissioned Velazquez to paint a series of portraits on the theme of the hunt
La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Artist: Diego VelasquezLa Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Probably commissioned for the oratory of the court of Elisabeth of France
Villa Medicis en Roma, (View of the Garden of the Villa Medici ), 1634, (c1934). Artist: Diego VelasquezVilla Medicis en Roma, (View of the Garden of the Villa Medici ), 1634, (c1934). A small painting of the garden at the Villa Medici in Rome, with figures watching an unseen event. Oil on canvas
Retrato del bufon Don Juan De Austria, (The Jester Don John of Austria), 1632, (c1934). Artist: Diego VelasquezRetrato del bufon Don Juan De Austria, (The Jester Don John of Austria), 1632, (c1934). A jester or bufon at the court of Philip IV of Spain from 1624 to 1654 who appeared in court comedies in front
Retrato del bufon Don Antonio, el Ingles, (Portrait of Jester Don Antonio), 1650, (c1934). Artist: Diego VelasquezRetrato del bufon Don Antonio, el Ingles, (Portrait of Jester Don Antonio), 1650, (c1934). The portrait depicts a dwarf or court jester smartly dressed in an ochre suit with gold embroidery
La Fragua De Vulcano, (Apollo in the Forge of Vulcan), 1629, ( c1934). Artist: Diego VelasquezLa Fragua De Vulcano, (Apollo in the Forge of Vulcan), 1629, ( c1934). The painting depicts the moment when the god Apollo, visits Vulcan, who is found making weapons for war
Retrato ecuestre del Infante Don Baltasar Carlos, 1635, (c1934). Artist: Diego VelasquezRetrato ecuestre del Infante Don Baltasar Carlos, 1635, (c1934). Equestrian Portrait of Prince Balthasar Charles (1629-1646)
Los Borrachos, (The Triumph of Bacchus), 1628-1629, (c1934) Artist: Diego VelasquezLos Borrachos, (The Triumph of Bacchus), 1628-1629, (c1934). A 1628 painting by Diego Velazquez, now in the Museo del Prado, in Madrid. The painting shows Bacchus surrounded by drunks
