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Mayer Collection

Background imageMayer Collection: Las Hilanderas, (The Spinners), 1657, (c1934). Artist: Diego Velasquez

Las Hilanderas, (The Spinners), 1657, (c1934). Artist: Diego Velasquez
Las Hilanderas, (The Spinners), 1657, (c1934). Traditionally, believed to depict women workers in the tapestry workshop of Santa Isabel, iconography suggests Ovids Fable of Arachne

Background imageMayer Collection: Biebrich Palace, Wiesbaden, Germany, c1820. Artist: Carl Mayer

Biebrich Palace, Wiesbaden, Germany, c1820. Artist: Carl Mayer
Biebrich Palace, Wiesbaden, Germany, c1820. Built in Baroque style in 1702 by Prince Georg August Samuel of Nassau-Idstein

Background imageMayer Collection: Jerusalem with the Church of the Holy Sepulchre, 1803. Creator: Mayer, Luigi (1755-1803)

Jerusalem with the Church of the Holy Sepulchre, 1803. Creator: Mayer, Luigi (1755-1803)
Jerusalem with the Church of the Holy Sepulchre, 1803. Private Collection

Background imageMayer Collection: Le Rêve du bonheur (The Dream of Happiness), 1819. Creator: Mayer, Constance (1775-1821)

Le Rêve du bonheur (The Dream of Happiness), 1819. Creator: Mayer, Constance (1775-1821)
Le Reve du bonheur (The Dream of Happiness), 1819. Found in the collection of the Musee du Louvre, Paris

Background imageMayer Collection: Tombs of Great Arab Saints to be seen in the Neighborhood of Rosetta, Egypt, ca. 1800

Tombs of Great Arab Saints to be seen in the Neighborhood of Rosetta, Egypt, ca. 1800

Background imageMayer Collection: Charles Frederick Mayer, ca. 1815-20. Creator: Unknown

Charles Frederick Mayer, ca. 1815-20. Creator: Unknown
Charles Frederick Mayer, ca. 1815-20. Charles Frederick Mayer (1795-1864) was an American lawyer, Maryland state senator, and railroad director

Background imageMayer Collection: Old Annapolis, Francis Street, 1876. Creator: Francis Blackwell Mayer

Old Annapolis, Francis Street, 1876. Creator: Francis Blackwell Mayer
Old Annapolis, Francis Street, 1876

Background imageMayer Collection: Portrait of the composer Heinrich Marschner (1795-1861). Creator: Mayer, Carl (1798-1868)

Portrait of the composer Heinrich Marschner (1795-1861). Creator: Mayer, Carl (1798-1868)
Portrait of the composer Heinrich Marschner (1795-1861). Private Collection

Background imageMayer Collection: Portrait of Felix Mendelssohn Bartholdy, c. 1840. Creator: Mayer, Carl (1798-1868)

Portrait of Felix Mendelssohn Bartholdy, c. 1840. Creator: Mayer, Carl (1798-1868)
Portrait of Felix Mendelssohn Bartholdy, c. 1840. Private Collection

Background imageMayer Collection: Carl Maria von Weber (1786-1826), c. 1840. Creator: Mayer, Carl (1798-1868)

Carl Maria von Weber (1786-1826), c. 1840. Creator: Mayer, Carl (1798-1868)
Carl Maria von Weber (1786-1826), c. 1840. Private Collection

Background imageMayer Collection: Portrait of the pianist and composer Charles Mayer (1799-1862), ca 1854. Creator

Portrait of the pianist and composer Charles Mayer (1799-1862), ca 1854. Creator
Portrait of the pianist and composer Charles Mayer (1799-1862), ca 1854. Private Collection

Background imageMayer Collection: Portrait of the opera singer Wilhelmine Schroder-Devrient (1804-1860), c. 1840

Portrait of the opera singer Wilhelmine Schroder-Devrient (1804-1860), c. 1840. Private Collection

Background imageMayer Collection: Portrait of Emilia Plater (1806-1831), ca 1834. Creator: Mayer, Carl (1798-1868)

Portrait of Emilia Plater (1806-1831), ca 1834. Creator: Mayer, Carl (1798-1868)
Portrait of Emilia Plater (1806-1831), ca 1834. Private Collection

Background imageMayer Collection: Mamluks exercising in the square of Murad Beys Palace, 1802. Artist: Mayer, Luigi

Mamluks exercising in the square of Murad Beys Palace, 1802. Artist: Mayer, Luigi
Mamluks exercising in the square of Murad Beys Palace, 1802. From a private collection

Background imageMayer Collection: The Great Harry, c1520, (1849). Creator: Kellerhoven

The Great Harry, c1520, (1849). Creator: Kellerhoven
The Great Harry, c1520, (1849). Henry Grace a Dieu (Henry Grace of God), also known as Great Harry, was an English carrack or great ship of the 16th century

Background imageMayer Collection: Mayer MI glider, c1929, (1932). Creator: Unknown

Mayer MI glider, c1929, (1932). Creator: Unknown
Mayer MI glider, c1929, (1932). The MI, designed by Hermann Mayer, was a high-wing strutted training glider which performed an endurance flight of 8 hours 22 minutes

Background imageMayer Collection: Mayer MS-II glider, 1932. Creator: Unknown

Mayer MS-II glider, 1932. Creator: Unknown
Mayer MS-II glider, 1932. Glider in which Hermann Mayer won the Rho n competition in 1932. It achieved an endurance flight of 8 hours and 28 minutes

Background imageMayer Collection: Helene Mayer, German world champion fencer, 1928. Creator: Unknown

Helene Mayer, German world champion fencer, 1928. Creator: Unknown
Helene Mayer, German world champion fencer, 1928. At the age of 17, Mayer (1910-1953) won a gold medal for fencing at the 1928 Summer Olympics in Amsterdam

Background imageMayer Collection: Portrait of the composer John Field (1782-1837), 1845

Portrait of the composer John Field (1782-1837), 1845. Private Collection

Background imageMayer Collection: Portrait of Maximilian Joseph Count von Montgelas (1759-1838), 1810. Creator: Mayer

Portrait of Maximilian Joseph Count von Montgelas (1759-1838), 1810. Creator: Mayer
Portrait of Maximilian Joseph Count von Montgelas (1759-1838), 1810. Found in the Collection of Bibliothe que Nationale de France

Background imageMayer Collection: La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude

Background imageMayer Collection: Retrato de Hans Imhoff, (Portrait of Hans Imhoff), 1521, (c1934). Artist: Albrecht Durer

Retrato de Hans Imhoff, (Portrait of Hans Imhoff), 1521, (c1934). Artist: Albrecht Durer
Retrato de Hans Imhoff, (Portrait of Hans Imhoff), 1521, (c1934). Portrait of a merchant, possibly Hans Imhoff, by German painter, printmaker and theorist of the German Renaissance, Albrecht Durer

Background imageMayer Collection: La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya

La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo

Background imageMayer Collection: El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya

El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of

Background imageMayer Collection: Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934)

Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Artist: Paolo Veronese
Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Commemorating the victory of Charles V (1500-1558) over the Schmalkaldic League at Muhlberg on April 24, 1547

Background imageMayer Collection: La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes

La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes
La Sagrada Cena, (The Last Supper), 1562, (c1934). commissioned for the high altar of the church of San Esteban of Valencia

Background imageMayer Collection: Pompeys Pillar, Alexandria, Egypt, 1802. Artist: Thomas Milton

Pompeys Pillar, Alexandria, Egypt, 1802. Artist: Thomas Milton
Pompeys Pillar, Alexandria, Egypt, 1802. Probably the best-known ancient monument still standing in Alexandria, the pilliar actually has nothing to do with Pompey but was erected in 293 AD for

Background imageMayer Collection: Josephs Hall in the Citadel of Cairo, Egypt, 1802. Artist: Thomas Milton

Josephs Hall in the Citadel of Cairo, Egypt, 1802. Artist: Thomas Milton
Josephs Hall in the Citadel of Cairo, Egypt, 1802. Plate 31 from Views in Egypt by Luigi Mayer

Background imageMayer Collection: An Egyptian bey, 1802. Artist: Thomas Milton

An Egyptian bey, 1802. Artist: Thomas Milton
An Egyptian bey, 1802. Plate 14 from Views in Egypt by Luigi Mayer

Background imageMayer Collection: Subterranean Chamber near the Pyramids at Giza, 1802. Artist: Thomas Milton

Subterranean Chamber near the Pyramids at Giza, 1802. Artist: Thomas Milton
Subterranean Chamber near the Pyramids at Giza, 1802. Plate 9 from Views in Egypt by Luigi Mayer

Background imageMayer Collection: An Ancient Sarcophagus of Basaltes, called the Lovers Fountain, 1802. Artist

An Ancient Sarcophagus of Basaltes, called the Lovers Fountain, 1802. Artist
An Ancient Sarcophagus of Basaltes, called the Lovers Fountain, 1802. Plate 10 from Views in Egypt by Luigi Mayer

Background imageMayer Collection: Top of the First Pyramid of Gizah, Egypt, 1802. Artist: Thomas Milton

Top of the First Pyramid of Gizah, Egypt, 1802. Artist: Thomas Milton
Top of the First Pyramid of Gizah, Egypt, 1802. Plate 4 from Views of Egypt by Luigi Mayer

Background imageMayer Collection: View of the nilometer, Cairo, Egypt, 1802. Artist: Thomas Milton

View of the nilometer, Cairo, Egypt, 1802. Artist: Thomas Milton
View of the nilometer, Cairo, Egypt, 1802. Nilometers were ancient devices for measuring the annual inundation of the Nile

Background imageMayer Collection: Ruins of the Grand Aqueduct of Ancient Carthage, Tunisia, 1803. Artist: Luigi Mayer

Ruins of the Grand Aqueduct of Ancient Carthage, Tunisia, 1803. Artist: Luigi Mayer
Ruins of the Grand Aqueduct of Ancient Carthage, Tunisia, 1803. Plate 23 from Views in the Ottoman Empire, 1803

Background imageMayer Collection: Principal Square in grand Cairo, with Murad Beys Palace, Egypt, 1802. Artist

Principal Square in grand Cairo, with Murad Beys Palace, Egypt, 1802. Artist
Principal Square in grand Cairo, with Murad Beys Palace, Egypt, 1802. Plate 27 from Views in Egypt

Background imageMayer Collection: Passage from the Second to the Third Gallery in the Great Pyramid, Giza, Egypt, 1802

Passage from the Second to the Third Gallery in the Great Pyramid, Giza, Egypt, 1802. Exploring the interior of the Pyramid of Cheops (Khufu). Plate 5 from Views in Egypt by Luigi Mayer, 1802

Background imageMayer Collection: Chamber and Sarcophagus in the Great Pyramid of Giza, Egypt, 1802

Chamber and Sarcophagus in the Great Pyramid of Giza, Egypt, 1802. Inside the Pyramid of Cheops (Khufu), built in the 25th century BC. Plate 6 from Views in Egypt by Luigi Mayer

Background imageMayer Collection: Mamelukes Exercising in the Square of Mourad Beys Palace, Cairo, Egypt, 1802

Mamelukes Exercising in the Square of Mourad Beys Palace, Cairo, Egypt, 1802. The Mamluks (Mamelukes) were a powerful Islamic soldier caste

Background imageMayer Collection: Interior View of the Catacombs at Alexandria, Egypt, 1802. Artist: Thomas Milton

Interior View of the Catacombs at Alexandria, Egypt, 1802. Artist: Thomas Milton
Interior View of the Catacombs at Alexandria, Egypt, 1802. Plate 11 from Views in Egypt by Luigi Mayer

Background imageMayer Collection: Henri-Jacques-Guillaume Clarke, comte d Hunebourg, duc de Feltre (1765-1818), 1810

Henri-Jacques-Guillaume Clarke, comte d Hunebourg, duc de Feltre (1765-1818), 1810. Found in the Collection of Bibliothe que Nationale de France

Background imageMayer Collection: Portrait of Albert Methfessel (1785-1869), c. 1830

Portrait of Albert Methfessel (1785-1869), c. 1830. Found in the Collection of Eotvos Lorand Tudomanyegyetem

Background imageMayer Collection: Portrait of Carl Czerny (1791-1857), c. 1830

Portrait of Carl Czerny (1791-1857), c. 1830. Found in the Collection of Eotvos Lorand Tudomanyegyetem

Background imageMayer Collection: The Hagia Sophia in Constantinople

The Hagia Sophia in Constantinople. Private Collection

Background imageMayer Collection: Sultan Mahmud II Leaving The Bayezid Mosque, Constantinople, 1837

Sultan Mahmud II Leaving The Bayezid Mosque, Constantinople, 1837. Artist: Mayer, Auguste (1805-1890)
Sultan Mahmud II Leaving The Bayezid Mosque, Constantinople, 1837. Private Collection

Background imageMayer Collection: Woman trying on Earrings (Constance Mayer), ca 1806. Artist: Prud hon, Pierre-Paul (1758-1823)

Woman trying on Earrings (Constance Mayer), ca 1806. Artist: Prud hon, Pierre-Paul (1758-1823)
Woman trying on Earrings (Constance Mayer), ca 1806. Private Collection

Background imageMayer Collection: Self-Portrait, 1800s. Artist: Mayer, Constance (1775-1821)

Self-Portrait, 1800s. Artist: Mayer, Constance (1775-1821)
Self-Portrait, 1800s. Found in the collection of Bibliotheque Paul Marmottan, Boulogne-Billancourt

Background imageMayer Collection: Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934)

Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Artist: Vicente Lopez y Portana
Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Francisco de Goya y Lucientes (1746-1828 ) was a Spanish painter and engraver

Background imageMayer Collection: Escenas Del 3 De Mayo De 1808, (May 3, 1808 in Madrid), 1814, (c1934). Artist: Francisco Goya

Escenas Del 3 De Mayo De 1808, (May 3, 1808 in Madrid), 1814, (c1934). Artist: Francisco Goya
Escenas Del 3 De Mayo De 1808, (May 3, 1808 in Madrid), 1814, (c1934). The executions of patriots in Madrid, illustrating the capture

Background imageMayer Collection: La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco Goya

La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco Goya
La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). First owned by Prime Minister Manuel de Godoy, who was known as a womaniser

Background imageMayer Collection: La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya

La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady

Background imageMayer Collection: El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya

El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya
El Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street

Background imageMayer Collection: La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934)

La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Artist: Francisco Goya
La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Portrait of the family of King Carlos IV (1748-1819)

Background imageMayer Collection: Retrato de Familia, (Painters Family), 1612-1622, (c1934). Artist: Jacob Jordaens

Retrato de Familia, (Painters Family), 1612-1622, (c1934). Artist: Jacob Jordaens
Retrato de Familia, (Painters Family), 1612-1622, (c1934). Set in a garden, wife Catherine van Noort, sits next to the little girl

Background imageMayer Collection: La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Artist: Frans Snyders

La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Artist: Frans Snyders
La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Frans Snyders was a Flemish painter of animals and still lifes. A woman stands at a table laden with a variety of fruits. Oil on canvas

Background imageMayer Collection: La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934). Artist: Antonis Mor

La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934). Artist: Antonis Mor
La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934) The Queen sits in a crimson velvet chair, holding the red rose of Tudor in hand she has a tense

Background imageMayer Collection: El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Artist: Peter Paul Rubens

El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Artist: Peter Paul Rubens
El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Commissioned by Philip IV of Spain, to illustrate a story from Greek mythology, Paris

Background imageMayer Collection: El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Artist: Peter Paul Rubens

El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Artist: Peter Paul Rubens
El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Scene of a party in a park, the home of Rubens in Antwerp. The cherubs are symbolic of love and idepicted wearing crowns

Background imageMayer Collection: Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934)

Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Artist: Peter Paul Rubens
Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Diana appears on far right of composition with her nymphs attacked by a group of satyrs in a forest

Background imageMayer Collection: Eva, (Eve), 1507, (c1934). Artist: Albrecht Durer

Eva, (Eve), 1507, (c1934). Artist: Albrecht Durer
Eva, (Eve), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Background imageMayer Collection: Autorretrato, (Self-portrait), 1498, (c1934). Artist: Albrecht Durer

Autorretrato, (Self-portrait), 1498, (c1934). Artist: Albrecht Durer
Autorretrato, (Self-portrait), 1498, (c1934). Self-portrait (or Self-portrait at 26) is the second of Albrecht Durers (1471-1528) three painted self-portraits

Background imageMayer Collection: Adan, (Adam), 1507, (c1934). Artist: Albrecht Durer

Adan, (Adam), 1507, (c1934). Artist: Albrecht Durer
Adan, (Adam), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Background imageMayer Collection: Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto

Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto
Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. The Cassotti family were wealthy textile merchants from Bergamo

Background imageMayer Collection: Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese

Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese
Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). From the Book of Matthew, the encounter between two groups of characters

Background imageMayer Collection: La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: Titian

La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: Titian
La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Depicts a Roman rite of worship conducted in honour of the goddess Venus each 1 April

Background imageMayer Collection: Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian

Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian
Speech of the Marquis del Vasto, c1540, (c1934). Alfonso d Avalos, Marchese del Vasto, (1502-1546) was a noble Neapolitan, who participated in the Battle of Pavia and the conquest of Tunisia in 1535

Background imageMayer Collection: Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: Titian

Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: Titian
Venus Con El Musico, (Venus and music), 1550, (c1934). Venus lies before a large window. At her feet an organist plays his instruments in contemplation of the nakedness of the goddess. Oil on canvas

Background imageMayer Collection: El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

Background imageMayer Collection: Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio

Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
Noli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm

Background imageMayer Collection: Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

Background imageMayer Collection: La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). Artist: Hieronymus Bosch

La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). Artist: Hieronymus Bosch
La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). A triptych panel by Hieronymus Bosch, executed around 1485-1500. Detail of the central panel with the Magi

Background imageMayer Collection: Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

Background imageMayer Collection: La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck

La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck
La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). A theological allegory responding to a point of medieval

Background imageMayer Collection: St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

Background imageMayer Collection: La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). Artist: El Greco

La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). Artist: El Greco
La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). From the altarpiece of Saint Lazarus of Palencia, the Virgin Mary

Background imageMayer Collection: Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934)

Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). Artist: El Greco
Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). El Greco painted his only version of the Trinity, with the semi-nude corpse of Christ being supported

Background imageMayer Collection: La Asuncion, (Assumption), 1660, (c1934). Artist: Mateo Cerezo

La Asuncion, (Assumption), 1660, (c1934). Artist: Mateo Cerezo
La Asuncion, (Assumption), 1660, (c1934). The Catholic Church teaches as dogma that the Virgin Mary having completed the course of her earthly life, was assumed body and soul into heavenly glory

Background imageMayer Collection: Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934)

Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934). Artist: Alonso Cano
Cristo Llorado Por Un Angel, (Dead Christ Supported by an Angel), 1646-1652, (c1934). A meditation on the death of Christ

Background imageMayer Collection: Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934)

Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934). Artist: Alonso Sanchez Coello
Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austrias), 1557-1559, (c1934). Don Carlos (1545-1548), son of Philip II and his first wife Maria of Portugal

Background imageMayer Collection: La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934)

La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban Murillo
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus

Background imageMayer Collection: Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Background imageMayer Collection: Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934)

Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban Murillo
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare

Background imageMayer Collection: El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

Background imageMayer Collection: La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934)

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Background imageMayer Collection: Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934)

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink



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