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Stewards Court of the Manor of Torre Devon, 1820. ArtistStewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles
The Kentish lottery - or a new way to pay old debts, 1819. The Duke of Kent and Lord Mayor of London Sir Matthew Wood advertising a lottery scheme
Interior of the Guildhall, City of London, 1816. Artist: George HawkinsInterior of the Guildhall, City of London, 1816. With a dedication to Matthew Wood, Lord Mayor of London in 1816, in the lower margin
The night mayor - or magistratical vigilance, 1816. Alderman Wood, followed by constables, enters a thieves kitchen where a watchman drinks gin with companions
Caroline, Consort of George IV, 1820. Artist: C DyerCaroline, Queen Consort of George IV, 1820, as she appeared at the balcony at Alderman Matthew Woods on her arrival in London
London Market; a fruit seller, 1822. Artist: Matthew DubourgLondon Market, 1822; showing a fruit seller outside her shop, serving a woman who has two children and a dog with her
London Market; a butchers shop, 1822. Artist: Matthew DubourgLondon Market, 1822; showing an interior and exterior view of a butchers shop. Outside the shop a butcher is displaying his meat which has been decorated with holly while inside the shop a butcher
King George IV riding through Hyde Park, London, 1831. Artist: Matthew DubourgKing George IV riding through Hyde Park, London, 1831. By-standers watch as the king rides past in his carriage
Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery
A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised
The Q-ns Ass in a Band-box, 1821. Caroline of Brunswick, inside a box, sits on a zebra which stands in a round band-box; the zebra, with the head of Alderman Wood
The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper
An Emblem of Wisdom Made of Wood, 1820. The head of Alderman Matthew Wood with the body of an owl, punning on the word wood
Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall, 1827Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall ; a large board containing fairy lamps plummets towards the new Lord Mayor, Matthias Prime Lucas and guests
View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. ArtistView of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to
Guildhall, London, 1816. Artist: George HawkinsInterior view of the Guildhall with a dedication to Matthew Wood, Lord Mayor of London, 1816, in the lower margin
A serio comic extravaganza... 1820. George IV seems to be dismissing a petition from the Lord Mayor, John Thomas Thorp, introduced by Alderman Matthew Wood (?)
The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by
King Henry VIII, act II, scene iv, c1820. ArtistKing Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon
St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window
Mother Wood, the popular procuress!, 1820. Artist: Isaac Robert CruikshankMother Wood, the popular procuress!, 1820. Alderman Wood, dressed as an elderly woman, stands in the porch of his house in South Audley Street holding a bottle inscribed Popularity; the allusion is
Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert CruikshankFracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath
Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre
Jack Ketch executing sentence on a culprit, 1832. ArtistJack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him
City election candidates of 1812. A View of the Starting Post and List of the Horses and their Riders who Started for the City Plate October 5th 1812
A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. Artist: C WilliamsA Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. A crowd of labourers and beggars doffing their hats or drawing the Lord Mayors coach, containing Sheriff Wood
Alderman Sir Matthew Wood and King George IVThe Modern Belshazzers Feast; Alderman Sir Matthew Wood presents an envelope marked the Queens letter to the Prince Regents dinner table which falls into disarray
The Chinese bridge and pagoda, erected in St Jamess Park, London, 1814. ArtistThe Chinese bridge and pagoda, erected in St Jamess Park, London, 1814. The bridge and the pagoda were erected in commemoration of the glorious peace of 1814
Lord Mayors Show, 1816Scene of Lord Mayor Matthew Woods procession passing St Pauls Cathedral, on Lord Mayors Day, 1816, when he was sworn in a second time as Lord Mayor; with a key to the figures below
Sir Matthew Wood, Lord Mayor 1815-1817 Artist: George PattenPortrait of Sir Matthew Wood, Lord Mayor 1815-1817
Vauxhall TT of Matthew Park competing in the MAC Shelsley Walsh Hillclimb, Worcestershire, 1923Vauxhall T.T 2996 cc. Vehicle Reg. No. 036NM. Event Entry No: 27. Driver: Park, M.C. Finished: 1st. in Class 5. Trade registration plate. Place: M.A.C Shelsley Walsh Hillclimb. Date: 8.9.23
Angel of St. Matthew, 1931, (wood engraving)
Egyptians, Crocodile Catching, 1813. Artist: Matthew DubourgEgyptians, Crocodile Catching, 1813. Egyptians using a tethered animal as bait to hunt crocodiles on the banks of the Nile
Prince Blucher under his Horse at the Battle of Waterloo, 1815. The intervention of Field Marshal Bluchers Prussian army made a vital contribution to Wellingtons victory at Waterloo
The Tirolese Patriots Storming the Fortress of Kuffstein with their wooden Guns, 1816. Scene from the Napoleonic Wars. Austria was forced to cede the Tyrol to Bavaria after being defeated by Napoleon
The Allies before Dantzic in Winter, 1818. Artist: Matthew DubourgThe Allies before Dantzic in Winter, 1818. A scene during the Napoleonic Wars. Danzig was made a semi-independent free city in 1807 after Napoleon was victorious in the War of the Fourth Coalition
Entrance of Lord Wellington into Salamanca, May 20th 1813 1815. Artist: Matthew DubourgEntrance of Lord Wellington into Salamanca at the head of a Regiment of Hussars, May 20th 1813 1815. Scene during Wellingtons final, decisive advance of the Peninsular War
A British soldier Taking Two French Officers at the Battle of the Pyrenees, 1813 (1816)A British Soldier Taking Two French Officers at the Battle of the Pyrenees, 1813 (1816). The battle saw the British under Wellington repel a French offensive to relieve the besieged garrisons of
Highland troops at the Battle of Vimeiro, Peninsular War, 1808 (1816). Anecdote of the Bravery of the Scotch Piper of the 11th Highland Regiment at the Battle of Vimeiro
The French Conscripts, 1817. Artist: Matthew DubourgThe French Conscripts, 1817. From Historic, Military and Naval Anecdotes, published by Edward Orme, 1817
The Duke of Wellington and his Staff Crossing the Bidassoa and Entering France, 1813 (1816). Victory over the French in the Peninsular War
French troops invading Russia, 1812 (1817). Artist: Matthew DubourgFrench troops invading Russia, 1812 (1817). The Boasted Crossing of the Niemen at the Opening of the Campaign in 1812 by N Bonaparte
Battle of Waterloo, 1815 (1817). Artist: Matthew DubourgBattle of Waterloo, 1815 (1817). French Cuirassiers at the Battle of Waterloo, Charged and Defeated by the Highlanders and the Scots Greys
Encampment of the British army in the Bois de Boulogne, Paris, 1815 (1817). ArtistEncampment of the British army in the Bois de Boulogne, Paris, 1815 (1817). British troops in Paris after the fall of Napoleon
French Troops Retreating Through and Plundering a Village, 1816. From Historic, Military and Naval Anecdotes, published by Edward Orme, 1816
The Battle of Waterloo Decided by the Duke of Wellington, 1815 (1816). ArtistThe Battle of Waterloo Decided by the Duke of Wellington, 1815 (1816). From Historic, Military and Naval Anecdotes, published by Edward Orme, 1816
The evangelist Matthew and the angel, 1661. Found in the Collection of Muse e du Louvre, Paris
Angel, 1902. Private Collection