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Mast Collection (page 7)

Background imageMast Collection: Home-Sickness. 16 June, 1894, 1894, (1897)

Home-Sickness. 16 June, 1894, 1894, (1897). From Farthest North, Vol. 1 by Fridtjof Nansen. [Archibald Constable and Company, London, 1897]

Background imageMast Collection: The Arrival of St. Ursula at Cologne, 1489, (c1915). Artist: Hans Memling

The Arrival of St. Ursula at Cologne, 1489, (c1915). Artist: Hans Memling
The Arrival of St. Ursula at Cologne, 1489, (c1915). The Reliquary of St Ursula, Memling Museum, Sint-Janshospitaal, Bruges. From International Art: Past and Present by Alfred Yockney

Background imageMast Collection: The Ram Crushed In Her Iron Side, 1902

The Ram Crushed In Her Iron Side, 1902. The Battle of Lissa took place on 20th July 1866, in the Adriatic Sea near the Dalmatian island of Lissa

Background imageMast Collection: Port of Naples, Italy, 1927. Artist: Eugen Poppel

Port of Naples, Italy, 1927. Artist: Eugen Poppel
Port of Naples, Italy, 1927. From Italien in Bildern, by Eugen Poppel [August Scherl, Berlin, 1927]

Background imageMast Collection: British rigid airship R101 riding at her mooring mast at Cardington, Bedfordshire, c1929 (c1937)

British rigid airship R101 riding at her mooring mast at Cardington, Bedfordshire, c1929 (c1937). The R101 was one of a pair of British rigid airships completed in 1929 as part of a government

Background imageMast Collection: On the Coast of Holland, 1876, (1938). Artist: James Webb

On the Coast of Holland, 1876, (1938). Artist: James Webb
On the Coast of Holland, 1876, (1938). Painting held at the Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageMast Collection: Bristol, 1903. Artist: Albert Goodwin

Bristol, 1903. Artist: Albert Goodwin
Bristol, 1903. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Background imageMast Collection: Sea Piece, 1922. Artist: Mary McCrossan

Sea Piece, 1922. Artist: Mary McCrossan
Sea Piece, 1922. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Background imageMast Collection: The front page of His Majestys Minesweepers, 1943

The front page of His Majestys Minesweepers, 1943. From His Majestys Minesweepers. [His Majestys Stationery Office, London, 1943]

Background imageMast Collection: Woolwich Dockyard from the Thames, c1750, (1912). Artists: Unknown, John Boydell

Woolwich Dockyard from the Thames, c1750, (1912). Artists: Unknown, John Boydell
Woolwich Dockyard from the Thames, c1750, (1912). From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]

Background imageMast Collection: Battle of Copenhagen 1801. British Fleet Approaching, 1801. Artists: Robert Pollard, JG Wells

Battle of Copenhagen 1801. British Fleet Approaching, 1801. Artists: Robert Pollard, JG Wells
Battle of Copenhagen, 1801. British Fleet Approaching, 1801. Admiral Lord Nelson won a victory over the Danish-Norrwegian fleet at the Battle of Copenhagen in 1801 after disregarding the order of his

Background imageMast Collection: The Quest, in which Sir Ernest Shackleton set sail in September 1921, on what was to prove his last

The Quest, in which Sir Ernest Shackleton set sail in September 1921, on what was to prove his last expedition to the Antarctic, c1922, (1935)

Background imageMast Collection: From Pickled-Herring Stairs, c1878, (1904). Artist: James Abbott McNeill Whistler

From Pickled-Herring Stairs, c1878, (1904). Artist: James Abbott McNeill Whistler
From Pickled-Herring Stairs, c1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMast Collection: A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler

A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMast Collection: Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler

Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler
Two Ships, 1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMast Collection: Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler

Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler
Chelsea Wharf, 1863, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMast Collection: Rye, 1911. Artist: Albert Goodwin

Rye, 1911. Artist: Albert Goodwin
Rye, 1911. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Background imageMast Collection: Toil, Glitter, Glime and Wealth, 1883 (1935). Artist: William Lionel Wyllie

Toil, Glitter, Glime and Wealth, 1883 (1935). Artist: William Lionel Wyllie
Toil, Glitter, Grime and Wealth on a Flowing Tide, 1883 (1935). After the painting by W. L. Wyllie, R.A. From Modern Masterpieces Part 8. [George Newnes Ltd, London, 1935]

Background imageMast Collection: Tristan and Isolde, 1912. Artist: John Duncan

Tristan and Isolde, 1912. Artist: John Duncan
Tristan and Isolde, 1912. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

Background imageMast Collection: The Battle of Zonchio (Navarino), c1499

The Battle of Zonchio (Navarino), c1499. Housed in the British Museum, London. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Background imageMast Collection: The Bacchante, Speed 16 Knots An Hour, 1884

The Bacchante, Speed 16 Knots An Hour, 1884
The Bacchante, Speed 16 Knots An Hour. From The Illustrated Naval and Military Magazine Volume I [The Illustrated London News, London, 1884]

Background imageMast Collection: Mutual Joy, Or The Ship in Harbour, c1788, (1906). Artist: Philip Dawe

Mutual Joy, Or The Ship in Harbour, c1788, (1906). Artist: Philip Dawe
Mutual Joy, Or The Ship in Harbour, c1788. After George Morland (1763-1804). From The Connoisseur Volume XVI [Otto Limited, London, 1906.]

Background imageMast Collection: Old Hungerford Bridge, 1861, (1903). Artist: James Abbott McNeill Whistler

Old Hungerford Bridge, 1861, (1903). Artist: James Abbott McNeill Whistler
Old Hungerford Bridge, 1861. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Background imageMast Collection: Shipping at Deal, (c1800), 1925. Artist: Francois Louis Thomas Francia

Shipping at Deal, (c1800), 1925. Artist: Francois Louis Thomas Francia
Shipping at Deal, c1800. After a work by Francois Louis Thomas Francia (1772-1839). From The Connoisseur, 1925

Background imageMast Collection: SS Drummond Castle, late 19th century

SS Drummond Castle, late 19th century. The Drummond Castle was a steamship built by John Elder & Co of Govan in 1881. Operated by the Castle Mail Packets Co

Background imageMast Collection: The Flying Squadron, Spanish-American War, 1898

The Flying Squadron, Spanish-American War, 1898. The Flying Squadron was a US Navy force that operated in the Atlantic, the Gulf of Mexico and the Caribbean in the first part of the war

Background imageMast Collection: USS Alabama, American battleship, 1898

USS Alabama, American battleship, 1898. An Illinois class pre-dreadnought battleship, Alabama was launched in 1898. She served with the US North Atlantic Fleet

Background imageMast Collection: USS Kearsarge, American battleship, 1898

USS Kearsarge, American battleship, 1898. The lead ship of her class, Kearsarge was launched in 1898. She served as flagship of the US North Atlantic Fleet

Background imageMast Collection: USS Indiana, American battleship, 1898. Artist: W Rau

USS Indiana, American battleship, 1898. Artist: W Rau
USS Indiana, American battleship, 1898. Commissioned in 1895, the Indiana was the lead ship of a class of three pre-dreadnought battleships

Background imageMast Collection: The Oregons race for Cuba, 1898

The Oregons race for Cuba, 1898. As tensions grew between the United States and Spain after the sinking of the battleship USS Maine in Havana harbour, Cuba

Background imageMast Collection: The last sunset of the Maine, 1898

The last sunset of the Maine, 1898. The USS Maine, a pre-dreadnought battleship, exploded and sank in Havana harbour, Cuba, on 15 February 1898, with the loss of 274 of her crew

Background imageMast Collection: Royal Navy sailors, 18th century (c1890-c1893)

Royal Navy sailors, 18th century (c1890-c1893). A print from Her Majestys Navy Including its Deeds and Battles, by Lieut Chas Rathbone Low, Volume I, JS Virtue & Co, London, 1890-1893

Background imageMast Collection: One of Drakes Men, 1588 (c1890-c1893)

One of Drakes Men, 1588 (c1890-c1893). A sailor on one of Sir Francis Drakes ships. A print from Her Majestys Navy Including its Deeds and Battles, by Lieut Chas Rathbone Low, Volume I

Background imageMast Collection: Mississippi River, New Orleans, Louisiana, USA, c1880. Artist: Barbant

Mississippi River, New Orleans, Louisiana, USA, c1880. Artist: Barbant
Mississippi River, New Orleans, Louisiana, USA, c1880

Background imageMast Collection: US Navy warships, Navy yard, Balboa, Panama, 1931

US Navy warships, Navy yard, Balboa, Panama, 1931. Balboa is located at the Pacific entrance to the Panama Canal. The photograph was taken during a Cunard Line cruise to the West Indies between

Background imageMast Collection: The quarterdeck, Royal Navy training establishment, Shotley, Suffolk, 1936

The quarterdeck, Royal Navy training establishment, Shotley, Suffolk, 1936. Known within the service as HMS Ganges, Shotley was Britains largest Royal Naval training establishment from 1905 until it

Background imageMast Collection: Ship, 19th century

Ship, 19th century. Illustration of a sailing ship, to illustrate terms applied to the sails and running rigging

Background imageMast Collection: Reefing topsails on board the training ship HMS Impregnable, Devonport, Devon, 1896

Reefing topsails on board the training ship HMS Impregnable, Devonport, Devon, 1896. Artist: WM Crockett
Reefing topsails on board the training ship HMS Impregnable, Devonport, Devon, 1896. HMS Impregnable was a second-rate ship of the line that became a training ship at Devonport in 1862

Background imageMast Collection: HMS Duke of Wellington firing a Royal Salute as flagship at Portsmouth, Hampshire, 1896

HMS Duke of Wellington firing a Royal Salute as flagship at Portsmouth, Hampshire, 1896. Artist: Symonds & Co
HMS Duke of Wellington firing a Royal Salute as flagship at Portsmouth, Hampshire, 1896. Powered by both sail and steam, the Duke of Wellington was a 131 gun first-rate ship of the line launched in

Background imageMast Collection: The hanging of Hetherington and Brace, San Francisco, 29th July 1856 (1954)

The hanging of Hetherington and Brace, San Francisco, 29th July 1856 (1954). Joseph Hetherington and Philander Brace were executed for four murders by the Vigilance Committee of San Francisco

Background imageMast Collection: The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler

The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler
The Large Pool, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageMast Collection: A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler

A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler
A sketch from Billingsgate, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageMast Collection: Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler

Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
Two Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageMast Collection: Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler

Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler
Steamboats off the Tower, 1875 (1904). Etching.. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageMast Collection: Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler

Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler
Amsterdam, 19th century (1904). Early state etching, drawn from the Tolhuis restaurant. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageMast Collection: Rotherhithe, 1860 (1904). Artist: James Abbott McNeill Whistler

Rotherhithe, 1860 (1904). Artist: James Abbott McNeill Whistler
Rotherhithe, 1860 (1904). Etching. Rotherhithe was drarn from the balcony of the Angel Inn at Rotherhithe, looking northwest toward the City

Background imageMast Collection: Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler

Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler
Tyzac Whiteley and Co, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageMast Collection: St Ives, Cornwall, 1898. Artist: Robert Norton Nance

St Ives, Cornwall, 1898. Artist: Robert Norton Nance
St Ives, Cornwall, 1898. Lead pencil sketch. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)



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