Manufacture Collection (page 2)

Metroplitan manufacture at Austins Longbridge plant 1956. Creator: Unknown
Metroplitan manufacture at Austins Longbridge plant 1956

G. W. K. factory in Maidenhead, early 1920 s. Creator: Unknown
G.W.K. factory in Maidenhead, early 1920 s

Rope Screen Used For Protection While Pressing Explosive Gun-Cotton, 1901. Creator: Unknown
This Rope Screen Is Used For Protection While Pressing The Explosive Gun-Cotton At The Cordite Works, 1901. From " The Harmsworth Magazine, Volume VI

Machine for Printing Wallpaper in up to Twenty Colours, pub. 1873 (engraving), 1873. Machine a imprimer les papiers peints en 20 couleurs

Merchants of fabrics and textiles in a market, Miniature in the Statuto delle Corporazione dei Mercanti, illuminated manuscript, 14th century

A Silk-Spinning Mill, 1607, (1904). From Social England, Volume V, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1904]

Winding Off Silk, c1600, (1903). From Social England, Volume IV, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Selecting the Cigar Wrappers, Havana, Cuba, c1910

Warehouse of Leaf Tobacco, Havana, Cuba, c1910
Warehouse of Leaf Tobacco, Havana, Cuba, 1944. [Harris Bros. Co. Havana, Cuba, c1910]

The making of a pot, Mendi, Papua New Guinea, 1922. Artist: Northcote Thomas
The making of a pot, Mendi, Papua New Guinea, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Clarifying sugar cane juce, Annam, Vietnam, 1922. An Annamese peasant ladles raw juice into copper pans, where it is mixed with ashes, clay, lime or another refining material

Wire being wound into springs for spring-locks, London, 1926-1927. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)

Blind mat-makers of St Dunstans, London, 1926-1927
Blind mat-makers of St Dunstan s, London, 1926-1927. Blind ex-soldiers from World War I are put to work making mats. From Wonderful London, volume II, edited by Arthur St John Adcock

Bookbinder, 16th century (1849). Artist: Jost Amman
Bookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coppersmith, 16th century (1849). Artist: Jost Amman
Coppersmith, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Spur maker, 16th century (1849). Artist: Jost Amman
Spur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coin maker, 16th century (1849). Artist: Jost Amman
Coin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Goldbeater, 16th century (1849). Artist: Jost Amman
Goldbeater, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Tailor, 16th century (1849). Artist: Jost Amman
Tailor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cobbler, 16th century (184). Artist: Jost Amman
Cobbler, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wheelwright, 16th century (1849). Artist: Jost Amman
Wheelwright, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cooper, 16th century (1849). Artist: Jost Amman
Cooper, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Carpenters, 16th century (1849). Artist: Jost Amman
Carpenters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Dyer, 16th century (1849). Artist: Jost Amman
Dyer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Bell and cannon caster, 16th century (1849). Artist: Jost Amman
Bell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Armourer, 16th century (1849). Artist: Jost Amman
Armourer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Sword maker, 16th century (1849). Artist: Jost Amman
Sword maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Paper maker, 16th century, (1849). Artist: Jost Amman
Paper-maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Hatter, 16th century (1849). Artist: Jost Amman
Hatter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The manufacture of oil, 16th century (1849). Artist: Jost Amman
The manufacture of oil, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Manufacturing silk, Syria, 1900s. Artist: Underwood & Underwood
Manufacturing silk, Syria, 1900s. Women gather silk-ends, as finely spun as cobwebs, and connect them to reels. Stereoscopic slide (detail)

Feeding silk worms their breakfast of mulberry leaves, Lebanon mountains, Syria, 1900s. Artist: Underwood & Underwood
Feeding silkworms their breakfast of mulberry leaves, Lebanon mountains, Syria, 1900s. Stereoscopic slide (detail)

Feeding silkworms their breakfast of mulberry leaves, Lebanon mountains, Syria, 20th century
Feeding silkworms their breakfast of mulberry leaves, Lebanon mountains, Syria, 1900s. Stereoscopic slide

Sculptor, 16th century (1849). Artist: Jost Amman
Sculptor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Basin maker, 16th century (1849). Artist: Jost Amman
Basin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Manufacture of porcelain in the 18th century, (c1900). Fire in the Artistic Industry. French advertisement for Liebigs extract of meat

Arms manufacturing industry, St Etienne, 1896. An illustration from Le Petit Journal, 1896

Morris Minor convertible craned onto ship for export at Cardiff docks. Creator: Unknown
Morris Minor convertible craned onto ship for export at Cardiff docks

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