Lacroix Collection (page 5)

Professional tradesmen, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels

Merchants, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels

Monnoyeurs et Changeurs, 13th century (1849). Artist: Thurwanger Freres
Monnoyeurs et Changeurs, 13th century (1849). Stained glass from the chapel dedicated to the Virgin Mary in Le Mans Cathedral

Toll bridge, 15th century (1849). Artist: H Moulin
Toll bridge, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Wine making, 13th century (1849). Artist: Thurwanger Freres
Wine making, 13th century (1849). Stained glass window from Le Mans Cathedral. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Saint Colette (1381-1447), c16th century (1849). A 19th century version based on an original earlier manuscript illustration

Ship carpenter, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chronique de Nuremberg

Boat and ship carpenters, c late 11th / early 12th century (1849)
Boat and ship carpenters, c late 11th/early 12th century (1849). A 19th century version based on a fragment of the Bayeux Tapestry

King Philip II of France (1165-1223), 16th century (1849). Artist: Dutillet
King Philip II of France (1165-1223), 16th century (1849). A 19th century version based on an original 16th century miniature in Rois de France, held by the Bibliotheque Nationale, Paris

Tomb of Dagobert I (603-689), Merovingian king, Basilisque Saint-Denis, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Dagobert I (603-689), Merovingian king, c16th century (1849). A 19th century version based on an original manuscript illustration from the Gaignieres Collection, held by the Cabinet des Estampes

Building construction, France, 15th century (1849). Artist: Franz Kellerhoven
Building construction, France, 15th century (1846). A 19th century version based on an original 15th century manuscript illustration in From Le Moyen Age et la Renaissance, by Paul Lacroix

Entry of the King of Epinette, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Library of Rouen

Officers of the table and the chamber of the imperial court, 1512 (1849). Artist: J Resch
Officers of the table and the chamber of the imperial court, 1512 (1849). Featured are a cup-bearer, a cook, a barber, a tailor and a shoemaker

Meeting at the Field of the Cloth of Gold, c16th century (1849). A 19th century version based on an original bas-relief on the Hotel Bourgtheroulde, Rouen

The Congress of Wartburg, 15th century (1849). Artist: A Bisson
The Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris

Sergeant at arms, 14th century (1849). Artist: Edward May
Sergeant at arms, 14th century (1849). A 19th century version based on a 14th century carving at the Church of St catherine du Val des Ecoliers

Imperial procession, 1529-1530 (1849). Artist: Lucas Cranach the Elder
Imperial procession, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Solemn Entry of Charles V and Clement VII into Bologna

The entry of Queen Isabel into Paris, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chroniques of Froissart, volume IV

Standards of the church and the empire, 1529-1530 (1849). Artist: Lucas Cranach the Elder
Standards of the church and the empire, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Entry of Charles V and Clement VII into Bologna

Grand procession of the Doge, Venice, Italy, 16th century (1849). One of fourteen engravings representing this ceremony. From Le Moyen Age et la Renaissance, by Paul Lacroix

The Duke of Saxony and the Marquis of Brandenburg, c16th century (1849). A 19th century version based on an original manuscript illustration in Theatrum Orbis Terrarum

Royal garments of Charlemagne (742-814), 15th century (1849). Artist: A Bisson
Royal garments of Charlemagne (742-814), 15th century (1849). Dalmatica and sandals of Charlemagne, and insignia of the kings of France as used during their coronations

The coronation of Emperor Sigismund (1368-1437) by Pope Eugene IV, 15th century (1849). Sigismund was crowned in 1433. A 19th century version based on a 15th century bronze bas-relief in the church

A herald, 14th century (1849). A 19th century version based on an original manuscript illustration in the Chroniques de Saint-Denis, held by the Bibliotheque Nationale, Paris

The coronation of King Charles V of France (1337-1380), 14th century (1849). Artist: A Bisson
The coronation of King Charles V of France (1337-1380), 14th century (1849). A 19th century version based on an original manuscript illustration in Chroniques de Froissart, volume IV

Abbey of Saint-Denis, late 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris

Grand costume of a Supreme Commander of the French armies, 16th century (1849). Artist: A Bisson
Grand costume of a Supreme Commander of the French armies, 16th century (1849). A 19th century version based on an original manuscript illustration held in the collection of the Cabinet des Estampes

Commemoration of the second council of Nice, 9th-10th century (1849). A 19th century version based on an original 9th-10th manuscript illustration in the Monologue Grec

The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1846). Artist: A Bisson
The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1849). A 19th century version based on an original manuscript illustration in Insignia Sacre Majistatis

Facade of the ancient church of the Abbey of Sainte-Genevieve, Paris, France, 1849
Facade of the ancient church of the Abbey of Sainte-Genevieve, Paris, France, 1846. Founded by Clovis, the church was rebuilt from the 11th to the 13th century

Funeral in St Cesaire, 9th century (1849)
Funeral in St Cesaire, 9th century, (1849). A 19th century version based on an original 9th century manuscript illustration found in the collection of the Bibliotheque Nationale de France, Paris

Baptism, 15th century (1849). Artist: A Bisson
Baptism, 15th century (1849). A 19th century version based on an original manuscript illustration in l Hostorie de la Belle Helene, in the collection of the Royal Library of Belgium

Religious procession, 1449-1456 (1849). Artist: A Bisson
Religious procession, 1449-1456 (1849). A 19th century version based on an original manuscript illustration in the book of common prayer of Jacques Juvenal the Ursins (1449-1456)

Pope Sylvester I (d335), 1849. Sylvester was pope between 314 and 335. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Gregory IX (c1143-1241), 1849. Gregory was pope from 1227 to 1242. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Innocent IV (1180-1254), 1849
Pope Innocent IV (c1180/1190-1254), 1849. Innocent was Pope between 1243 and 1254. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Clement IV (d1268), 1849. Clement was Pope between 1265 and 1268. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Honorius III (1148-1227), 1849. Honorius was Pope from 1216 to his death in 1227. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Druggist, 16th century (1849). Artist: Jost Amman
Druggist, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Brewer, 16th century (1849). Artist: Jost Amman
Brewer, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Winemaker, 16th century (1849). Artist: Jost Amman
Winemaker, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Poultry supplier, 16th century (1849). Artist: Jost Amman
Poultry supplier, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Miller, 16th century (1849). Artist: Jost Amman
Miller, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Butcher, 16th century (1849). Artist: Jost Amman
Butcher, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Baker, 16th century (1849). Artist: Jost Amman
Baker, 16th century, (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Catching birds, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France, Paris

Bird piping, 14th century (1849). The manner of catching birds by piping. A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus

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