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Julia Collection (page 2)

Background imageJulia Collection: Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles

Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles
Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Pavilion in Allahabad, Uttar Pradesh, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: View of Cabul, 1847. Artist: Giles

View of Cabul, 1847. Artist: Giles
View of Cabul, 1847. The town of Kabul in Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The favourite wife of Afzul Khan preparing for the suttee, 1847. Artist: Giles

The favourite wife of Afzul Khan preparing for the suttee, 1847. Artist: Giles
The favourite wife of Afzul Khan preparing for the suttee, 1847. Suttee was an Indian funeral practice in which the widow immolated herself on her husbands funeral pyre

Background imageJulia Collection: Khan Lodi overpowered, 15th century, (1847). Artist: Robinson

Khan Lodi overpowered, 15th century, (1847). Artist: Robinson
Khan Lodi overpowered, 15th century, (1847). Indian sultan Bahlul Khan Lodhi (died 1489) was the first Sultan of the Lodhi Dynasty

Background imageJulia Collection: The Gate of Akbers mausoleum, India, 1847. Artist: Robinson

The Gate of Akbers mausoleum, India, 1847. Artist: Robinson
The Gate of Akbers mausoleum, India, 1847. The tomb of Akbar the Great (1542-1605) at Sikandra, near Agra. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Ceremony of burning a Hindu widow with the body of her late husband, 1847

Ceremony of burning a Hindu widow with the body of her late husband, 1847. Suttee was an Indian funeral practice in which the widow immolated herself on her husbands funeral pyre

Background imageJulia Collection: Pilgrims at the source of the Ganges, India, 1847

Pilgrims at the source of the Ganges, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Indian landscape and temple, 1847. Artist: Robinson

Indian landscape and temple, 1847. Artist: Robinson
Indian landscape and temple, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Goa, from the Upper Curtain, India, 1847. Artist: Dean & Co

Goa, from the Upper Curtain, India, 1847. Artist: Dean & Co
Goa, from the Upper Curtain, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Dowlatabad, India, 1847

Dowlatabad, India, 1847. The detached and precipitous rock on which Daulatabad stands. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson

Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson
Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Portuguese explorer Vasco da Gama (1469-1524) is received by Manavikraman Raja, the Saamoothiri (or Zamorin) of Kozhikode

Background imageJulia Collection: Temple of Somnath, Gujarat, India, 1847. Artist: Robinson

Temple of Somnath, Gujarat, India, 1847. Artist: Robinson
Temple of Somnath, Gujarat, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Headman of the village holding his court, 1847

Headman of the village holding his court, 1847. Meeting under a tree in an Indian village. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Caves of Ellora, India, 1847. Artist: Robinson

Caves of Ellora, India, 1847. Artist: Robinson
Caves of Ellora, India, 1847. Ellora is famous for its rock temples, a series of caves carved out of the rocky hillside, one and a quarter miles long, in three sections: Buddhist

Background imageJulia Collection: Vishnu, Shiva, and Brahma, 1847. Artist: Robinson

Vishnu, Shiva, and Brahma, 1847. Artist: Robinson
Vishnu, Shiva, and Brahma, 1847. Hindu deities. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Map of India, 1847

Map of India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Victoria Town, Hong Kong Island, 1847

Victoria Town, Hong Kong Island, 1847. Victoria City, one of the first urban settlements after Hong Kong became a British colony in 1842, was often said to be the capital of Hong Kong

Background imageJulia Collection: Foo Choo Foo, one of the five ports opened by the late treaty to British commerce, 1847

Foo Choo Foo, one of the five ports opened by the late treaty to British commerce, 1847. The Treaty of Nanking in 1842, after the First Opium War, established five treaty ports in China

Background imageJulia Collection: Shanghai, one of the five ports opened by the late treaty to British commerce, 1847

Shanghai, one of the five ports opened by the late treaty to British commerce, 1847. The Treaty of Nanking in 1842, after the First Opium War, established five treaty ports in China

Background imageJulia Collection: Golden Island, China, 1847. Artist: Palmer

Golden Island, China, 1847. Artist: Palmer
Golden Island, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: House at Ningbo, China, 1847. Artist: Armstrong

House at Ningbo, China, 1847. Artist: Armstrong
House at Ningbo, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Ningbo, one of the five ports opened by the late treaty to British commerce, China, 1847

Ningbo, one of the five ports opened by the late treaty to British commerce, China, 1847. Artist: JW Giles
Ningbo, one of the five ports opened by the late treaty to British commerce, China, 1847. The Treaty of Nanking in 1842, after the First Opium War, established five treaty ports in China

Background imageJulia Collection: Amoy, one of the five ports opened by the late treaty to British commerce, 1847. Artist: JW Giles

Amoy, one of the five ports opened by the late treaty to British commerce, 1847. Artist: JW Giles
Amoy, one of the five ports opened by the late treaty to British commerce, 1847. The Treaty of Nanking in 1842, after the First Opium War, established five treaty ports in China

Background imageJulia Collection: Whampoa near Canton, the anchorage for European shipping, 1847. Artist: JW Giles

Whampoa near Canton, the anchorage for European shipping, 1847. Artist: JW Giles
Whampoa near Canton, the anchorage for European shipping, 1847. The port of Huangpo in Guangzhou, China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Buddhist temple, China, 1847. Artist: Mason

Buddhist temple, China, 1847. Artist: Mason
Buddhist temple, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The bay and island of Hong Kong, 1847. Artist: E Gilks

The bay and island of Hong Kong, 1847. Artist: E Gilks
The bay and island of Hong Kong, 1847. Drawn by B Clayton, from a painting by Borget. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The English factories at Canton, 1847. Artist: JW Giles

The English factories at Canton, 1847. Artist: JW Giles
The English factories at Canton, 1847. Guangzhou, (also known as Canton), was a Factory or trading port in China. After the end of the first Opium War between Britain and China in 1842

Background imageJulia Collection: Culture and preparation of tea, China, 1847. Artist: E Gilks

Culture and preparation of tea, China, 1847. Artist: E Gilks
Culture and preparation of tea, China, 1847. Drawn by B Clayton, from a painting by Piqua. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Domestic scene, ladies at their usual employments, 1847. Artist: Evans

Domestic scene, ladies at their usual employments, 1847. Artist: Evans
Domestic scene, ladies at their usual employments, 1847. Chinese women painting and playing musical instruments. Illustration from The History of China and India, by Miss Corner, (Dean and Co)

Background imageJulia Collection: Ladies walking, garden scene of one of the wealthier classes, 1847. Artist: Armstrong

Ladies walking, garden scene of one of the wealthier classes, 1847. Artist: Armstrong
Ladies walking, garden scene of one of the wealthier classes, 1847. Chinese women with fans. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847)

The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847). Artist: JW Giles
The present Emperor of China when a young man, saving his fathers life during an insurrection, c1796-1804, (1847). The Daoguang Emperor (1782-1850) protecting his father the Jiaqing Emperor

Background imageJulia Collection: Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles

Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles
Appearance in public of a Viceroy attended by his retinue, 1847. A Chinese dignitary being carried in a litter. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London)

Background imageJulia Collection: Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

Background imageJulia Collection: The Emperors vow, 18th century, (1847). Artist: Evans

The Emperors vow, 18th century, (1847). Artist: Evans
The Emperors vow, 18th century, (1847). Kien Long, or the Qianlong Emperor 1711-1799) was the fifth emperor of the Manchu Qing Dynasty and ruled from 1735-1796

Background imageJulia Collection: Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans

Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans
Giving out corn to the people, during a season of scarcity, 1847. Chinese people receiving food. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The annual spring festival, 1847. Artist: Evans

The annual spring festival, 1847. Artist: Evans
The annual spring festival, 1847. Chinese seasonal celebration. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847

The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Artist: JW Giles
The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Drawn by G F Sargent, from a painting by Fo Shang

Background imageJulia Collection: Annual ceremony of presenting the almanacks, 1847. Artist: Giles

Annual ceremony of presenting the almanacks, 1847. Artist: Giles
Annual ceremony of presenting the almanacks, 1847. Chinese traditions. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Grand ceremony of trying the cannon, 1847. Artist: Giles

Grand ceremony of trying the cannon, 1847. Artist: Giles
Grand ceremony of trying the cannon, 1847. Chinese ceremony. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Interior of a mandarins house, China, 1847. Artist: Walmsley

Interior of a mandarins house, China, 1847. Artist: Walmsley
Interior of a mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Mandarins house, China, 1847. Artist: Armstrong

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Camoens grotto, Macao, 1847. Artist: Armstrong

Camoens grotto, Macao, 1847. Artist: Armstrong
Camoens grotto, Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: View of Macao, 1847. Artist: Giles

View of Macao, 1847. Artist: Giles
View of Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Dramatic performance in the open air, 1847. Artist: B Clayton

Dramatic performance in the open air, 1847. Artist: B Clayton
Dramatic performance in the open air, 1847. People watching a show in China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847

The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Artist: B Clayton
The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Scene in the Chinese imperial court. Illustration from The History of China and India, by Miss Corner

Background imageJulia Collection: Street and shops in Pekin, 1847. Artist: Walmsley

Street and shops in Pekin, 1847. Artist: Walmsley
Street and shops in Pekin, 1847. Scene in what is now known as Beijing, China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847)

Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Artist: Armstrong
Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageJulia Collection: The Chinese people sold for slaves by the Tartars, after their conquest by Zinguis-Khan, (1847)

The Chinese people sold for slaves by the Tartars, after their conquest by Zinguis-Khan, (1847). Artist: B Clayton
The Chinese people sold for slaves by the Tartars, after their conquest by Zinguis-Khan, (1847). Scene during the early 13th century when the Mongol leader Genghis Khan (1155-1227)



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