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Jonathan Collection (page 2)

Background imageJonathan Collection: Portrait of a Young Princess, 1928. Artist: Leonardo da Vinci

Portrait of a Young Princess, 1928. Artist: Leonardo da Vinci
Portrait of a Young Princess, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928

Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928. Artist: Leonardo da Vinci
Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: Studies of Birds in Flight When Rising and Circling, 1928. Artist: Leonardo da Vinci

Studies of Birds in Flight When Rising and Circling, 1928. Artist: Leonardo da Vinci
Studies of Birds in Flight When Rising and Circling, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci

Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci
Anatomical Study of Muscles of Foot, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: Plan of Canal Ascending Hill By Means of Locks, 1928. Artist: Leonardo da Vinci

Plan of Canal Ascending Hill By Means of Locks, 1928. Artist: Leonardo da Vinci
Plan of Canal Ascending Hill By Means of Locks, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: Dress for Tournament, 1928. Artist: Leonardo da Vinci

Dress for Tournament, 1928. Artist: Leonardo da Vinci
Dress for Tournament, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: Ballista, 1928. Artist: Leonardo da Vinci

Ballista, 1928. Artist: Leonardo da Vinci
Ballista, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageJonathan Collection: In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring

In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring
In a melancholy frame of old clipped trees, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring

The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring
The Luxembourg Paris loves trees and children. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring

A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring
A diversity of creatures, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring

St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring
St. Germain Des Pres In the old quarter. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring

The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring
The Daub Fair A monstrous jumble sale, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring

They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring
They can really be called village shops, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: Le Moulin Rouge Dead indeed is Pierrots candle. c1927, (1927). Artist: Henry Franks Waring

Le Moulin Rouge Dead indeed is Pierrots candle. c1927, (1927). Artist: Henry Franks Waring
Le Moulin Rouge Dead indeed is Pierrots candle. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring

La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring
La Place Du Tertre An untouched village square. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring

A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring
A long way from Mr. Berry Walls flowing cravats, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: Of all the streets of Paris the Seine is the most interesting, c1927, (1927)

Of all the streets of Paris the Seine is the most interesting, c1927, (1927). Artist: Henry Franks Waring
Of all the streets of Paris the Seine is the most interesting, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring

The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring
The Canal St. Martin, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring

These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring
These foreign-looking streets, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927.]

Background imageJonathan Collection: Val De Grace, c1927, (1927). Artist: Henry Franks Waring

Val De Grace, c1927, (1927). Artist: Henry Franks Waring
Val De Grace, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring

Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring
Double-lined with forlorn palaces, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring

The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring
The first Paris road was her river, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring

The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring
The Revolutions own street of Saint-Antoine, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageJonathan Collection: The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856

The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William Simpson
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)

Background imageJonathan Collection: Jonathan Wild in the Cart, 1878

Jonathan Wild in the Cart, 1878
Jonathan Wild in the Cart.(from a contemporary Print).Engraving from Old and new London Volume 2 by Walter Thornbury.Published by Cassell, Petter and Galpin, 1878

Background imageJonathan Collection: Jonathan Wilds House, 1878

Jonathan Wilds House, 1878
Jonathan Wilds House.Engraving from Old and new London Volume 2 by Walter Thornbury.Published by Cassell, Petter and Galpin, 1878

Background imageJonathan Collection: Absaloms Tomb, near Jerusalem, Israel, 1841. Artist: E Redclyffe

Absaloms Tomb, near Jerusalem, Israel, 1841. Artist: E Redclyffe
Absaloms Tomb, near Jerusalem, Israel, 1841. Absalom was the third son of David, king of Israel. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co

Background imageJonathan Collection: Master Buthall, (The Blue Boy), c1770 (1901). Artist: Thomas Gainsborough

Master Buthall, (The Blue Boy), c1770 (1901). Artist: Thomas Gainsborough
Master Buthall, (The Blue Boy), c1770 (1901). In the collection of the Huntington Library, San Marino, California. Illustration from The Connoisseur, (December 1901)

Background imageJonathan Collection: Couchs House - Polperro, 1927

Couchs House - Polperro, 1927

Background imageJonathan Collection: An admission ticket to Vauxhall Gardens, 1786, (1912)

An admission ticket to Vauxhall Gardens, 1786, (1912). A printed ticket for the Vauxhall Jubilee of 1786, a celebration of Spring Gardens own history

Background imageJonathan Collection: Part of a letter from Henry St John, 1st Viscount Bolingbroke, early 18th century, (1840)

Part of a letter from Henry St John, 1st Viscount Bolingbroke, early 18th century, (1840). Part of a letter from the Right Honorable Henry St John, 1st Viscount Bolingbroke, to Jonathan Swift

Background imageJonathan Collection: Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840)

Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Artist: Charles Montague
Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageJonathan Collection: Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840)

Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury
Part of a letter from John Potter, Bishop of Oxford, to Francis Atterbury and from Atterbury to Jonathan Trelawny, 3rd Baronet, 1722, (1840)

Background imageJonathan Collection: Part of a letter from John Gay to Dean Swift, c1728, (1840). Artist: John Gay

Part of a letter from John Gay to Dean Swift, c1728, (1840). Artist: John Gay
Part of a letter from John Gay to Jonathan Dean Swift, describing the success of the Beggars Opera, c1728, (1840). Illustration from Historical

Background imageJonathan Collection: Extract from Dean Swifts journal, addressed to Mrs Dingley, 1712, (1840). Artist: Jonathan Swift

Extract from Dean Swifts journal, addressed to Mrs Dingley, 1712, (1840). Artist: Jonathan Swift
Extract from Jonathan Dean Swifts journal, addressed to Mrs Dingley, 1712, (1840). The letter contains an account of the duel between the Duke of Hamilton and Lord Mohun

Background imageJonathan Collection: Jonathan Swift, Anglo-Irish priest, satirist, essayist, political pamphleteer, and poet, (c1850)

Jonathan Swift, Anglo-Irish priest, satirist, essayist, political pamphleteer, and poet, (c1850). Swift (1667-1745) was the author of Gullivers Travels, Battle of the Books and A Tale of the Tub

Background imageJonathan Collection: Jonathan Swift, Anglo-Irish writer, 19th century

Jonathan Swift, Anglo-Irish writer, 19th century. Swift (1667-1745) is famous for works like Gullivers Travels, A Modest Proposal, and A Tale of a Tub

Background imageJonathan Collection: Davids Farewell to Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn

Davids Farewell to Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
Davids Farewell to Jonathan, 1642. Found in the collection of the State Hermitage, St Petersburg

Background imageJonathan Collection: Letter from Jonathan Swift to Henrietta Howard, 21st November 1730. Artist: Jonathan Swift

Letter from Jonathan Swift to Henrietta Howard, 21st November 1730. Artist: Jonathan Swift
Letter from Jonathan Swift to Henrietta Howard, 21st November 1730. Letter written from Dublin by Swift, Dean of St Patrick s, to Henrietta

Background imageJonathan Collection: David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn

David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
David and Jonathan, 1642

Background imageJonathan Collection: David and Jonathan, c. 1508. Artist: Cima da Conegliano, Giovanni Battista (ca. 1459-1517)

David and Jonathan, c. 1508. Artist: Cima da Conegliano, Giovanni Battista (ca. 1459-1517)
David and Jonathan, c.1508. Found in the collection of the National Gallery, London

Background imageJonathan Collection: Jonathan Swift, Anglo-Irish satirist, poet and cleric

Jonathan Swift, Anglo-Irish satirist, poet and cleric. Swift (1667-1746) was the author of Gullivers Travels, Battle of the Books and A Tale of the Tub

Background imageJonathan Collection: Battle between Bacchides and Jonathan, Maccabean Revolt, 160 BC, (c19th century)

Battle between Bacchides and Jonathan, Maccabean Revolt, 160 BC, (c19th century)
Battle between Bacchides and Jonathan, Maccabean Revolt, 160 BC (c19th century). French representation of the battle between Bacchides, general of Demetrius I Soter (c187-150 BC)

Background imageJonathan Collection: Gulliver in Lilliput

Gulliver in Lilliput. Lemuel Gulliver, set ashore after a mutiny, regains consciousness and finds himself a prisoner of the Lilliputians

Background imageJonathan Collection: Lemuel Gulliver, set ashore after a mutiny, finds himself in kingdom of the Houyhnhns

Lemuel Gulliver, set ashore after a mutiny, finds himself in kingdom of the Houyhnhns. He discusses mankind with his master

Background imageJonathan Collection: Jonathan Mayhew, D. D. Pastor of the West Church in Boston, New England, 1766

Jonathan Mayhew, D. D. Pastor of the West Church in Boston, New England, 1766



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