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John Everett Millais Ra Collection

Background imageJohn Everett Millais Ra Collection: John Ruskin, 1853-1854, (1944). Creator: John Everett Millais

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

Background imageJohn Everett Millais Ra Collection: My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

Background imageJohn Everett Millais Ra Collection: My Second Sermon, 1864, (1947). Creator: John Everett Millais

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Background imageJohn Everett Millais Ra Collection: The Order of Release, 1746, 1852-1853. Artist: John Everett Millais

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

Background imageJohn Everett Millais Ra Collection: Autumn Leaves, 1856, (c1915). Artist: John Everett Millais

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageJohn Everett Millais Ra Collection: Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Background imageJohn Everett Millais Ra Collection: The Blind Girl, 1856, (1948). Creator: John Everett Millais

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Background imageJohn Everett Millais Ra Collection: My First Sermon, 1863, (1912). Artist: John Everett Millais

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageJohn Everett Millais Ra Collection: Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

Background imageJohn Everett Millais Ra Collection: The Martyr of the Solway, 1871, (c1902). Creator: Unknown

The Martyr of the Solway, 1871, (c1902). Creator: Unknown
The Martyr of the Solway, 1871, (c1902). After a painting in the Walker Art Gallery, Liverpool. Margaret Wilson (c1667-1685), a young Scottish Presbyterian

Background imageJohn Everett Millais Ra Collection: At the Royal Academy, 1870. Creator: Unknown

At the Royal Academy, 1870. Creator: Unknown
At the Royal Academy [in London], 1870. 'A lady's comments...may be overheard with advantage by the most learned critic. The feminine quickness of external perception

Background imageJohn Everett Millais Ra Collection: Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

Background imageJohn Everett Millais Ra Collection: Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862

Background imageJohn Everett Millais Ra Collection: The Vale of Rest, 1858-1859, (c1902). Creator: Unknown

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Background imageJohn Everett Millais Ra Collection: The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde

The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
The Nearest Way to School, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Everett Millais Ra Collection: Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde

Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
Caller Herrin, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Everett Millais Ra Collection: James Clarke Hook, R.A. after J.E.Millais, R.A. c1880-83. Creator: Otto Theodor Leyde

James Clarke Hook, R.A. after J.E.Millais, R.A. c1880-83. Creator: Otto Theodor Leyde
James Clarke Hook, R.A. after J.E.Millais, R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Everett Millais Ra Collection: Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner

Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner
Forbidden Fruit, after John Everett Millais, Esq. R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Everett Millais Ra Collection: The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin

The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin
The North West Passage, after John Everett Millais, Esq. R.A. 1874. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Everett Millais Ra Collection: John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner

John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner
John Everett Millais, Esq. R.A. after himself'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Everett Millais Ra Collection: The Proscribed Royalist, 1858. Creator: William Henry Simmons

The Proscribed Royalist, 1858. Creator: William Henry Simmons
The Proscribed Royalist, 1858

Background imageJohn Everett Millais Ra Collection: Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:a picture painted

Background imageJohn Everett Millais Ra Collection: Lovers in Woods, 1850/96. Creator: John Everett Millais

Lovers in Woods, 1850/96. Creator: John Everett Millais
Lovers in Woods, 1850/96

Background imageJohn Everett Millais Ra Collection: Summer Indolence, 1861. Creator: John Everett Millais

Summer Indolence, 1861. Creator: John Everett Millais
Summer Indolence, 1861

Background imageJohn Everett Millais Ra Collection: Happy Springtime, 1860. Creator: John Everett Millais

Happy Springtime, 1860. Creator: John Everett Millais
Happy Springtime, 1860

Background imageJohn Everett Millais Ra Collection: A Penny for Her Thoughts, 1878. Creator: John Everett Millais

A Penny for Her Thoughts, 1878. Creator: John Everett Millais
A Penny for Her Thoughts, 1878

Background imageJohn Everett Millais Ra Collection: Bridge of Sighs, 1858. Creator: John Everett Millais

Bridge of Sighs, 1858. Creator: John Everett Millais
Bridge of Sighs, 1858

Background imageJohn Everett Millais Ra Collection: Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais

Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais
Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852

Background imageJohn Everett Millais Ra Collection: The Young Mother, 1857. Creator: John Everett Millais

The Young Mother, 1857. Creator: John Everett Millais
The Young Mother, 1857

Background imageJohn Everett Millais Ra Collection: Going to the Park, 1872. Creator: John Everett Millais

Going to the Park, 1872. Creator: John Everett Millais
Going to the Park, 1872

Background imageJohn Everett Millais Ra Collection: Saint Agnes of Intercession, 1850. Creator: John Everett Millais

Saint Agnes of Intercession, 1850. Creator: John Everett Millais
Saint Agnes of Intercession, 1850

Background imageJohn Everett Millais Ra Collection: The Baby House, 1863. Creator: John Everett Millais

The Baby House, 1863. Creator: John Everett Millais
The Baby House, 1863

Background imageJohn Everett Millais Ra Collection: The Return of the Dove to the Ark, 1850. Creator: John Everett Millais

The Return of the Dove to the Ark, 1850. Creator: John Everett Millais
The Return of the Dove to the Ark, 1850. Scene from the Old Testament story of Noahs Ark: a dove, bearing an olive branch, returns to the Ark

Background imageJohn Everett Millais Ra Collection: A Widows Mite, 1870. Creator: John Everett Millais

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

Background imageJohn Everett Millais Ra Collection: The Blind Girl, 1856. Creator: John Everett Millais

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

Background imageJohn Everett Millais Ra Collection: My Second Sermon, c1854 Creator: John Everett Millais

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Background imageJohn Everett Millais Ra Collection: Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Background imageJohn Everett Millais Ra Collection: Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

Background imageJohn Everett Millais Ra Collection: Parable of the Tares, 1865. Creator: John Everett Millais

Parable of the Tares, 1865. Creator: John Everett Millais
The Parable of the Tares, 1865

Background imageJohn Everett Millais Ra Collection: Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais

Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais
Stewart Harrisons The Iceberg - The Seamstress, 1860

Background imageJohn Everett Millais Ra Collection: Three Swordhilts, 1839. Creator: John Everett Millais

Three Swordhilts, 1839. Creator: John Everett Millais
Three Swordhilts, 1839

Background imageJohn Everett Millais Ra Collection: Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

Background imageJohn Everett Millais Ra Collection: The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons

The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons
The Proscribed Royalist, January 15, 1858

Background imageJohn Everett Millais Ra Collection: James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde

James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde
James Clarke Hook, RA, 1884

Background imageJohn Everett Millais Ra Collection: [John Everett Millais], 1860s. Creator: John & Charles Watkins

[John Everett Millais], 1860s. Creator: John & Charles Watkins
[John Everett Millais], 1860s

Background imageJohn Everett Millais Ra Collection: Portia, 1886. Creator: John Everett Millais

Portia, 1886. Creator: John Everett Millais
Portia, 1886. Actress Ellen Terry (1847-1928) in one of her most famous roles, Portia in Shakespeares The Merchant of Venice

Background imageJohn Everett Millais Ra Collection: The Convalescent, 1875, (c1930). Creator: John Everett Millais

The Convalescent, 1875, (c1930). Creator: John Everett Millais
The Convalescent, 1875, (c1930). Young girl recovering from illness. Painting in the Aberdeen Art Gallery & Museums collection, Aberdeen, Scotland

Background imageJohn Everett Millais Ra Collection: The North-West Passage, 1874, (1901). Creator: Unknown

The North-West Passage, 1874, (1901). Creator: Unknown
The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic

Background imageJohn Everett Millais Ra Collection: Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker

Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker
Alfred Lord Tennyson, 1881, (1908). Portrait of British poet Alfred, Lord Tennyson (1809-1892). In 1850 Tennyson was appointed Poet Laureate of the United Kingdom

Background imageJohn Everett Millais Ra Collection: Ophelia, c1852, (1935). Creator: WF Mansell

Ophelia, c1852, (1935). Creator: WF Mansell
Ophelia, c1852, (1935). Scene from Shakespeares " Hamlet", in which Ophelia drowns herself in a stream, after having been driven out of her mind when her father is murdered by her lover

Background imageJohn Everett Millais Ra Collection: Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais

Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais
Pathfinders - Sir Arthur Sullivan, 1888, (1922). Portrait of British composer Sir Arthur Seymour Sullivan (1842-1900). Musicologist Sullivan is famous for his co-operation with WS Gilbert on Savoy

Background imageJohn Everett Millais Ra Collection: The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers

The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers
The Hidden Treasure, 1864, (1928). Engraving after John Everett Millais from the series The Parable of our Lord. Illustration originally published in " Illustrators of the Sixties" by

Background imageJohn Everett Millais Ra Collection: Saint Stephen, 1895, (c1902). Creator: Unknown

Saint Stephen, 1895, (c1902). Creator: Unknown
Saint Stephen, 1895, (c1902). After a painting in the Tate Gallery, London. Saint Stephen was martyred by being stoned to death. From The Nations Pictures

Background imageJohn Everett Millais Ra Collection: Autumn Leaves, 1856, (c1902). Creator: Unknown

Autumn Leaves, 1856, (c1902). Creator: Unknown
Autumn Leaves, 1856, (c1902). After a painting in the Manchester Art Gallery. Four melancholy young women gathering leaves. From The Nations Pictures

Background imageJohn Everett Millais Ra Collection: The Knight Errant, 1870, (c1902). Creator: Unknown

The Knight Errant, 1870, (c1902). Creator: Unknown
The Knight Errant, 1870, (c1902). After a painting in the Tate Gallery, London. Victorian imagining of a medieval scene where a knight rescues a maiden in distress

Background imageJohn Everett Millais Ra Collection: Death the Reaper, 1896. Artist: P Naumann

Death the Reaper, 1896. Artist: P Naumann
Death the Reaper, 1896. From The Magazine of Art. [Cassell & Company, London, Paris & Melbourne, 1896]

Background imageJohn Everett Millais Ra Collection: Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn

Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn
Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Elderly seamen pay their respects at the tomb of British naval hero Admiral Horatio Nelson (1758-1805)

Background imageJohn Everett Millais Ra Collection: Ophelia, 1851-2, (1911). Artist: John Everett Millais

Ophelia, 1851-2, (1911). Artist: John Everett Millais
Ophelia, 1851-2. Here Millais shows a scene from Shakespeares Hamlet, in which Ophelia drowns herself in a stream, after been driven out of her mind when her father is murdered by her lover Hamlet

Background imageJohn Everett Millais Ra Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageJohn Everett Millais Ra Collection: Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915)

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageJohn Everett Millais Ra Collection: The Boyhood of Raleigh, 1908-1909

The Boyhood of Raleigh, 1908-1909. Sir Walter Raleigh (1554-1618) was a famed English writer, poet, courtier and explorer

Background imageJohn Everett Millais Ra Collection: Skit on Sir Isumbras and the P. R. B. (1923)

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageJohn Everett Millais Ra Collection: The Blind Girl, 1856. Artist: John Everett Millais

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

Background imageJohn Everett Millais Ra Collection: My Second Sermon, 1864. Artist: John Everett Millais

My Second Sermon, 1864. Artist: John Everett Millais
My Second Sermon, 1864

Background imageJohn Everett Millais Ra Collection: My First Sermon, 1863. Artist: John Everett Millais

My First Sermon, 1863. Artist: John Everett Millais
My First Sermon, 1863

Background imageJohn Everett Millais Ra Collection: The Woodmans Daughter, 1851. Artist: John Everett Millais

The Woodmans Daughter, 1851. Artist: John Everett Millais
The Woodmans Daughter, 1851

Background imageJohn Everett Millais Ra Collection: Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist

Background imageJohn Everett Millais Ra Collection: Millaiss Studio, 1890

Millaiss Studio, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890] The studio was at No 2 Palace Gate, Kensington, London

Background imageJohn Everett Millais Ra Collection: Souvenir by Velazquez, 1868 (c1927). Artist: John Everett Millais

Souvenir by Velazquez, 1868 (c1927). Artist: John Everett Millais
Souvenir by Velazquez, 1868 (c1927). After Diego Velazquez (1599-1660). Portrait of the Infanta Margaret Theresa of Spain (1651-1673), daughter of Philip IV of Spain

Background imageJohn Everett Millais Ra Collection: The North-West Passage, 1874 (1906). Artist: John Everett Millais

The North-West Passage, 1874 (1906). Artist: John Everett Millais
The North-West Passage, 1874 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Background imageJohn Everett Millais Ra Collection: Thomas Carlyle, 1877 (1906). Artist: John Everett Millais

Thomas Carlyle, 1877 (1906). Artist: John Everett Millais
Thomas Carlyle, 1877 (1906). Carlyle (1795-1881) was a Scottish, philosopher, historian and writer. From Cassells Illustrated History of England, Vol. VIII

Background imageJohn Everett Millais Ra Collection: Miss Eveleen Tennant, 1874 (1906). Artist: John Everett Millais

Miss Eveleen Tennant, 1874 (1906). Artist: John Everett Millais
Miss Eveleen Tennant, 1874. After an original painting by Sir John Everett Millais (1829-1896). From The Connoisseur VOL. XIV, 1906

Background imageJohn Everett Millais Ra Collection: William Ewart Gladstone, taken from a series of cigarette cards, 1935

William Ewart Gladstone, taken from a series of cigarette cards, 1935
William Ewart Gladstone. From the painting by Sir John E. Millais, at the National Portrait Gallery. Taken from a series of cigarette cards entitled Celebrities of British History produced by Carreas

Background imageJohn Everett Millais Ra Collection: Death the Reaper, 1895. Artist: P Naumann

Death the Reaper, 1895. Artist: P Naumann
Death the Reaper, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Background imageJohn Everett Millais Ra Collection: Autumn Leaves, 1895. Artist: Henry Macbeth-Raeburn

Autumn Leaves, 1895. Artist: Henry Macbeth-Raeburn
Autumn Leaves, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Background imageJohn Everett Millais Ra Collection: The Pearl of Great Price, 1864 (1901)

The Pearl of Great Price, 1864 (1901). A print from The Magazine of Art, Cassell and Company, Limited, 1901

Background imageJohn Everett Millais Ra Collection: The studio of John Everett Millais, c1880-1882

The studio of John Everett Millais, c1880-1882. A print from Modern Artists, prepared under the direction of F G Dumas, Js Virtue and Co, London, c1880-1882

Background imageJohn Everett Millais Ra Collection: Forbidden Fruit, c1880-1882. Artist: Charles Waltner

Forbidden Fruit, c1880-1882. Artist: Charles Waltner
Forbidden Fruit, c1880-1882. After the painting by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageJohn Everett Millais Ra Collection: A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais

A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais
A Ruined Devotee of the Turf, c1880-1882. Facsimile of the original drawing by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London

Background imageJohn Everett Millais Ra Collection: Study for The Ransom, 1899. Artist: Andre & Sleigh

Study for The Ransom, 1899. Artist: Andre & Sleigh
Study for The Ransom, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Background imageJohn Everett Millais Ra Collection: John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageJohn Everett Millais Ra Collection: Mercy during the Massacre of St Bartholomews Day, 1926

Mercy during the Massacre of St Bartholomews Day, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 3: The Rise of the Modern Church, edited by RG Parsons and AS Peake

Background imageJohn Everett Millais Ra Collection: Sir Isumbras at the Ford, c19th century (1923). Artist: John Everett Millais

Sir Isumbras at the Ford, c19th century (1923). Artist: John Everett Millais
Sir Isumbras at the Ford, c19th century (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageJohn Everett Millais Ra Collection: Saint Stephen, 1895 (1926). Artist: John Everett Millais

Saint Stephen, 1895 (1926). Artist: John Everett Millais
Saint Stephen, 1895 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake



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