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John Everett Collection

Background imageJohn Everett Collection: The Order of Release, 1746, 1852-1853. Artist: John Everett Millais

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

Background imageJohn Everett Collection: John Ruskin, 1853-1854, (1944). Creator: John Everett Millais

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

Background imageJohn Everett Collection: My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

Background imageJohn Everett Collection: My Second Sermon, 1864, (1947). Creator: John Everett Millais

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Background imageJohn Everett Collection: Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Background imageJohn Everett Collection: Autumn Leaves, 1856, (c1915). Artist: John Everett Millais

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageJohn Everett Collection: My First Sermon, 1863, (1912). Artist: John Everett Millais

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageJohn Everett Collection: Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

Background imageJohn Everett Collection: The Blind Girl, 1856, (1948). Creator: John Everett Millais

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Background imageJohn Everett Collection: The Martyr of the Solway, 1871, (c1902). Creator: Unknown

The Martyr of the Solway, 1871, (c1902). Creator: Unknown
The Martyr of the Solway, 1871, (c1902). After a painting in the Walker Art Gallery, Liverpool. Margaret Wilson (c1667-1685), a young Scottish Presbyterian

Background imageJohn Everett Collection: Ophelia, 1851-2, (1911). Artist: John Everett Millais

Ophelia, 1851-2, (1911). Artist: John Everett Millais
Ophelia, 1851-2. Here Millais shows a scene from Shakespeares Hamlet, in which Ophelia drowns herself in a stream, after been driven out of her mind when her father is murdered by her lover Hamlet

Background imageJohn Everett Collection: Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

Background imageJohn Everett Collection: The Vale of Rest, 1858-1859, (c1902). Creator: Unknown

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Background imageJohn Everett Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageJohn Everett Collection: Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915)

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageJohn Everett Collection: Skit on Sir Isumbras and the P. R. B. (1923)

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageJohn Everett Collection: The Blind Girl, 1856. Artist: John Everett Millais

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

Background imageJohn Everett Collection: A Widows Mite, 1870. Creator: John Everett Millais

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

Background imageJohn Everett Collection: The Blind Girl, 1856. Creator: John Everett Millais

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

Background imageJohn Everett Collection: My Second Sermon, c1854 Creator: John Everett Millais

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Background imageJohn Everett Collection: Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Background imageJohn Everett Collection: Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

Background imageJohn Everett Collection: Parable of the Tares, 1865. Creator: John Everett Millais

Parable of the Tares, 1865. Creator: John Everett Millais
The Parable of the Tares, 1865

Background imageJohn Everett Collection: Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais

Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais
Stewart Harrisons The Iceberg - The Seamstress, 1860

Background imageJohn Everett Collection: Three Swordhilts, 1839. Creator: John Everett Millais

Three Swordhilts, 1839. Creator: John Everett Millais
Three Swordhilts, 1839

Background imageJohn Everett Collection: Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

Background imageJohn Everett Collection: The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons

The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons
The Proscribed Royalist, January 15, 1858

Background imageJohn Everett Collection: James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde

James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde
James Clarke Hook, RA, 1884

Background imageJohn Everett Collection: [John Everett Millais], 1860s. Creator: John & Charles Watkins

[John Everett Millais], 1860s. Creator: John & Charles Watkins
[John Everett Millais], 1860s

Background imageJohn Everett Collection: Portia, 1886. Creator: John Everett Millais

Portia, 1886. Creator: John Everett Millais
Portia, 1886. Actress Ellen Terry (1847-1928) in one of her most famous roles, Portia in Shakespeares The Merchant of Venice

Background imageJohn Everett Collection: The Convalescent, 1875, (c1930). Creator: John Everett Millais

The Convalescent, 1875, (c1930). Creator: John Everett Millais
The Convalescent, 1875, (c1930). Young girl recovering from illness. Painting in the Aberdeen Art Gallery & Museums collection, Aberdeen, Scotland

Background imageJohn Everett Collection: The North-West Passage, 1874, (1901). Creator: Unknown

The North-West Passage, 1874, (1901). Creator: Unknown
The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic

Background imageJohn Everett Collection: Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker

Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker
Alfred Lord Tennyson, 1881, (1908). Portrait of British poet Alfred, Lord Tennyson (1809-1892). In 1850 Tennyson was appointed Poet Laureate of the United Kingdom

Background imageJohn Everett Collection: Ophelia, c1852, (1935). Creator: WF Mansell

Ophelia, c1852, (1935). Creator: WF Mansell
Ophelia, c1852, (1935). Scene from Shakespeares " Hamlet", in which Ophelia drowns herself in a stream, after having been driven out of her mind when her father is murdered by her lover

Background imageJohn Everett Collection: Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais

Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais
Pathfinders - Sir Arthur Sullivan, 1888, (1922). Portrait of British composer Sir Arthur Seymour Sullivan (1842-1900). Musicologist Sullivan is famous for his co-operation with WS Gilbert on Savoy

Background imageJohn Everett Collection: The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers

The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers
The Hidden Treasure, 1864, (1928). Engraving after John Everett Millais from the series The Parable of our Lord. Illustration originally published in " Illustrators of the Sixties" by

Background imageJohn Everett Collection: Saint Stephen, 1895, (c1902). Creator: Unknown

Saint Stephen, 1895, (c1902). Creator: Unknown
Saint Stephen, 1895, (c1902). After a painting in the Tate Gallery, London. Saint Stephen was martyred by being stoned to death. From The Nations Pictures

Background imageJohn Everett Collection: Autumn Leaves, 1856, (c1902). Creator: Unknown

Autumn Leaves, 1856, (c1902). Creator: Unknown
Autumn Leaves, 1856, (c1902). After a painting in the Manchester Art Gallery. Four melancholy young women gathering leaves. From The Nations Pictures

Background imageJohn Everett Collection: The Knight Errant, 1870, (c1902). Creator: Unknown

The Knight Errant, 1870, (c1902). Creator: Unknown
The Knight Errant, 1870, (c1902). After a painting in the Tate Gallery, London. Victorian imagining of a medieval scene where a knight rescues a maiden in distress

Background imageJohn Everett Collection: Death the Reaper, 1896. Artist: P Naumann

Death the Reaper, 1896. Artist: P Naumann
Death the Reaper, 1896. From The Magazine of Art. [Cassell & Company, London, Paris & Melbourne, 1896]

Background imageJohn Everett Collection: Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn

Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn
Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Elderly seamen pay their respects at the tomb of British naval hero Admiral Horatio Nelson (1758-1805)

Background imageJohn Everett Collection: My Second Sermon, 1864. Artist: John Everett Millais

My Second Sermon, 1864. Artist: John Everett Millais
My Second Sermon, 1864

Background imageJohn Everett Collection: My First Sermon, 1863. Artist: John Everett Millais

My First Sermon, 1863. Artist: John Everett Millais
My First Sermon, 1863

Background imageJohn Everett Collection: The Woodmans Daughter, 1851. Artist: John Everett Millais

The Woodmans Daughter, 1851. Artist: John Everett Millais
The Woodmans Daughter, 1851

Background imageJohn Everett Collection: Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist

Background imageJohn Everett Collection: Millaiss Studio, 1890

Millaiss Studio, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890] The studio was at No 2 Palace Gate, Kensington, London

Background imageJohn Everett Collection: Souvenir by Velazquez, 1868 (c1927). Artist: John Everett Millais

Souvenir by Velazquez, 1868 (c1927). Artist: John Everett Millais
Souvenir by Velazquez, 1868 (c1927). After Diego Velazquez (1599-1660). Portrait of the Infanta Margaret Theresa of Spain (1651-1673), daughter of Philip IV of Spain

Background imageJohn Everett Collection: The North-West Passage, 1874 (1906). Artist: John Everett Millais

The North-West Passage, 1874 (1906). Artist: John Everett Millais
The North-West Passage, 1874 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]



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