Skip to main content

Jean Paul Collection (page 2)

Background imageJean Paul Collection: Drawing of an allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of an allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of an allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). Artist: Cesare da Sesto

Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). Artist: Cesare da Sesto
Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Studies for allegorical compositions, c1472-c1519 (1883). Artist: Leonardo da Vinci

Studies for allegorical compositions, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies for allegorical compositions, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). Artist: Leonardo da Vinci

Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). Artist: Leonardo da Vinci
Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of the head of a criminal, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883)

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: The wall painting of `The Last Supper`, at Milan, 1883

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Bust of a boy, c1472-c1519 (1883). Artist: Leonardo da Vinci

Bust of a boy, c1472-c1519 (1883). Artist: Leonardo da Vinci
Bust of a boy, c1472-c1519 (1883). A study, in red chalk, for the figure of the Infant Christ in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Background imageJean Paul Collection: Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883)

Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Artist: Leonardo da Vinci
Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Done with the brush and Indian ink on greenish paper, the lights heightened with white

Background imageJean Paul Collection: A female head, c1472-c1519 (1883), Artist: Leonardo da Vinci

A female head, c1472-c1519 (1883), Artist: Leonardo da Vinci
A female head, c1472-c1519 (1883). A preparatory drawing in silverpoint on brown-toned paper for the Angel in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Background imageJean Paul Collection: Five drawings illustrating the theory of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci

Five drawings illustrating the theory of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the theory of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Charcoal Drawing, representing a Deluge, from the Royal Library, Windsor Castle, 1883

Charcoal Drawing, representing a Deluge, from the Royal Library, Windsor Castle, 1883. Artist: Leonardo da Vinci
Charcoal drawing, representing a deluge, c1472-c1519 (1883) From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Three drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci

Three drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Three drawings, c1472-c1519 (1883). A representation of natural phenomena, and two sketches of a male figures. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Representation of natural phenomena, c1472-c1519 (1883). Artist: Leonardo da Vinci

Representation of natural phenomena, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of natural phenomena, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci

Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of a tempest, drawn with the pen and partly washed with Indian ink, c1472-c1519 (1883). from the Royal Library, Windsor Castle, 1883. From The Literary Works of Leonardo Da Vinci, Vol

Background imageJean Paul Collection: Study of female hands, c1472-c1519 (1883). Artist: Leonardo da Vinci

Study of female hands, c1472-c1519 (1883). Artist: Leonardo da Vinci
Study of female hands, drawn with the silverpoint on yellowish tinted paper, heightened with white, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH

Background imageJean Paul Collection: Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883)

Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Four drawings illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci

Four drawings illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Drawing of a bust and minor sketches, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of a bust and minor sketches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a bust and minor sketches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883)

Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci

Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Charcoal drawing of a female figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883)

Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Four drawings illustrating the theory of the movements of the human figure, c1472-c1519 (1883)

Four drawings illustrating the theory of the movements of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Drawings showing the movements of the human figure and warriors fighting, c1472-c1519 (1883)

Drawings showing the movements of the human figure and warriors fighting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing in red chalk illustrating the theory of the movements of the human figure and sketch in pen and ink of warriors fighting, c1472-c1519 (1883)

Background imageJean Paul Collection: Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Five drawings illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Five drawings illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883)

Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci

Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). One drawn with a pen, the other in silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol

Background imageJean Paul Collection: Emblematic representation, c1472-c1519 (1883). Artist: Leonardo da Vinci

Emblematic representation, c1472-c1519 (1883). Artist: Leonardo da Vinci
Emblematic representation, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Studies of emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci

Studies of emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies of emblems, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883)

Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883). Bernardo di Bandino Baroncelli was one of the Pazzi conspirators who tried to displace the de` Medicii family as

Background imageJean Paul Collection: Allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci

Allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageJean Paul Collection: Diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883)

Diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883)
Three diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageJean Paul Collection: Jean Paul Habans ( Paulus ), French, 1905

Jean Paul Habans ( Paulus ), French, 1905
Jean Paul Habans ( Paulus ) in 1905, (1860-1920). Paulus (1845-1908) was one of the biggest stars of the cafe-concert in France in the late 19th and early 20th century

Background imageJean Paul Collection: Last moments of the Emperor Maximilian, 1867, (late 19th century)

Last moments of the Emperor Maximilian, 1867, (late 19th century). Engraving after the 1882 picture by Jean-Paul Laurens, showing the Emperor of Mexico about to be executed

Background imageJean Paul Collection: The Triumph of Marat, 1793

The Triumph of Marat, 1793. Immortal defender of the people and their rights, he brings down the great and overturns the throne

Background imageJean Paul Collection: Charlotte Corday after the murder of Marat, 1861. Artist: Paul-Jacques-Aime Baudry

Charlotte Corday after the murder of Marat, 1861. Artist: Paul-Jacques-Aime Baudry
Charlotte Corday after the murder of Marat, 1861. Charlotte Corday (1768-1793), a Girondin, stabbed Jean-Paul Marat, a radical Jacobin, to death in the bath at his home on 13 July 1793

Background imageJean Paul Collection: The Arrest of Councillor Broussel, 26th August, 1648 (19th / early 20th century)

The Arrest of Councillor Broussel, 26th August, 1648 (19th / early 20th century). Artist: Jean-Paul Laurens
The Arrest of Councillor Broussel, 26th August, 1648 (19th/early 20th century). Pierre Broussel (c1575-1654) was a councillor in the Parlement of Paris

Background imageJean Paul Collection: The Interdict, 1875. Artist: Jean-Paul Laurens

The Interdict, 1875. Artist: Jean-Paul Laurens
The Interdict, 1875. From the Musee des Beaux Arts, Le Havre, France

Background imageJean Paul Collection: Louis VI of France granting the citizens of Paris their first charter, 12th century (c1858-1921)

Louis VI of France granting the citizens of Paris their first charter, 12th century (c1858-1921)
Louis VI, King of France, granting the citizens of Paris their first charter, 12th century (c1858-1921). Louis VI (1081-1137), known as Louis le Gros (Louis the Fat), became King of France in 1108

Background imageJean Paul Collection: Henry II of France and Anne du Bourg, 10 June 1559 (19th / early 20th century)

Henry II of France and Anne du Bourg, 10 June 1559 (19th / early 20th century). Artist: Jean-Paul Laurens
Henry II of France and Anne du Bourg, 10 June 1559 (19th/early 20th century). A prominent member of the Paris Parlement and a Calvinist



All Professionally Made to Order for Quick Shipping