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Ink And Colour On Silk Collection (page 5)

Background imageInk And Colour On Silk Collection: Paintings after Ancient Masters: A Lady, 1598-1652. Creator: Chen Hongshou (Chinese, 1598 / 99-1652)

Paintings after Ancient Masters: A Lady, 1598-1652. Creator: Chen Hongshou (Chinese, 1598 / 99-1652)
Paintings after Ancient Masters: A Lady, 1598-1652

Background imageInk And Colour On Silk Collection: Paintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598-1652. Creator

Paintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598-1652. Creator
Paintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598-1652

Background imageInk And Colour On Silk Collection: Painting of One Hundred Themes, late 1800s. Creator: Unknown

Painting of One Hundred Themes, late 1800s. Creator: Unknown
Painting of One Hundred Themes, late 1800s. This screen depicts paintings on one side and poems on the other--an economical format often used in Korea to allow the viewer to enjoy both sides of one

Background imageInk And Colour On Silk Collection: Paintings after Ancient Masters, 1598-1652. Creator: Chen Hongshou (Chinese, 1598 / 99-1652)

Paintings after Ancient Masters, 1598-1652. Creator: Chen Hongshou (Chinese, 1598 / 99-1652)
Paintings after Ancient Masters, 1598-1652

Background imageInk And Colour On Silk Collection: Painting of One Hundred Themes (obverse), late 1800s. Creator: Unknown

Painting of One Hundred Themes (obverse), late 1800s. Creator: Unknown
Painting of One Hundred Themes (obverse), late 1800s. This screen depicts paintings on one side and poems on the other-an economical format often used in Korea to allow the viewer to enjoy both sides

Background imageInk And Colour On Silk Collection: Poet and Recluse Hanshan, 1400s. Creator: Unknown

Poet and Recluse Hanshan, 1400s. Creator: Unknown
Poet and Recluse Hanshan, 1400s

Background imageInk And Colour On Silk Collection: Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. Creator

Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. Creator
Dwelling in the Longmian (" Sleeping Dragon" ) Mountains, 1100s-1200s

Background imageInk And Colour On Silk Collection: Dwelling by the Shore, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)

Dwelling by the Shore, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Dwelling by the Shore, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Background imageInk And Colour On Silk Collection: Drifting in a Boat, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)

Drifting in a Boat, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Drifting in a Boat, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Background imageInk And Colour On Silk Collection: Beauty with Fireflies, early 1800s. Creator: Unknown

Beauty with Fireflies, early 1800s. Creator: Unknown
Beauty with Fireflies, early 1800s

Background imageInk And Colour On Silk Collection: Beauty (Bijin) in the Snow, late 18th-early 19th century. Creator: Kokan Shiba (Japanese

Beauty (Bijin) in the Snow, late 18th-early 19th century. Creator: Kokan Shiba (Japanese
Beauty (Bijin) in the Snow, late 18th-early 19th century

Background imageInk And Colour On Silk Collection: Birds on an Autumn Inlet, c. 1200. Creator: Unknown

Birds on an Autumn Inlet, c. 1200. Creator: Unknown
Birds on an Autumn Inlet, c. 1200

Background imageInk And Colour On Silk Collection: Autumn Landscape, 17th century. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)

Autumn Landscape, 17th century. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)
Autumn Landscape, 17th century

Background imageInk And Colour On Silk Collection: Autumn in Takao, late 1600s. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)

Autumn in Takao, late 1600s. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)
Autumn in Takao, late 1600s. Kiyohara Yukinobu, a native of Kyoto, studied with Kano Tanyo (1602-1674), the artist-in-residence to the shogun (military ruler)

Background imageInk And Colour On Silk Collection: Lake Suwa, 19th century. Creator: Ando Hiroshige (Japanese, 1797-1858)

Lake Suwa, 19th century. Creator: Ando Hiroshige (Japanese, 1797-1858)
Lake Suwa, 19th century

Background imageInk And Colour On Silk Collection: Lady Xuanwen Giving Instruction on the Rites of Zhou, 1638. Creator: Chen Hongshou (Chinese)

Lady Xuanwen Giving Instruction on the Rites of Zhou, 1638. Creator: Chen Hongshou (Chinese)
Lady Xuanwen Giving Instruction on the Rites of Zhou, 1638. This extraordinary painting by Chen Hongshou depicts the story of Xuanwen Jun, or Lady of Literary Propagation, at a venerable age

Background imageInk And Colour On Silk Collection: Leaf from Album of Actor Portraits, c. 1790-1810. Creator: Shorakusai (Japanese)

Leaf from Album of Actor Portraits, c. 1790-1810. Creator: Shorakusai (Japanese)
Leaf from Album of Actor Portraits, c. 1790-1810

Background imageInk And Colour On Silk Collection: Birds on a Tree above a Cataract, 1127-1279. Creator: Li Di (Chinese, c. 1100-c. 1192)

Birds on a Tree above a Cataract, 1127-1279. Creator: Li Di (Chinese, c. 1100-c. 1192)
Birds on a Tree above a Cataract, 1127-1279

Background imageInk And Colour On Silk Collection: Birds and Flowers, mid-1400s-early 1500s. Creator: Sessh? T?y? (Japanese, 1420-1506)

Birds and Flowers, mid-1400s-early 1500s. Creator: Sessh? T?y? (Japanese, 1420-1506)
Birds and Flowers, mid-1400s-early 1500s

Background imageInk And Colour On Silk Collection: Bird on a Flowering Branch, 1100s. Creator: Unknown

Bird on a Flowering Branch, 1100s. Creator: Unknown
Bird on a Flowering Branch, 1100s. A male redstart, a type of small bird, sits hunched on the branch of a flowering plum tree in early spring

Background imageInk And Colour On Silk Collection: Bilang Lake, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Bilang Lake, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Bilang Lake, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Beauty in a Boat on Sumida River, late 1700s-early 1800s. Creator: Ch?bunsai Eishi (Japanese)

Beauty in a Boat on Sumida River, late 1700s-early 1800s. Creator: Ch?bunsai Eishi (Japanese)
Beauty in a Boat on Sumida River, late 1700s-early 1800s. The Sumida River was a popular refuge from the heat and humidity of the city during the summer

Background imageInk And Colour On Silk Collection: Baoyang Lake, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Baoyang Lake, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Baoyang Lake, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Boats at Anchor, 1150 - 1200. Creator: Unknown

Boats at Anchor, 1150 - 1200. Creator: Unknown
Boats at Anchor, 1150 - 1200

Background imageInk And Colour On Silk Collection: Boat to the Yoshiwara, 1800s. Creator: Teisai Hokuba (Japanese, 1771-1844)

Boat to the Yoshiwara, 1800s. Creator: Teisai Hokuba (Japanese, 1771-1844)
Boat to the Yoshiwara, 1800s. Attendants with checkered robes serve refreshment to a client on his way to the Yoshiwara, the storied mens pleasure district of the metropolis of Edo, todays Tokyo

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 6, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 6, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 6, 1600s. Leaf 6 Zhou Yis colophon reads: The bright moon emerges through the willow, The fragrance of flowers is already difficult to retain

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 2, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 2, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 2, 1600s. Leaf 2 This leaf is, perhaps, based on Du Mus poetic line: The herdboy pointed to the distant Apricot Village

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 10, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 10, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 10, 1600s. Leaf 10 Zhou Yis colophon reads: Green bamboos stand alone with a snowy covering, In the deep recesses of a secluded valley

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 3, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 3, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 3, 1600s. Leaf 3 This leaf evokes Wang Weis poetic line: Sit and watch the clouds rising

Background imageInk And Colour On Silk Collection: Eighteen Views of Huzhou, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Eighteen Views of Huzhou, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Eighteen Views of Huzhou, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Fushan Monastery, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Fushan Monastery, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Fushan Monastery, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Frosted Branches and Dwarf Bamboo, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)

Frosted Branches and Dwarf Bamboo, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Frosted Branches and Dwarf Bamboo, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 4, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 4, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 4, 1600s. Leaf 4 This leaf alludes to Wang Weis poetic lines: In empty hills, there is no one there; Yet one can hear the sound of conversation

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Colophon, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Colophon, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Colophon, 1600s. The Japanese artist Tomioka Tessai (1836-1924) adds a colophon on the last page

Background imageInk And Colour On Silk Collection: Album of Actor Portraits, c. 1790-1810. Creator: Shorakusai (Japanese)

Album of Actor Portraits, c. 1790-1810. Creator: Shorakusai (Japanese)
Album of Actor Portraits, c. 1790-1810

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 9, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 9, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 9, 1600s. Leaf 9 Zhou Yis colophon reads: Ancient trees share the slanting rays of the setting sun. Chilly ravens hover round their branches

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 8, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 8, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 8, 1600s. Leaf 8 Li Bings colophon reads: Maple leaves drift in the wind, the autumn gusts bracing, Hibiscus flowers steeped with water

Background imageInk And Colour On Silk Collection: Album of Miscellaneous Subjects, Leaf 7, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)

Album of Miscellaneous Subjects, Leaf 7, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)
Album of Miscellaneous Subjects, Leaf 7, 1600s. Leaf 7 Han Tans colophon reads: Thoughts of autumn in the nuptial chamber with the new chill arising

Background imageInk And Colour On Silk Collection: Assembly of Buddhist Deities, 1846. Creator: Unknown

Assembly of Buddhist Deities, 1846. Creator: Unknown
Assembly of Buddhist Deities, 1846

Background imageInk And Colour On Silk Collection: Amitabha Triad, possibly 1400s. Creator: Unknown

Amitabha Triad, possibly 1400s. Creator: Unknown
Amitabha Triad, possibly 1400s. This hanging scroll illustrates a dramatic apparition of Buddha Amitabha (??? in Chinese) and the two attendant bodhisattvas, or saintly beings



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