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Paintings after Ancient Masters: A Lady, 1598-1652. Creator: Chen Hongshou (Chinese, 1598 / 99-1652)Paintings after Ancient Masters: A Lady, 1598-1652
Paintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598-1652. CreatorPaintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598-1652
Painting of One Hundred Themes, late 1800s. Creator: UnknownPainting of One Hundred Themes, late 1800s. This screen depicts paintings on one side and poems on the other--an economical format often used in Korea to allow the viewer to enjoy both sides of one
Paintings after Ancient Masters, 1598-1652. Creator: Chen Hongshou (Chinese, 1598 / 99-1652)Paintings after Ancient Masters, 1598-1652
Painting of One Hundred Themes (obverse), late 1800s. Creator: UnknownPainting of One Hundred Themes (obverse), late 1800s. This screen depicts paintings on one side and poems on the other-an economical format often used in Korea to allow the viewer to enjoy both sides
Poet and Recluse Hanshan, 1400s. Creator: UnknownPoet and Recluse Hanshan, 1400s
Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. CreatorDwelling in the Longmian (" Sleeping Dragon" ) Mountains, 1100s-1200s
Dwelling by the Shore, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)Dwelling by the Shore, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country
Drifting in a Boat, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)Drifting in a Boat, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country
Beauty with Fireflies, early 1800s. Creator: UnknownBeauty with Fireflies, early 1800s
Beauty (Bijin) in the Snow, late 18th-early 19th century. Creator: Kokan Shiba (JapaneseBeauty (Bijin) in the Snow, late 18th-early 19th century
Birds on an Autumn Inlet, c. 1200. Creator: UnknownBirds on an Autumn Inlet, c. 1200
Autumn Landscape, 17th century. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)Autumn Landscape, 17th century
Autumn in Takao, late 1600s. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)Autumn in Takao, late 1600s. Kiyohara Yukinobu, a native of Kyoto, studied with Kano Tanyo (1602-1674), the artist-in-residence to the shogun (military ruler)
Lake Suwa, 19th century. Creator: Ando Hiroshige (Japanese, 1797-1858)Lake Suwa, 19th century
Lady Xuanwen Giving Instruction on the Rites of Zhou, 1638. Creator: Chen Hongshou (Chinese)Lady Xuanwen Giving Instruction on the Rites of Zhou, 1638. This extraordinary painting by Chen Hongshou depicts the story of Xuanwen Jun, or Lady of Literary Propagation, at a venerable age
Leaf from Album of Actor Portraits, c. 1790-1810. Creator: Shorakusai (Japanese)Leaf from Album of Actor Portraits, c. 1790-1810
Birds on a Tree above a Cataract, 1127-1279. Creator: Li Di (Chinese, c. 1100-c. 1192)Birds on a Tree above a Cataract, 1127-1279
Birds and Flowers, mid-1400s-early 1500s. Creator: Sessh? T?y? (Japanese, 1420-1506)Birds and Flowers, mid-1400s-early 1500s
Bird on a Flowering Branch, 1100s. Creator: UnknownBird on a Flowering Branch, 1100s. A male redstart, a type of small bird, sits hunched on the branch of a flowering plum tree in early spring
Bilang Lake, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)Bilang Lake, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China
Beauty in a Boat on Sumida River, late 1700s-early 1800s. Creator: Ch?bunsai Eishi (Japanese)Beauty in a Boat on Sumida River, late 1700s-early 1800s. The Sumida River was a popular refuge from the heat and humidity of the city during the summer
Baoyang Lake, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)Baoyang Lake, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China
Boats at Anchor, 1150 - 1200. Creator: UnknownBoats at Anchor, 1150 - 1200
Boat to the Yoshiwara, 1800s. Creator: Teisai Hokuba (Japanese, 1771-1844)Boat to the Yoshiwara, 1800s. Attendants with checkered robes serve refreshment to a client on his way to the Yoshiwara, the storied mens pleasure district of the metropolis of Edo, todays Tokyo
Album of Miscellaneous Subjects, Leaf 6, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 6, 1600s. Leaf 6 Zhou Yis colophon reads: The bright moon emerges through the willow, The fragrance of flowers is already difficult to retain
Album of Miscellaneous Subjects, Leaf 2, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 2, 1600s. Leaf 2 This leaf is, perhaps, based on Du Mus poetic line: The herdboy pointed to the distant Apricot Village
Album of Miscellaneous Subjects, Leaf 10, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 10, 1600s. Leaf 10 Zhou Yis colophon reads: Green bamboos stand alone with a snowy covering, In the deep recesses of a secluded valley
Album of Miscellaneous Subjects, Leaf 3, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 3, 1600s. Leaf 3 This leaf evokes Wang Weis poetic line: Sit and watch the clouds rising
Eighteen Views of Huzhou, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)Eighteen Views of Huzhou, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China
Fushan Monastery, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)Fushan Monastery, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China
Frosted Branches and Dwarf Bamboo, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)Frosted Branches and Dwarf Bamboo, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country
Album of Miscellaneous Subjects, Leaf 4, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 4, 1600s. Leaf 4 This leaf alludes to Wang Weis poetic lines: In empty hills, there is no one there; Yet one can hear the sound of conversation
Album of Miscellaneous Subjects, Colophon, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Colophon, 1600s. The Japanese artist Tomioka Tessai (1836-1924) adds a colophon on the last page
Album of Actor Portraits, c. 1790-1810. Creator: Shorakusai (Japanese)Album of Actor Portraits, c. 1790-1810
Album of Miscellaneous Subjects, Leaf 9, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 9, 1600s. Leaf 9 Zhou Yis colophon reads: Ancient trees share the slanting rays of the setting sun. Chilly ravens hover round their branches
Album of Miscellaneous Subjects, Leaf 8, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 8, 1600s. Leaf 8 Li Bings colophon reads: Maple leaves drift in the wind, the autumn gusts bracing, Hibiscus flowers steeped with water
Album of Miscellaneous Subjects, Leaf 7, 1600s. Creator: Fan Qi (Chinese, 1616-aft 1694)Album of Miscellaneous Subjects, Leaf 7, 1600s. Leaf 7 Han Tans colophon reads: Thoughts of autumn in the nuptial chamber with the new chill arising
Assembly of Buddhist Deities, 1846. Creator: UnknownAssembly of Buddhist Deities, 1846
Amitabha Triad, possibly 1400s. Creator: UnknownAmitabha Triad, possibly 1400s. This hanging scroll illustrates a dramatic apparition of Buddha Amitabha (??? in Chinese) and the two attendant bodhisattvas, or saintly beings