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Ink And Colour On Silk Collection (page 2)

Background imageInk And Colour On Silk Collection: Tiger, early 19th century. Creator: Kishi Ganku

Tiger, early 19th century. Creator: Kishi Ganku
Tiger, early 19th century

Background imageInk And Colour On Silk Collection: Album of Hawks and Calligraphy, 17th-18th century. Creator: Kano Yoboku Tsunenobu

Album of Hawks and Calligraphy, 17th-18th century. Creator: Kano Yoboku Tsunenobu
Album of Hawks and Calligraphy, 17th-18th century

Background imageInk And Colour On Silk Collection: Remonstrating with the emperor, late 15th-early 16th century. Creator: Liu Jun

Remonstrating with the emperor, late 15th-early 16th century. Creator: Liu Jun
Remonstrating with the emperor, late 15th-early 16th century. Commissioned to enhance the image of the sovereign as a just ruler who welcomed frank criticism

Background imageInk And Colour On Silk Collection: Flowers, fish, and crabs, mid-16th century. Creator: Liu Jie

Flowers, fish, and crabs, mid-16th century. Creator: Liu Jie
Flowers, fish, and crabs, mid-16th century

Background imageInk And Colour On Silk Collection: Landscape with Ox Carts on a Road. Creator: Li Xiying

Landscape with Ox Carts on a Road. Creator: Li Xiying
Landscape with Ox Carts on a Road. Ming dynasty (?) (1368-1644)

Background imageInk And Colour On Silk Collection: Figures, flowers, and landscapes, one leaf dated 1627. Creator: Chen Hongshou

Figures, flowers, and landscapes, one leaf dated 1627. Creator: Chen Hongshou
Figures, flowers, and landscapes, one leaf dated 1627. Self-portrait depicting the artist drowning his sorrows in wine. late Ming (1368-1644) early Qing (1644-1911) dynasty

Background imageInk And Colour On Silk Collection: Scholar viewing a waterfall, late 12th-early 13th century. Creator: Ma, Yuan

Scholar viewing a waterfall, late 12th-early 13th century. Creator: Ma, Yuan
Scholar viewing a waterfall, late 12th-early 13th century

Background imageInk And Colour On Silk Collection: Landscape with Man on Horseback. Creator: Liu Yen

Landscape with Man on Horseback. Creator: Liu Yen
Landscape with Man on Horseback. Ming dynasty (?) (1368-1644)

Background imageInk And Colour On Silk Collection: Urashima Taro Riding on a Tortoise, after 1888. Creator: Kawanabe Kyosai

Urashima Taro Riding on a Tortoise, after 1888. Creator: Kawanabe Kyosai
Urashima Taro Riding on a Tortoise, after 1888

Background imageInk And Colour On Silk Collection: Woman Spinning Silk, dated 1790. Creator: Hokusai

Woman Spinning Silk, dated 1790. Creator: Hokusai
Woman Spinning Silk, dated 1790

Background imageInk And Colour On Silk Collection: Three Gods of Good Fortune Visit the Yoshiwara... early 19th century. Creator: Hosoda Eishi

Three Gods of Good Fortune Visit the Yoshiwara... early 19th century. Creator: Hosoda Eishi
Three Gods of Good Fortune Visit the Yoshiwara; or " Scenes of Pleasure at the Height of Spring", early 19th century

Background imageInk And Colour On Silk Collection: Courtesan with a Letter in Her Mouth, 1756-1815. Creator: Hosoda Eishi

Courtesan with a Letter in Her Mouth, 1756-1815. Creator: Hosoda Eishi
Courtesan with a Letter in Her Mouth, 1756-1815

Background imageInk And Colour On Silk Collection: The Scholar Fu Sheng Transmitting the Book of Documents, 15th-mid-16th century. Creator: Du Jin

The Scholar Fu Sheng Transmitting the Book of Documents, 15th-mid-16th century. Creator: Du Jin
The Scholar Fu Sheng Transmitting the Book of Documents, 15th-mid-16th century

Background imageInk And Colour On Silk Collection: Beauty Before a Screen, 1800s. Creator: Kawanabe Kyosai (Japanese, 1831-1889)

Beauty Before a Screen, 1800s. Creator: Kawanabe Kyosai (Japanese, 1831-1889)
Beauty Before a Screen, 1800s. Beautiful women elegantly clad in rich, multilayered kimono were the most popular subjects of traditional Japanese artists and printmakers of the 17th, 18th

Background imageInk And Colour On Silk Collection: Xiaomei, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Xiaomei, 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Xiaomei, 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Yutai Peak (Jade Terrace Peak), 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Yutai Peak (Jade Terrace Peak), 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Yutai Peak (Jade Terrace Peak), 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Zhongli Quan Crossing the Ocean, 1368-1644. Creator: Zhao Qi (Chinese)

Zhongli Quan Crossing the Ocean, 1368-1644. Creator: Zhao Qi (Chinese)
Zhongli Quan Crossing the Ocean, 1368-1644

Background imageInk And Colour On Silk Collection: Xintang (Immortals Peak), 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Xintang (Immortals Peak), 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Xintang (Immortals Peak), 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: Xianding (Immortals Peak), 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)

Xianding (Immortals Peak), 1500s. Creator: Song Xu (Chinese, 1525-c. 1606)
Xianding (Immortals Peak), 1500s. This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China

Background imageInk And Colour On Silk Collection: The Ninth Day Literary Gathering at Xing an, 1743. Creator: Fang Shishu (Chinese

The Ninth Day Literary Gathering at Xing an, 1743. Creator: Fang Shishu (Chinese
The Ninth Day Literary Gathering at Xing an, 1743. This group portrait and commemorative work keeps alive the memory of a literary gathering held in 1743 at a private garden in Yangzhou

Background imageInk And Colour On Silk Collection: The Nine Elders of the Mountain of Fragrance, 1426-1452. Creator: Xie Huan (Chinese, c

The Nine Elders of the Mountain of Fragrance, 1426-1452. Creator: Xie Huan (Chinese, c
The Nine Elders of the Mountain of Fragrance, 1426-1452

Background imageInk And Colour On Silk Collection: Vase of Flowers with Grasshopper, Marine Life, and Garden Rock, late 1800s. Creator

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock, late 1800s. Creator
Vase of Flowers with Grasshopper, Marine Life, and Garden Rock, late 1800s. A great interest in Western scientific studies developed in Japan during the late Edo period (1615-1868)

Background imageInk And Colour On Silk Collection: The Three Sacred Shrines at Kumano: Kumano Mandala, c. 1300. Creator: Unknown

The Three Sacred Shrines at Kumano: Kumano Mandala, c. 1300. Creator: Unknown
The Three Sacred Shrines at Kumano: Kumano Mandala, c. 1300. This is an early and important example of a landscape mandala, a Buddhist meditative device

Background imageInk And Colour On Silk Collection: The Poetess Kogo; Autumn Landscape; Spring Landscape, mid 1600s. Creator: Yukinobu Kiyohara

The Poetess Kogo; Autumn Landscape; Spring Landscape, mid 1600s. Creator: Yukinobu Kiyohara
The Poetess Kogo; Autumn Landscape; Spring Landscape, mid 1600s. Kiyohara Yukinobu was one of Japans earliest and most talented female painters

Background imageInk And Colour On Silk Collection: The Poetess Kogo, mid 1600s. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)

The Poetess Kogo, mid 1600s. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)
The Poetess Kogo, mid 1600s. Kiyohara Yukinobu was one of Japans earliest and most talented female painters. Kiyohara preferred Japanese style painting techniques and subjects

Background imageInk And Colour On Silk Collection: The Poet Kakinomoto no Hitomaro, c. 1300-1350. Creator: Unknown

The Poet Kakinomoto no Hitomaro, c. 1300-1350. Creator: Unknown
The Poet Kakinomoto no Hitomaro, c. 1300-1350

Background imageInk And Colour On Silk Collection: Two Horses, 1644-1911. Creator: Yu Yuan (Chinese, active 1700s), attributed to

Two Horses, 1644-1911. Creator: Yu Yuan (Chinese, active 1700s), attributed to
Two Horses, 1644-1911

Background imageInk And Colour On Silk Collection: Two Beauties, late 18th-early 19th century. Creator: Kitabatake Shigemasa (Japanese, 1739-1820)

Two Beauties, late 18th-early 19th century. Creator: Kitabatake Shigemasa (Japanese, 1739-1820)
Two Beauties, late 18th-early 19th century. Shigemasa favored using colours in broad opaque masses, as seen here in the beauties robes

Background imageInk And Colour On Silk Collection: Ten Thousand Bamboos in the Mist and Rain, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)

Ten Thousand Bamboos in the Mist and Rain, 1847. Creator: Tsubaki Chinzan (Japanese, 1801-1854)
Ten Thousand Bamboos in the Mist and Rain, 1847. Japanese painters were frequently influenced by paintings from China and Korea that they saw in private and temple collections throughout the country

Background imageInk And Colour On Silk Collection: The Shadow Dancers, 1800s. Creator: Yamamoto Baiitsu (Japanese, 1783-1856)

The Shadow Dancers, 1800s. Creator: Yamamoto Baiitsu (Japanese, 1783-1856)
The Shadow Dancers, 1800s

Background imageInk And Colour On Silk Collection: The Sand-Carrying Festival (Sunamochi Matsuri), 1856. Creator: Sakai Basai (Japanese

The Sand-Carrying Festival (Sunamochi Matsuri), 1856. Creator: Sakai Basai (Japanese
The Sand-Carrying Festival (Sunamochi Matsuri), 1856. Dredging waterways to preserve their function once required the cooperation of large numbers of people, seen at the top of this painting

Background imageInk And Colour On Silk Collection: Symbols of Longevity: Deer under Peach and Pine (Peach) (left), 1801. Creator: Toda Tadanaka

Symbols of Longevity: Deer under Peach and Pine (Peach) (left), 1801. Creator: Toda Tadanaka
Symbols of Longevity: Deer under Peach and Pine (Peach) (left), 1801

Background imageInk And Colour On Silk Collection: Swinging Gibbon, late 1100s- 1st quarter 1200s. Creator: Xia Gui (Chinese, active c

Swinging Gibbon, late 1100s- 1st quarter 1200s. Creator: Xia Gui (Chinese, active c
Swinging Gibbon, late 1100s- 1st quarter 1200s

Background imageInk And Colour On Silk Collection: Spring Landscape, 17th century. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)

Spring Landscape, 17th century. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)
Spring Landscape, 17th century

Background imageInk And Colour On Silk Collection: Symbols of Longevity: Deer under Peach and Pine, 1801. Creator: Toda Tadanaka (Japanese

Symbols of Longevity: Deer under Peach and Pine, 1801. Creator: Toda Tadanaka (Japanese
Symbols of Longevity: Deer under Peach and Pine, 1801

Background imageInk And Colour On Silk Collection: Symbols of Longevity: Deer under Peach and Pine (Pine) (right), 1801. Creator: Toda Tadanaka

Symbols of Longevity: Deer under Peach and Pine (Pine) (right), 1801. Creator: Toda Tadanaka
Symbols of Longevity: Deer under Peach and Pine (Pine) (right), 1801

Background imageInk And Colour On Silk Collection: Purification at the Orchid Pavilion, 1671. Creator: Fan Yi (Chinese, c. 1615-before 1688)

Purification at the Orchid Pavilion, 1671. Creator: Fan Yi (Chinese, c. 1615-before 1688)
Purification at the Orchid Pavilion, 1671. This painting records a historic event in the year AD 353. During the Spring Purification Festival on the third day of the third month in the Chinese

Background imageInk And Colour On Silk Collection: Seated Amitabha, late 1500s-early 1600s. Creator: Unknown

Seated Amitabha, late 1500s-early 1600s. Creator: Unknown
Seated Amitabha, late 1500s-early 1600s. This magnificent Buddha, called Amitabha (literally, " infinite light" ) is seated on a lotus pedestal with both palms facing up over crossed legs

Background imageInk And Colour On Silk Collection: Scholar Playing a Qin, 1800s. Creator: Unknown

Scholar Playing a Qin, 1800s. Creator: Unknown
Scholar Playing a Qin, 1800s

Background imageInk And Colour On Silk Collection: Shotoku Taishi and His Sons, 1300s. Creator: Unknown

Shotoku Taishi and His Sons, 1300s. Creator: Unknown
Shotoku Taishi and His Sons, 1300s. Shotoku Taishi (about 574-622), prince regent, was attributed with numerous acts of faith in his lifetime

Background imageInk And Colour On Silk Collection: Peonies, 1685. Creator: Yun Shouping (Chinese, 1633-1690)

Peonies, 1685. Creator: Yun Shouping (Chinese, 1633-1690)
Peonies, 1685

Background imageInk And Colour On Silk Collection: Samantabhadra, 1100s. Creator: Unknown

Samantabhadra, 1100s. Creator: Unknown
Samantabhadra, 1100s. In the last chapter of the Lotus Sutra, one of the principal Buddhist texts, the great Bodhisattva Samantabhadra is described advancing to earth

Background imageInk And Colour On Silk Collection: Sakyamuni Buddha, 1300s. Creator: Unknown

Sakyamuni Buddha, 1300s. Creator: Unknown
Sakyamuni Buddha, 1300s

Background imageInk And Colour On Silk Collection: Romance of the Three Kingdoms, 1800s. Creator: Matsumura Goshun (Japanese, 1752-1811)

Romance of the Three Kingdoms, 1800s. Creator: Matsumura Goshun (Japanese, 1752-1811)
Romance of the Three Kingdoms, 1800s. Matsumura Goshun was trained in literati art by Yosa Buson and Maruyama Okyo. Here, he depicted " Oath of the Peach Garden

Background imageInk And Colour On Silk Collection: Shakyamuni under the Bodhi Tree, 1600-50. Creator: Unknown

Shakyamuni under the Bodhi Tree, 1600-50. Creator: Unknown
Shakyamuni under the Bodhi Tree, 1600-50. Shakyamuni (the historical Buddha) achieved enlightenment and became the Buddha while meditating under a bodhi tree

Background imageInk And Colour On Silk Collection: Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion)

Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion), late 1300s. This triptych is a rare example of Yuan Buddhist painting

Background imageInk And Colour On Silk Collection: Seven Jeweled Mountain, late 1800s. Creator: Unknown

Seven Jeweled Mountain, late 1800s. Creator: Unknown
Seven Jeweled Mountain, late 1800s. With a bird s-eye view, this ten-panel folding screen portrays the famous Seven Jeweled Mountain ??? in North Korea

Background imageInk And Colour On Silk Collection: Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Creator

Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Creator
Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Formal portraiture contributed to the affirmation of status and construction of role and identity



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