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Maria Teresa (1638-1683), Infanta of Spain, ca. 1645. Creator: Juan Battista Martinez del MazoMaria Teresa (1638-1683), Infanta of Spain, ca. 1645. Isabel de Borbon, portrayed by Mazo when she was seven years old
The Empress Eugenie (Eugenie de Montijo, 1826-1920, Condesa de Teba), 1854
Clothing from 1860-1870, 1907, (1937). Creator: Cecil W TroutClothing from 1860-1870, 1907, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan. [Tudor Publishing Company, New York, 1937]
Clothing from 1824-1835, 1907, (1937). Creator: Cecil W TroutClothing from 1824-1835, 1907, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan. [Tudor Publishing Company, New York, 1937]
Picture of a short Watteau sacque worn over a petticoat, c1750-1800, 1903, (1937)Picture of a short Watteau sacque worn over a petticoat to match and trimmed with ruchings of the same, c1750-1800, 1903, (1937)
Fashion doll in taffeta Watteau sacque with hooped petticoat, c1750-1800, (1937) CreatorThis fashion doll is dressed in a Watteau sacque of taffeta (a white ground with cross-bar lines of red) over a hooped petticoat of the same trimmed with a pinked flounce, c1750-1800, (1937)
Empress Eugenie, (1936). Creator: UnknownEmpress Eugenie, (1936). Kaiserin Eugenie. Portrait of Empress Eugenie de Montijo (1826-1920), the last Empress consort of the French, from 1853 to 1871, as the wife of Napoleon III
Deux Lorettes, mid-late 19th century, (1943). Creator: Constantin GuysDeux Lorettes, mid-late 19th century, (1943). Lorette was a term for a female sex worker. The name derives from the Notre-Dame-de-Lorette area of Paris where many lorettes lived and worked
Petit Courrier des Dames, 1857, 1943. Creator: UnknownPetit Courrier des Dames, 1857, 1943. Hand coloured engraving from Petit Courrier des Dames, a weekly French fashion magazine published in Paris
Mrs Lincoln, c1860s, (1930). Creator: UnknownMrs Lincoln, c1860s, (1930). Portrait of Mary Todd Lincoln (1818-1882), wife of President Abraham Lincoln and First Lady of the United States from 1861 to 1865
Mme Rejane - Role de la Montansier. - La Montansier, 1904. Creator: UnknownMme Rejane - Role de la Montansier. - La Montansier, 1904. Gabrielle Rejane (1856-1920) in the role of la Montansier - a play in four acts by GA Caillavet
A Victorian Picnic, c1860, (1944). Creator: UnknownA Victorian Picnic, c1860, (1944). A family having an al fresco meal. As the women recline, their full skirts reveal their bloomers underneath - a comment on the Victorian crinoline
Miss Shannons arrival at Baldon Hall, 1855. Creator: John LeechMiss Shannons arrival at Baldon Hall, 1855
Crinoline in the Ball Room, c1859. Artist: CJ CullifordCrinoline in the Ball Room. Valse Ala Mode. My Dear Tiney is Fretting exceedingly at being kept Solitary so long. c1859. Victorian couple dancing the waltz - the woman is showing bloomers under her
Foxhunters Regaling in the Present Degenerate Days, c1856. Artist: John LeechFoxhunters Regaling in the Present Degenerate Days, c1856. A man sits backwards on a chair, possibly recounting his exploits hunting foxes, to ladies who listen politely
Taste A La Mode, 1745, (1920). Artist: F PattonTaste A La Mode, 1745, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]
Five women wearing the latest winter fashions, 1863. All five women are wearing the latest styles in winter coats and mantles
Five women and a child wearing the latest autumn and winter fashions, 1864. The women in blue and purple are wearing fitted coats that match their dresses
Two women wearing the latest indoor fashions, c1850. Both of the women are wearing dresses with extremely full skirts and tight bodices
Two women and a small girl wearing the latest indoor fashions, c1860. In order to achieve this full skirt look, the women would be wearing layers of petticoats and hoop cages
Five women wearing spring and summer coats and mantles, 1864
Two women and a child wearing the latest fashions, 1866. All three are wearing dresses with full hooped shirts and tight fitting bodices
Three women and a child wearing the latest fashions, 1864. The child holds a hoop and one of the women shades herself with a parasol. The centre womans dress has a very full skirt at the back
Three women wearing the latest fashions, one of the women is shading herself with a parasol, 1864. All three women are wearing matching dresses and fitted coats
Two women and a child wearing the latest fashions, 1861. Both of the woman are wearing the full skirt dresses of the day. In particular the woman on the right is wearing a dress whose skirt is
Two women and a child wearing the latest fashions, 1860. All three of them are wearing the crinoline skirts that were incredibly fashionable at the time
Two women wearing walking dress and morning dress, 1827. Another woman is seated in between them. A detail of a bonnet can be seen above her head
Two women and a child with a dog wearing the latest fashions, 1860. Both of the women are wearing the full hooped shirt dresses that were fashionable at the time
Two women wearing the latest fashions, 1864. Both of the women are wearing dresses with tight fitting bodices and full hooped skirts
Two women and a child playing with a parrot model the latest fashions, 1864. The woman on the left is wearing a plain grey dress trimmed with red around the edge of the full skirt
Two women and a little girl model the latest fashions, 1863. The woman on the left is dressed in an off the shoulder evening dress with a full crinolined skirt
Two women model the latest fashions, 1864. Both women are wearing full hooped skirt dresses with tight bodices
Two women model the latest fashions, 1861. Both women are wearing full hooped skirt dresses with tight fitting bodices. The woman on the left is wearing a fitted coat over the top of her dress
Two women and a child with a butterfly net model the latest fashions, 1864. All three of them are wearing hooped skirts, known as a crinoline
Scarcity of Currency in 1847, c1850, (1904). From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A
A Woman of the Time of James I, 1907. Artist: Dion Clayton CalthropA Woman of the Time of James I, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]
A Woman of the Time of George I, 1907. Artist: Dion Clayton CalthropA Woman of the Time of George I, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]
A Woman of the Time of Elizabeth, 1907. Artist: Dion Clayton CalthropA Woman of the Time of Elizabeth, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]
Costume Design, 1926, (1927). Artist: Reginald LeefeCostume Design, 1926, (1927). From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]
Queen Anne of Denmark, 1611-1614, (1904). Artist: Marcus Gheeraerts, the YoungerQueen Anne of Denmark, 1611-1614, (1904). Queen Anne of Denmark (1574-1619). After Paul van Somer (c1577-1621). From the collection of the Woburn Abbey. From James I. and VI, by T. F. Henderson
The Review: A Satire on Hoops, c1733, (1904). From Social England, Volume V, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A
Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923. Artist: Harry ClarkeRiquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]
Arabella Stewart, c16th century, (1904). Artist: Marcus Gheeraerts, the YoungerArabella Stewart, c16th century (1904). Lady Arbella Stuart (1575-1615), a direct descendant of Henry VII, Arabella Stuart, Duchess of Somerset
A Woman of the Time of Queen Anne, 1907. Artist: Dion Clayton CalthropA Woman of the Time of Queen Anne, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]
Lola de Valence, c1850-1880 (1924). Artist: Edouard ManetLola de Valence, c1850-1880 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924
From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Artist: Charles Edmund BrockFrom Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Charles Edmund Brock (1870-1938) was a widely published English painter, line artist and book illustrator
Queen Caroline, Queen Consort of George II. Artist: Caroline of AnsbachQueen Caroline, Queen Consort of George II
The Empress of the French, c1860. Artist: DJ PoundThe Empress of the French, c1860