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High Renaissance Collection (page 2)

Background imageHigh Renaissance Collection: M. Angelo, (1475-1564), 1830. Creator: Unknown

M. Angelo, (1475-1564), 1830. Creator: Unknown
M. Angelo, (1475-1564), 1830. Michelangelo (1475-1564) Italian sculptor, painter, architect and poet of the High Renaissance. From " Biographical Illustrations", by Alfred Howard

Background imageHigh Renaissance Collection: Pope Julius II, c1500s, (1890). Creator: Unknown

Pope Julius II, c1500s, (1890). Creator: Unknown
Pope Julius II, c1500s, (1890). Head of the Roman Catholic Church and ruler of the Papal States from 1503 to 1513, Julius II was a central figure of the High Renaissance

Background imageHigh Renaissance Collection: The Madonna Adoring the Christ Child, 15th century, (1910). Artist: Filippino Lippi

The Madonna Adoring the Christ Child, 15th century, (1910). Artist: Filippino Lippi
The Madonna Adoring the Christ Child, 15th century, (1910). Filippino Lippi (1459-1504) was an Italian painter working during the High Renaissance in Florence, Italy. From The Connoisseur Vol XXVIII

Background imageHigh Renaissance Collection: La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934). Artist: Antonis Mor

La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934). Artist: Antonis Mor
La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934) The Queen sits in a crimson velvet chair, holding the red rose of Tudor in hand she has a tense

Background imageHigh Renaissance Collection: Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto

Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto
Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. The Cassotti family were wealthy textile merchants from Bergamo

Background imageHigh Renaissance Collection: Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

Background imageHigh Renaissance Collection: St. Mary Magdalene, 1500, (1912). Artist: Perugino

St. Mary Magdalene, 1500, (1912). Artist: Perugino
St. Mary Magdalene, 1500, (1912). High renaissance portrait of Mary Magdalene or Mary of Magdala, a figure in Christianity who, according to the Bible, traveled with Jesus as one of his followers

Background imageHigh Renaissance Collection: Narcissus, c1500. Artist: Giovanni Antonio Boltraffio

Narcissus, c1500. Artist: Giovanni Antonio Boltraffio
Narcissus, c1500. Painting held in The National Gallery, London. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Background imageHigh Renaissance Collection: Portrait of a gentleman with gloves, c1543. Artist: Lorenzo Lotto

Portrait of a gentleman with gloves, c1543. Artist: Lorenzo Lotto
Portrait of a gentleman with gloves, c1543. Painting held at the Pinacoteca di Brera, Milan. From The Connoisseur Volume 103. [Otto Limited, London, 1939]

Background imageHigh Renaissance Collection: The Virgin and Child, c1493-9. Artist: Giovanni Antonio Boltraffio

The Virgin and Child, c1493-9. Artist: Giovanni Antonio Boltraffio
The Virgin and Child, c1493-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

Background imageHigh Renaissance Collection: Caricature of the Laocoon group, 1937. Artist: Nicolo Boldrini

Caricature of the Laocoon group, 1937. Artist: Nicolo Boldrini
Caricature of the Laocoon group, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Samson and Delilah, 1937. Artist: Nicolo Boldrini

Samson and Delilah, 1937. Artist: Nicolo Boldrini
Samson and Delilah, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: St Francis Receiving the Stigmata, 1937. Artist: Nicolo Boldrini

St Francis Receiving the Stigmata, 1937. Artist: Nicolo Boldrini
St Francis Receiving the Stigmata, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Large Landscape with St Jerome, 1937. Artist: Nicolo Boldrini

Large Landscape with St Jerome, 1937. Artist: Nicolo Boldrini
Large Landscape with St Jerome, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Adoration of the Shepherds, 1937. Artist: Domenico dalle Greche

Adoration of the Shepherds, 1937. Artist: Domenico dalle Greche
Adoration of the Shepherds, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Destruction of Pharaohs Host in the Red Sea, 1549, (1937). Artist: Domenico dalle Greche

Destruction of Pharaohs Host in the Red Sea, 1549, (1937). Artist: Domenico dalle Greche
Destruction of Pharaohs Host in the Red Sea, 1549, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Abrahams Sacrifice, 1516-1518, (1937). Artist: Ugo da Carpi

Abrahams Sacrifice, 1516-1518, (1937). Artist: Ugo da Carpi
Abrahams Sacrifice, 1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi

Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi
Vision of St John the Evangelist, 1937. Formerly in the Scula di San Giovanni Evangelista at Venice. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna

Background imageHigh Renaissance Collection: The Scourging of Christ, 1568, (1937). Artist: Martino Rota

The Scourging of Christ, 1568, (1937). Artist: Martino Rota
The Scourging of Christ, 1568, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Vulcans Forge, 16th century, (1937). Artist: Cornelis Cort

Vulcans Forge, 16th century, (1937). Artist: Cornelis Cort
Vulcans Forge, 16th century, (1937). Ceiling painting, formerly in the town hall at Brescia. Engraved by Melchior Meier of Cornelis Cort

Background imageHigh Renaissance Collection: Tantalus, 16th century, (1937). Artist: Guilo Sanuto

Tantalus, 16th century, (1937). Artist: Guilo Sanuto
Tantalus, 16th century, (1937). Ceiling painting for Queen Maria of Hungary. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Landscape with St Jerome, 16th century, (1937). Artist: Cornelis Cort

Landscape with St Jerome, 16th century, (1937). Artist: Cornelis Cort
Landscape with St Jerome, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: St Peter Martyr, 16th century, (1937). Artist: Luca Bertelli

St Peter Martyr, 16th century, (1937). Artist: Luca Bertelli
St Peter Martyr, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Votive picture of Doge Andrea Gritti, 1937

Votive picture of Doge Andrea Gritti, 1937. Woodcut after the burnt picture by Titian formaly in the Ducal Palace, Venice, 1531

Background imageHigh Renaissance Collection: Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio

Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio
Annunciation, 16th century, (1937). Painted by Titian in 1537 for the Convent of Santa Maria degli Angeli at Murano. A print from Titian Paintings and Drawings, introduction by Hans Tietze

Background imageHigh Renaissance Collection: Martydom of St Peter Martyr, 16th century, (1937). Artist: Martino Rota

Martydom of St Peter Martyr, 16th century, (1937). Artist: Martino Rota
Martydom of St Peter Martyr, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Formaly in SS Giovanni e Paolo, Venice

Background imageHigh Renaissance Collection: Horseman, c1565, (1937). Artist: Titian

Horseman, c1565, (1937). Artist: Titian
Horseman, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Graphische Sammlung, Munich

Background imageHigh Renaissance Collection: Horseman Falling, c1565, (1937). Artist: Titian

Horseman Falling, c1565, (1937). Artist: Titian
Horseman Falling, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Ashmolean Museum, Oxford

Background imageHigh Renaissance Collection: Angel of the Annunciation, c1565, (1937). Artist: Titian

Angel of the Annunciation, c1565, (1937). Artist: Titian
Angel of the Annunciation, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Uffizi Gallery, Florence

Background imageHigh Renaissance Collection: Lovers (Jupiter and Io), c1560, (1937). Artist: Titian

Lovers (Jupiter and Io), c1560, (1937). Artist: Titian
Lovers (Jupiter and Io), c1560, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). Artist: Titian

Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). Artist: Titian
Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Medor and Angelica or Jason and Medea, c1535-1545, (1937). Artist: Titian

Medor and Angelica or Jason and Medea, c1535-1545, (1937). Artist: Titian
Medor and Angelica or Jason and Medea, c1535-1545, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). Artist: Titian

Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). Artist: Titian
Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Sketch for the portrait of the Duke of Urbino, 1536, (1937). Artist: Titian

Sketch for the portrait of the Duke of Urbino, 1536, (1937). Artist: Titian
Sketch for the portrait of the Duke of Urbino, 1536, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Horseman for the Battle of Cadore, c1525, (1937). Artist: Titian

Horseman for the Battle of Cadore, c1525, (1937). Artist: Titian
Horseman for the Battle of Cadore, c1525, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Head of a Moor, c1525, (1937). Artist: Titian

Head of a Moor, c1525, (1937). Artist: Titian
Head of a Moor, c1525, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Uffizi Gallery, Florence

Background imageHigh Renaissance Collection: Landscape with Shepherd and Flock, c1520, (1937). Artist: Titian

Landscape with Shepherd and Flock, c1520, (1937). Artist: Titian
Landscape with Shepherd and Flock, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Landscape with Flock of Sheep, c1520, (1937). Artist: Titian

Landscape with Flock of Sheep, c1520, (1937). Artist: Titian
Landscape with Flock of Sheep, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

Background imageHigh Renaissance Collection: Landscape with Satyrs, c1530-1540, (1937). Artist: Titian

Landscape with Satyrs, c1530-1540, (1937). Artist: Titian
Landscape with Satyrs, c1530-1540, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Musee Bonnat, Bayonne

Background imageHigh Renaissance Collection: Sketch for the St Sebastian, c1518, (1937). Artist: Titian

Sketch for the St Sebastian, c1518, (1937). Artist: Titian
Sketch for the St Sebastian, c1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Forest Landscape, c1516-1518, (1937). Artist: Titian

Forest Landscape, c1516-1518, (1937). Artist: Titian
Forest Landscape, c1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of The Metropolitan Museum, New York

Background imageHigh Renaissance Collection: The Triumph of Faith, 1510-1511, (1937). Artist: Titian

The Triumph of Faith, 1510-1511, (1937). Artist: Titian
The Triumph of Faith, 1510-1511, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Sketches for the St Sebastian in Brescia, c1518, (1937). Artist: Titian

Sketches for the St Sebastian in Brescia, c1518, (1937). Artist: Titian
Sketches for the St Sebastian in Brescia, c1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Polyphemus, c1515, (1937). Artist: Titian

Polyphemus, c1515, (1937). Artist: Titian
Polyphemus, c1515, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Musee Wicar, Lille

Background imageHigh Renaissance Collection: Group of Apostles, 1516-1518, (1937). Artist: Titian

Group of Apostles, 1516-1518, (1937). Artist: Titian
Group of Apostles, 1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

Background imageHigh Renaissance Collection: Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). Artist: Titian

Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). Artist: Titian
Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageHigh Renaissance Collection: Landscape with Satyrs, c1512, (1937). Artist: Titian

Landscape with Satyrs, c1512, (1937). Artist: Titian
Landscape with Satyrs, c1512, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. From the collection of E & A Silberman Galleries, New York

Background imageHigh Renaissance Collection: Roma - Farnese Palace, 1910

Roma - Farnese Palace, 1910. Began for Cardinal Farnese by Antonio da Sangallo, it was continued by Vignola and completed by Michelangelo



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