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Hairdresser Collection (page 2)

Background imageHairdresser Collection: French Barracks, August 12, 1791. August 12, 1791. Creators: Thomas Rowlandson

French Barracks, August 12, 1791. August 12, 1791. Creators: Thomas Rowlandson
French Barracks, August 12, 1791

Background imageHairdresser Collection: A Barbers Shop, 1811. 1811. Creator: Thomas Rowlandson

A Barbers Shop, 1811. 1811. Creator: Thomas Rowlandson
A Barbers Shop, 1811

Background imageHairdresser Collection: The Barbers Shop, March 20, 1803. March 20, 1803. Creator: Thomas Rowlandson

The Barbers Shop, March 20, 1803. March 20, 1803. Creator: Thomas Rowlandson
The Barbers Shop, March 20, 1803

Background imageHairdresser Collection: The Barbers Shop, 1785-1805. Creator: Thomas Rowlandson

The Barbers Shop, 1785-1805. Creator: Thomas Rowlandson
The Barbers Shop, 1785-1805

Background imageHairdresser Collection: The Love Letter, early 1670s. Creator: Jacob Ochtervelt

The Love Letter, early 1670s. Creator: Jacob Ochtervelt
The Love Letter, early 1670s

Background imageHairdresser Collection: Le Coiffeur - Programme de Theatre Libre, 1893. Creator: Toulouse-Lautrec

Le Coiffeur - Programme de Theatre Libre, 1893. Creator: Toulouse-Lautrec
Le Coiffeur - Programme de Theatre Libre, 1893. Private Collection

Background imageHairdresser Collection: Mary arranging for the Christening, 1897. Creator: John Leech

Mary arranging for the Christening, 1897. Creator: John Leech
Mary arranging for the Christening, 1897. Possibly a satire, (in questionable taste), on Queen Mary II of England (1662-1694) who was unable to bear children

Background imageHairdresser Collection: Hair dressing class for men at the Bromley Non-Residential Training Centre, London, 1934

Hair dressing class for men at the Bromley Non-Residential Training Centre, London, 1934
Hair dressing class for men at the Bromley Non-Residential Training Centre, Bromley by Bow, London, 1934. Men training to be barbers, with a row of chairs and mirrors at one end of the room

Background imageHairdresser Collection: The City Tonsor, 1771

The City Tonsor, 1771. A corpulent man is holding three wigs on a stand; the one on the right is like that worn by macaronis

Background imageHairdresser Collection: Marriage a la Mode, 1745; plate IV. Artist: Simon Francois Ravenet

Marriage a la Mode, 1745; plate IV. Artist: Simon Francois Ravenet
Marriage a la Mode, 1745; plate IV. The wife is in her boudoir talking with counsellor Silvertongue. She is now a countess and a mother but she is neglecting her child

Background imageHairdresser Collection: Hairdressing department, Barnsley Co-op, South Yorkshire, 1957. Artist: Michael Walters

Hairdressing department, Barnsley Co-op, South Yorkshire, 1957. Artist: Michael Walters
Hairdressing department, Barnsley Co-op, South Yorkshire, 1957. The hairdrying units, under which the women are sitting were a common sight in ladies hairdressers until recent times

Background imageHairdresser Collection: Hairdressers salon, Armthorpe, near Doncaster, South Yorkshire, 1961

Hairdressers salon, Armthorpe, near Doncaster, South Yorkshire, 1961. The photograph was commissioned by the company who manufactured the Formica wipe down surfaces

Background imageHairdresser Collection: Hairdressers at work, Armthorpe, near Doncaster, South Yorkshire, 1961

Hairdressers at work, Armthorpe, near Doncaster, South Yorkshire, 1961. The photograph was commissioned by the company who manufactured the Formica wipe down surfaces

Background imageHairdresser Collection: Hairdressing salon, Armthorpe, near Doncaster, South Yorkshire, 1964

Hairdressing salon, Armthorpe, near Doncaster, South Yorkshire, 1964. The easy clean marble effect formica was popular during the 1960s and this photograph was taken to advertise the product

Background imageHairdresser Collection: Hairdresser (Kamiyui), c. 1798

Hairdresser (Kamiyui), c. 1798. Private Collection

Background imageHairdresser Collection: Coiffeur

Coiffeur. Private Collection

Background imageHairdresser Collection: French barber in Russia

French barber in Russia. Private Collection

Background imageHairdresser Collection: Woman cutting a baby boys hair

Woman cutting a baby boys hair. Private Collection

Background imageHairdresser Collection: Hairdresser (Kamiyui), c. 1798. Artist: Utamaro, Kitagawa (1753-1806)

Hairdresser (Kamiyui), c. 1798. Artist: Utamaro, Kitagawa (1753-1806)
Hairdresser (Kamiyui), c. 1798. Found in the collection of the Art Gallery of South Australia

Background imageHairdresser Collection: Skilful barber, 1823. Artist: Boilly, Louis-Leopold (1761-1845)

Skilful barber, 1823. Artist: Boilly, Louis-Leopold (1761-1845)
Skilful barber, 1823. Found in the collection of Musee Marmottan Monet, Paris

Background imageHairdresser Collection: A Ceylon Shave, c1890, (1910). Artist: Alfred William Amandus Plate

A Ceylon Shave, c1890, (1910). Artist: Alfred William Amandus Plate
A Ceylon Shave, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageHairdresser Collection: The Hairdresser, c1905, (1912). Artist: Walter Frederick Roofe Tyndale

The Hairdresser, c1905, (1912). Artist: Walter Frederick Roofe Tyndale
The Hairdresser, c1905, (1912). From An Artist in Egypt by Walter Tyndale, R.I. [Hodder & Stoughton, London, New York, Toronto, 1912]

Background imageHairdresser Collection: People of Edo, Japan, c1800 (1904)

People of Edo, Japan, c1800 (1904). Edo is the former name of Tokyo. A print from Japan, its History, Arts and Literature, Volume V, by Captain F Brinkley, TC and EC Jack, 34 Henrietta Street

Background imageHairdresser Collection: Getting His Hair Banged. Artist: American Stereoscopic Company

Getting His Hair Banged. Artist: American Stereoscopic Company
Getting His Hair Banged. Stereoscopic card detail

Background imageHairdresser Collection: A street barber and his client, Algeria, Africa, 1922. Artist: Donald McLeish

A street barber and his client, Algeria, Africa, 1922. Artist: Donald McLeish
A street barber and his client, Algeria, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageHairdresser Collection: The Interior of a French Barracks, 1787, (1929). Artist: Thomas Rowlandson

The Interior of a French Barracks, 1787, (1929). Artist: Thomas Rowlandson
The Interior of a French Barracks, 1787, (1929). Satire showing French soldiers preening in mirrors, having pedicures and pampering their wigs. Illustration from the Apollo Volume X, no 55, July 1929

Background imageHairdresser Collection: Barber, 16th century (1849). Artist: Jost Amman

Barber, 16th century (1849). Artist: Jost Amman
Barber, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageHairdresser Collection: Barber and wigmaker, 16th century (1849). Artist: H Moulin

Barber and wigmaker, 16th century (1849). Artist: H Moulin
Barber and wigmaker, 16th century (1849). Swiss stained glass in the collection of the Musee de Cluny, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageHairdresser Collection: High-Life Below Stairs, 1772. Artist: Caldwell

High-Life Below Stairs, 1772. Artist: Caldwell
High-Life Below Stairs, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageHairdresser Collection: Hints to the ladies to take care of their heads, 1776

Hints to the ladies to take care of their heads, 1776. An elaborate hairdo catches fire. Illustration from Social Caricature in the Eighteenth Century

Background imageHairdresser Collection: The Preposterous Head Dress or The Feathered Lady, 1776

The Preposterous Head Dress or The Feathered Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageHairdresser Collection: The Small Toilette, (1885). Artist: Moreau

The Small Toilette, (1885). Artist: Moreau
The Small Toilette, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageHairdresser Collection: Woman having her hair done, late 19th-early 20th century. Artist: Ferdinand Freih van Reznicek

Woman having her hair done, late 19th-early 20th century. Artist: Ferdinand Freih van Reznicek
Woman having her hair done, late 19th-early 20th century

Background imageHairdresser Collection: That certainly is being able to read, 1799. Artist: Francisco Goya

That certainly is being able to read, 1799. Artist: Francisco Goya
That certainly is being able to read, 1799. Plate 29 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageHairdresser Collection: Salomes Toilette, 1894. Artist: Aubrey Beardsley

Salomes Toilette, 1894. Artist: Aubrey Beardsley
Salomes Toilette, 1894. Salome is being attended by a masked figure. Illustration for the play Salome by Oscar Wilde. (1894)

Background imageHairdresser Collection: Marriage A-la-Mode: 4. The Toilette, 1743. Artist: William Hogarth

Marriage A-la-Mode: 4. The Toilette, 1743. Artist: William Hogarth
Marriage A-la-Mode: 4. The Toilette, 1743. The wife is in her boudoir talking with counsellor Silvertongue. She is now a countess and a mother but she is neglecting her child

Background imageHairdresser Collection: A Young Woman Having Her Hair Braided, ca 1637. Artist: Rembrandt van Rhijn (1606-1669)

A Young Woman Having Her Hair Braided, ca 1637. Artist: Rembrandt van Rhijn (1606-1669)
A Young Woman Having Her Hair Braided, ca 1637. Found in the collection of the Albertina, Vienna

Background imageHairdresser Collection: An Authority, 1866. Artist: George du Maurier

An Authority, 1866. Artist: George du Maurier
An Authority, 1866. A woman sits in front of a mirror, with the hairdresser behind her holding a strange object. Every woman of fashion must place herself entirely in the hands of her hairdresser

Background imageHairdresser Collection: Hair-Dressing by Electricity, 1866

Hair-Dressing by Electricity, 1866. At the top a man is having a bowl cut in order to achieve the medieval look. A scruffy, hairy artist is depicted in the top left corner

Background imageHairdresser Collection: Venus before a mirror held by Cupid while her hair is combed by an old woman, 1631

Venus before a mirror held by Cupid while her hair is combed by an old woman, 1631



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