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Goya Francisco De Collection (page 2)

Background imageGoya Francisco De Collection: Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816

Background imageGoya Francisco De Collection: Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Background imageGoya Francisco De Collection: Plate 3 of the Tauromaquia : The Moors settled in Spain

Plate 3 of the Tauromaquia : The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, 1816

Background imageGoya Francisco De Collection: Baltasar Carlos, Prince of Spain and Son of Philip IV (D

Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778

Background imageGoya Francisco De Collection: Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca

Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 18 from the Disparates : Birds of a feather flock together, ca

Plate 18 from the Disparates : Birds of a feather flock together, ca
Plate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)

Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816

Background imageGoya Francisco De Collection: Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya

Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco Goya
Plate C: The dogs let loose on the bull. ca. 1816

Background imageGoya Francisco De Collection: Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid

Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816

Background imageGoya Francisco De Collection: Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro

Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816

Background imageGoya Francisco De Collection: Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian

Plate 23 from the Tauromaquia : Mariano Ceballos, alias the Indian
Plate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816

Background imageGoya Francisco De Collection: Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid

Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816

Background imageGoya Francisco De Collection: Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ

Plate 20 from the Tauromaquia : The agility and audacity of Juanito Apiñ
Plate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816

Background imageGoya Francisco De Collection: Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles

Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816

Background imageGoya Francisco De Collection: Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816

Background imageGoya Francisco De Collection: Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816

Background imageGoya Francisco De Collection: Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the

Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling the
Plate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816

Background imageGoya Francisco De Collection: Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls

Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816

Background imageGoya Francisco De Collection: Plate D from the Disparates : Fools- or Little Bulls - folly, ca

Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)

Background imageGoya Francisco De Collection: Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)

Background imageGoya Francisco De Collection: Plate 12 from the Disparates : If Marion will dance, then she has... ca

Plate 12 from the Disparates : If Marion will dance, then she has... ca
Plate 12 from the Disparates : If Marion will dance, then she has to take the consequences, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)

Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)
Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca.1854)

Background imageGoya Francisco De Collection: Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)

Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 6 from the Disparates : It is amazing-and we were made by God, ca

Plate 6 from the Disparates : It is amazing-and we were made by God, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)

Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)

Background imageGoya Francisco De Collection: Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)

Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)

Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 10 from the Disparates : The horse abductor, ca. 1816-23 (published 1864)

Plate 10 from the Disparates : The horse abductor, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)

Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco Goya

Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco Goya
Disparates (Los Proverbios), ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate D from the Disparates : Fools- or Little Bulls - fo... ca

Plate D from the Disparates : Fools- or Little Bulls - fo... ca
Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published before 1877)

Background imageGoya Francisco De Collection: Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)

Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)

Background imageGoya Francisco De Collection: Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)

Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)
Plate B from the Disparates :Punctual Folly, ca. 1816-23 (published before 1877)

Background imageGoya Francisco De Collection: Plate A from the Disparates : Well-Known Folly, ca. 1816-23 (published before 1877)

Plate A from the Disparates : Well-Known Folly, ca. 1816-23 (published before 1877)
Plate A from the Disparates :Well-Known Folly, ca. 1816-23 (published before 1877)

Background imageGoya Francisco De Collection: Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)

Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)

Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 13 from the Disparates : A Way of Flying, ca. 1816-23 (published 1864)

Plate 13 from the Disparates : A Way of Flying, ca. 1816-23 (published 1864)

Background imageGoya Francisco De Collection: Plate 80 from The Disasters of War (Los Desastres de la Guerra): Wil

Plate 80 from The Disasters of War (Los Desastres de la Guerra): Will she rise again? (Si resucitara?), 1810-20, published 1863

Background imageGoya Francisco De Collection: Plate 78 from The Disasters of War (Los Desastres de la Guerra

Plate 78 from The Disasters of War (Los Desastres de la Guerra): He defends himself well. (Se defiende bien.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 77 from The Disasters of War (Los Desastres de la Guerra

Plate 77 from The Disasters of War (Los Desastres de la Guerra): May the cord break. (Que se rompe la cuerda.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 76 from The Disasters of War (Los Desastres de la Guerra

Plate 76 from The Disasters of War (Los Desastres de la Guerra): The carnivorous vulture. (El buitre carnivoro.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 72 from The Disasters of War (Los Desastres de la Guerra

Plate 72 from The Disasters of War (Los Desastres de la Guerra): The Consequences. (Las resultas.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 75 from The Disasters of War (Los Desastres de la Guerra

Plate 75 from The Disasters of War (Los Desastres de la Guerra): Charlatans show. (Farandula de charlatanes.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 73 from The Disasters of War (Los Desastres de la Guerra

Plate 73 from The Disasters of War (Los Desastres de la Guerra): Feline pantomime. (Gatesca pantomima.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 71 from The Disasters of War (Los Desastres de la Guerra

Plate 71 from The Disasters of War (Los Desastres de la Guerra): Against the common good. (Contra el bien general.), after 1814-15 (published 1863)

Background imageGoya Francisco De Collection: Plate 69 from The Disasters of War (Los Desastres de la Guerra): Not

Plate 69 from The Disasters of War (Los Desastres de la Guerra): Nothing. The event will tell. (Nada. Ello dira.), 1810-20, published 1863



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