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Florentine Collection (page 3)

Background imageFlorentine Collection: Palazzo Davanzati, Main room on Third Floor, 1928

Palazzo Davanzati, Main room on Third Floor, 1928. From Old Furniture, Volume III. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd. London, 1928]

Background imageFlorentine Collection: Interior Palazzo Davanzati, Florence. With Two 16th Century Tables, 1928

Interior Palazzo Davanzati, Florence. With Two 16th Century Tables, 1928
Interior Palazzo Davanzati, Florence. With Two 16th Century Tables (North Italian and Tuscan), 1928. From Old Furniture, Volume III. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd

Background imageFlorentine Collection: Statue of Neptune, Fonte del Nettuno in the Piazza della Signoria, Florence, Italy

Statue of Neptune, Fonte del Nettuno in the Piazza della Signoria, Florence, Italy. The marble sculpture of the Fountain of Neptune was created by Bartolomeo Ammanati between 1565 and 1575

Background imageFlorentine Collection: Statue of Cosimo de Medici, Piazza della Signoria, Florence, Italy

Statue of Cosimo de Medici, Piazza della Signoria, Florence, Italy. A member of the Medici political dynasty that ruled Florence during much of the Renaissance period

Background imageFlorentine Collection: Statue of David, Accademia Gallery, Florence, Italy

Statue of David, Accademia Gallery, Florence, Italy. One of Michelangelos greatest masterpieces, his sculpture of David was unveiled in 1504

Background imageFlorentine Collection: River Arno and Ponte Vecchio from Piazzale Michelangelo, Florence, Italy

River Arno and Ponte Vecchio from Piazzale Michelangelo, Florence, Italy. The Ponte Vecchio (Old Bridge) over the River Arno was built in the 14th century, predominantly by Taddeo Gaddi

Background imageFlorentine Collection: Portrait of a Girl, c1490, (c1915)

Portrait of a Girl, c1490, (c1915). Formerly attributed to Bastiano Mainardi (1460-1513). The painting is held by the National Gallery, London

Background imageFlorentine Collection: Cosimo I de Medici, Grand Duke of Tuscany, 1544 (1894). Artist: Niccolo dalla Casa

Cosimo I de Medici, Grand Duke of Tuscany, 1544 (1894). Artist: Niccolo dalla Casa
Cosimo I de Medici (1519-1574), Grand Duke of Tuscany, 1544 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageFlorentine Collection: Portrait of a Girl, 1490 (1930). Artist: Workshop of Domenico Ghirlandaio

Portrait of a Girl, 1490 (1930). Artist: Workshop of Domenico Ghirlandaio
Portrait of a Girl, 1490. Painting held in The National Gallery, London. From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

Background imageFlorentine Collection: Portrait of a Young Florentine Nobleman, c15th century, (1907). Artist: Sandro Botticelli

Portrait of a Young Florentine Nobleman, c15th century, (1907). Artist: Sandro Botticelli
Portrait of a Young Florentine Nobleman, c15th century. From The Connoisseur Vol. XVIII [Otto Limited, London, 1907.]

Background imageFlorentine Collection: Canzone A Ballo, 1568, (1917)

Canzone A Ballo, 1568, (1917)
Canzone A Ballo, 1568. Written by Lorenzo de Medici (1449-1492) and Angelo Poliziano (1454-1494). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Background imageFlorentine Collection: The Art of Weaving, relief on the Duomo, Florence, Italy, mid 14th century (1925). Artist: Giotto

The Art of Weaving, relief on the Duomo, Florence, Italy, mid 14th century (1925). Artist: Giotto
The Art of Weaving, relief on the Duomo, Florence, Italy, mid 14th century (1925). One of the reliefs on the campanile of the Cathedral of Florence

Background imageFlorentine Collection: The Vintage and Drunkenness of Noah, 1469-1484 (1870). Artist: Franz Kellerhoven

The Vintage and Drunkenness of Noah, 1469-1484 (1870). Artist: Franz Kellerhoven
The Vintage and Drunkenness of Noah, 1469-1484 (1870). After a copy belonging to Mr Ambroise Firmin Didot. From the Camposanto, Pisa

Background imageFlorentine Collection: Birth of the Virgin, 1514 (1870). Artist: E Thomas

Birth of the Virgin, 1514 (1870). Artist: E Thomas
Birth of the Virgin, 1514 (1870). After the painting by Andrea del Sarto in the Basilica della Santissima Annunziata, Florence

Background imageFlorentine Collection: Madonna del sacco ( Madonna with the Sack ), 1525 (1870). Artist: Franz Kellerhoven

Madonna del sacco ( Madonna with the Sack ), 1525 (1870). Artist: Franz Kellerhoven
Madonna del sacco ( Madonna with the Sack ), 1525 (1870). Found in the Basilica della Santissima Annunziata, Florence. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Background imageFlorentine Collection: Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870). Artist: Perrichon

Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870). Artist: Perrichon
Triumph of St Thomas Aquinas over the Heretics, 1489-1491 (1870). After the painting by Filippino Lippi in the collection of the Santa Maria sopra Minerva, Rome

Background imageFlorentine Collection: Obsequies of St Francis, 1482-1485 (1870). Artist: Franz Kellerhoven

Obsequies of St Francis, 1482-1485 (1870). Artist: Franz Kellerhoven
Obsequies of St Francis, 1482-1485 (1870). Found in the collection of the Santa Trinita, Florence. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageFlorentine Collection: The Calumny of Apelles, 1494-1495 (1870). Artist: Franz Kellerhoven

The Calumny of Apelles, 1494-1495 (1870). Artist: Franz Kellerhoven
The Calumny of Apelles, 1494-1495 (1870). Botticelli spainting is based on a picture by the Ancient Greek artist Apelles. Found in the collection of the Galleria degli Uffizi, Florence

Background imageFlorentine Collection: Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin

Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin
Martyrdom of St Sebastian, 1473-1475 (1870). After the painting by Antonio Pollaiolo in the collection of the National Gallery, London

Background imageFlorentine Collection: The Baptism of Christ, 1472-1475 (1870)

The Baptism of Christ, 1472-1475 (1870). The left hand angel and parts of the background landscape are believed to be the work of a young Leonardo da Vinci, who was in Verrocchios studio at the time

Background imageFlorentine Collection: Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven

Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven
Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Found in the collection of the Louvre. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageFlorentine Collection: Madonna delle ombre ( Madonna of the Shadows ), c1450 (1870). Artist: Franz Kellerhoven

Madonna delle ombre ( Madonna of the Shadows ), c1450 (1870). Artist: Franz Kellerhoven
Madonna delle ombre ( Madonna of the Shadows ), c1450 (1870). Found in the collection of the Museo di San Marco, Florence, Italy

Background imageFlorentine Collection: The Coronation of the Virgin, c1430-1432 (1870). Artist: Monvoisin

The Coronation of the Virgin, c1430-1432 (1870). Artist: Monvoisin
The Coronation of the Virgin, c1430-1432 (1870). After the painting by Fra Angelico in the collection of the Louvre. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageFlorentine Collection: Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Artist: Franz Kellerhoven

Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Artist: Franz Kellerhoven
Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Fresco in the Cappella Scrovegni (Arena Chapel), Padua

Background imageFlorentine Collection: Night from the tomb of Julian de Medici, San Lorenzo Basilica, Florence, Italy, 1882

Night from the tomb of Julian de Medici, San Lorenzo Basilica, Florence, Italy, 1882. This is one of the figures that adorns the Medici Tomb commissioned by Pope Clement VII in 1520

Background imageFlorentine Collection: Piazza and church of Santa Maria Novella, Florence, Italy, 1882

Piazza and church of Santa Maria Novella, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Background imageFlorentine Collection: The church and piazza of Santa Croce Basilica, Florence, Italy, 1882

The church and piazza of Santa Croce Basilica, Florence, Italy, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Background imageFlorentine Collection: Marsilio Ficino (1433-1499), Italian humanist philosopher, 1882

Marsilio Ficino (1433-1499), Italian humanist philosopher, 1882. Ficino was one of the most influential humanist philosophers of the early Italian Renaissance, an astrologer

Background imageFlorentine Collection: The tomb of the last of the Medici family, San Lorenzo Basilica, Florence, Italy, 1882

The tomb of the last of the Medici family, San Lorenzo Basilica, Florence, Italy, 1882
The tomb of the last of the Medici family, Chapel of the Medici, San Lorenzo Basilica, Florence, Italy, 1882. From Florence, by Charles Yriarte

Background imageFlorentine Collection: The Ponte Santa Trinita, Florence, Italy, 19th century. Artist: J Redaway

The Ponte Santa Trinita, Florence, Italy, 19th century. Artist: J Redaway
The Ponte Santa Trinita, Florence, Italy, 19th century. The Ponte Santa Trinita is a Renaissance bridge spanning the Arno and is the oldest elliptic arch bridge in the world

Background imageFlorentine Collection: Florentine plebeian and henchman, 14th century (1849)

Florentine plebeian and henchman, 14th century (1849)
Florentine plebeian and henchman, 16th century (1849). A 19th century version based on an original 14th century engraving

Background imageFlorentine Collection: Dante Alighieri (1265-1321), Italian Florentine poet, 1924

Dante Alighieri (1265-1321), Italian Florentine poet, 1924
Dante Alighieri (1265-1321), Italian Florentine poet. Dantes greatest work, la Divina Commedia (The Divine Comedy), is considered the greatest literary statement produced in Europe during the Middle

Background imageFlorentine Collection: Studies of saints, attributed to Orcagna, 1913. Artist: Andrea Orcagna

Studies of saints, attributed to Orcagna, 1913. Artist: Andrea Orcagna
Studies of saints, attributed to Orcagna, 1913. Andrea di Cione di Arcangelo (c1308-1368) was a Florentine painter, sculptor and architect

Background imageFlorentine Collection: Portrait of Fra Lippo Lippi, Florentine Renaissance painter, 15th century (1882)

Portrait of Fra Lippo Lippi, Florentine Renaissance painter, 15th century (1882). A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

Background imageFlorentine Collection: The facade of the Ammanati, Pitti Palace, Florence, Italy, 1882

The facade of the Ammanati, Pitti Palace, Florence, Italy, 1882. As seen from the gardens. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Background imageFlorentine Collection: The tomb of Julian de Medici in the new vestry of San Lorenzo Basilica, Florence, 1882

The tomb of Julian de Medici in the new vestry of San Lorenzo Basilica, Florence, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Background imageFlorentine Collection: Leopoldo de Medici (1617-1675) in his cradle, 1882

Leopoldo de Medici (1617-1675) in his cradle, 1882. Leopoldo de Medici was an Italian Cardinal, scholar and patron of the arts. He was the brother of Ferdinando II de Medici, Grand Duke of Tuscany

Background imageFlorentine Collection: Raphael, Italian Reanaissance artist, (c1836). Artist: J Thomson

Raphael, Italian Reanaissance artist, (c1836). Artist: J Thomson
Raphael, Italian Reanaissance artist, (c1836). Raphael or Raffaello of Urbino (1483-1520) was a master painter and architect of the Florentine school in the Italian High Renaissance

Background imageFlorentine Collection: The young Galileo and Ostilio Ricci, (20th century)

The young Galileo and Ostilio Ricci, (20th century). Ricci (1540-1603) was court mathematician to Grand Duke Francesco of Tuscany

Background imageFlorentine Collection: Cardinal Antonellis Casket, 19th century. Artist: John Burley Waring

Cardinal Antonellis Casket, 19th century. Artist: John Burley Waring
Cardinal Antonellis Casket, 19th century. By Florentine of Rome

Background imageFlorentine Collection: Fra Bartolomeo della Porta, Florentine Renaissance artist

Fra Bartolomeo della Porta, Florentine Renaissance artist. A Dominican friar, Fra Bartolomeo (1472-1517) was a painter of religious subjects

Background imageFlorentine Collection: Dante Alighieri, Italian Florentine poet, (1903)

Dante Alighieri, Italian Florentine poet, (1903). Dantes (1265-1321) greatest work, la Divina Commedia (The Divine Comedy)

Background imageFlorentine Collection: Fra Angelico, early Italian Renaissance painter, (1870)

Fra Angelico, early Italian Renaissance painter, (1870). An engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix, (London, 1870)

Background imageFlorentine Collection: The Virgin and Child, c1475-1500, (1912). Artist: Sandro Botticelli

The Virgin and Child, c1475-1500, (1912). Artist: Sandro Botticelli
The Virgin and Child, c1475-1500, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageFlorentine Collection: Raphael or Raffaello, master painter and architect of the Florentine School, (1825)

Raphael or Raffaello, master painter and architect of the Florentine School, (1825). Artist: John Corner
Raphael or Raffaello, master painter and architect of the Florentine School, (1825). An engraving from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageFlorentine Collection: The Annunciate Virgin and Archangel Gabriel, 1490. Artist: Sandro Botticelli

The Annunciate Virgin and Archangel Gabriel, 1490. Artist: Sandro Botticelli
The Annunciate Virgin and Archangel Gabriel, 1490. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageFlorentine Collection: The Tribute Money, 1425. Artist: Masaccio Tommaso

The Tribute Money, 1425. Artist: Masaccio Tommaso
The Tribute Money, 1425. In an attempt to entrap Jesus, the Pharisees sent men to ask if it was right for Jews to pay taxes to the Romans

Background imageFlorentine Collection: The Annunciation, early 1490s. Artist: Filippino Lippi

The Annunciation, early 1490s. Artist: Filippino Lippi
The Annunciation, early 1490s. Found in the collection of the State Hermitage, St Petersburg



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