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Ferdinand Sere Collection (page 7)

Background imageFerdinand Sere Collection: The Mezquita, Cordoba, Spain, 1849. Artist: A Bisson

The Mezquita, Cordoba, Spain, 1849. Artist: A Bisson
The Mezquita, Cordoba, Spain, 1849. The Mezquita was originally built to be a warehouse/temple/lighthouse. It later became the second-largest mosque in the world

Background imageFerdinand Sere Collection: Representation of The Last Supper on enamelled copper, 16th century (1849)

Representation of The Last Supper on enamelled copper, 16th century (1849). Artist: Franz Kellerhoven
Representation of The Last Supper on enamelled copper, 16th century (1849). A 19th century version based on an original 16th century engraving found in the collection of Mr Quedeville, Paris

Background imageFerdinand Sere Collection: Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin

Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin
Saint Catherine of Alexandria, 15th century (1849). Catherine is a Christian saint and martyr claimed to have been a noted scholar in the early 4th century

Background imageFerdinand Sere Collection: English battle dress, 15th-16th century (1849). Artist: Edward May

English battle dress, 15th-16th century (1849). Artist: Edward May
English battle dress, 15th-16th century (1849). Featuring English noblemen, 1426; a banneret of the king, 1550; an archer of Edward IV, an English arquebusier, 1450 and Richard de Beauchamp

Background imageFerdinand Sere Collection: Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres

Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres
Womens hats of different classes of society, 13th-16th century (1849). A 19th century version based on original 13th-16th century manuscript illustrations

Background imageFerdinand Sere Collection: Torture, 1541 (1849). Artist: A Bisson

Torture, 1541 (1849). Artist: A Bisson
Torture, 1541 (1849). The Estrapade. A 19th century version based on an original manuscript illustration in Praxis Criminis Persequendi

Background imageFerdinand Sere Collection: Sculptor, 16th century (1849). Artist: Jost Amman

Sculptor, 16th century (1849). Artist: Jost Amman
Sculptor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageFerdinand Sere Collection: The palace, 16th century (1849)

The palace, 16th century (1849). A 19th century version of an original 16th century engraving found in the collection of the Cabinet des Estampes, Bibliotheque Nationale de France, Paris

Background imageFerdinand Sere Collection: The cook, 16th century (1849). Artist: Jost Amman

The cook, 16th century (1849). Artist: Jost Amman
The cook, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageFerdinand Sere Collection: Doctors at the Universite de Paris, 1849. Artist: Edward May

Doctors at the Universite de Paris, 1849. Artist: Edward May
Doctors at the Universite de Paris, 1849. A 19th century version of an original miniature from Chants Royaux, held at the Bibliotheque Nationale de France, Paris

Background imageFerdinand Sere Collection: Basin maker, 16th century (1849). Artist: Jost Amman

Basin maker, 16th century (1849). Artist: Jost Amman
Basin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud



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