Ferdinand Sere Collection (page 3)

Grand Swiss provost marshal, 15th century (1849). Originally from a painting in Danse des Morts, by Bale. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Costumes of the period of King Louis XII of France, 15th century (1849). Artist: Dumont
Costumes of the period of King Louis XII of France, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Nationale, Paris

Swiss courier, 15th century (1849). Originally from a statue on the Hotel de ville de Bale. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

A young noble of the court of King Charles VIII of France, c15th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Bibliotheque Nationale

Marie de Bourgogne, daughter of Charles le Temeraire, 16th century (1849). A 19th century version based on an original 16th century engraving held by the Cabinet des Estampes, Bibliotheque Nationale

Noble women and children, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in Merveilles du Monde, held by the Bibliotheque Nationale, Paris

A noblewoman, servant and member of the bourgeoisie, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in Merveilles du Monde

Clotaire I (497-560), King of the Franks, 1849
Clotaire I (497-560), King of the Franks, 1846. Originally from his tomb at the portal of the church of St Germain des Pres

King Charles V of France (1337-1380) and Joanna of Bourbon (1338-1378), 1849. Originally after their statues at the Church of Celestins, Paris

King Louis VII of France (1120-1180), 16th century (1849). A 19th century version based on an original 16th century manuscript illustration in the Rois de France, by du Tillet

Charles the Simple (879-929), 16th century (1849). Also known as Charles III. A 19th century version based on an original 16th century manuscript illustration in the Rois de France, by du Tillet

Statue of Childebert, 13th century (1849). Originally from the refectory of the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Childeberts tomb, 11th century (1849). Originally from his tomb at the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Childeric II (c653-675), 12th century (1849). Originally from his tomb at the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

King Clotaire II (584-629) and Bertude (575-604), 12th century (1849). A 19th century version based on images on their tombs in St Germain des Pres

North front of the Hotel des Ursins, Paris, c17th century (1849). The hotel was built during the 14th century, restord in the 16th century and iwas destroyed some time after that

A bourgeoise, a peasant and a noble women, 14th century (1849). Artist: A Bisson
Bourgeoise, peasant and noble women, 14th century (1849). A 19th century version based on original painted windows in the church of Moulins, Bourbonnais, France

A young nobleman and of a member of the bourgeoisie, 14th century (1849). A 19th century version based on an original painted window in the church of St Oen, Rouen, and from a window at Moulins

Barber, 16th century (1849). Artist: Jost Amman
Barber, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Bookbinder, 16th century (1849). Artist: Jost Amman
Bookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coppersmith, 16th century (1849). Artist: Jost Amman
Coppersmith, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Spur maker, 16th century (1849). Artist: Jost Amman
Spur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coin maker, 16th century (1849). Artist: Jost Amman
Coin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Goldbeater, 16th century (1849). Artist: Jost Amman
Goldbeater, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Jean Jouvenel des Ursins his wife, Michelle de Vitry, praying, 14th or 15th century (1849)
Jean Jouvenel des Ursins and his wife, Michelle de Vitry, praying, 14th or 15th century (1849). Jouvenel des Ursins (c1360-1431) was provost of the merchants of Paris

Miner, 16th century (1849). Artist: Jost Amman
Miner, 16th century (184). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Dentist, 16th century (1849). Artist: Jost Amman
Dentist, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The bourgeoisie of Gand praying, 15th century (1846). A 19th century version based on an original 15th century stained glass window

Tailor, 16th century (1849). Artist: Jost Amman
Tailor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cobbler, 16th century (184). Artist: Jost Amman
Cobbler, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wheelwright, 16th century (1849). Artist: Jost Amman
Wheelwright, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cooper, 16th century (1849). Artist: Jost Amman
Cooper, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Carpenters, 16th century (1849). Artist: Jost Amman
Carpenters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Inside the physicians house, 15th century (1849). Artist: A Bisson
Inside the physicians house, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Othea, held by the Royal Library, Brussels

Dyer, 16th century (1849). Artist: Jost Amman
Dyer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Bell and cannon caster, 16th century (1849). Artist: Jost Amman
Bell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Armourer, 16th century (1849). Artist: Jost Amman
Armourer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The new-born child, 15th century (1849). Artist: A Bisson
The new-born child, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in the Histoire de la Belle Helaine, held by the Royal Library, Brussels

Philip the Good (1396-1467), Duke of Burgundy, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Nationale, Paris

Louis de Mallet, Lord of Graville and Admiral of France, 16th century (1849). Seen here in a war and tournament costume. A 19th century version based on an original 16th century engraving in

A knight and a lady, 15th century (1849). Artist: A Bisson
A knight and a lady, 15th century (1849). Private quarters in a chateau in the Court of Burgundy, France. A 19th century version based on an original 15th century manuscript illustration in Othea

Leonardo da Vinci (1452-1519), 16th century (1849). Da Vinvi was an Italian artist, engineer, scientist and inventor whose drawings featured ideas such as a spinning wheel and a flying machine

Chateau de Marcoussis, Paris, France, 17th century (1849)
Chateau de Marcoussis, Paris, France, 17th century (1846). A 19th century version based on an original 17th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale

Equestrian statue of King Philip le Bel, 1575 (1849)
Statue of King Philip le Bel, 1575 (1849). Wooden equestrian statue placed in Notre Dame Cathedral, Paris, 1328, destroyed in 1772

Costumes of the Bourgeoisie, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 6820), held by the Bibliotheque Nationale, Paris

Playing chess, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 7266), held by the Bibliotheque Nationale, Paris

A royal banquet, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in l Histoire de St Graal (ms. no 6769), held by Bibliotheque Nationale, Paris

A knight and a maiden, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in Psautier Latin (ms. no 175), held by the Bibliotheque Nationale, Paris

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