Expression Collection (page 12)

Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 71: Same head as in Plate 70, 1854-56, printed 1862

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862

Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 73: Head of Niobe, 1854-56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862

Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862

Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862

Figure 4: The face in repose of a young man, 1854-56, printed 1862

Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862

Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862

Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862

Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862

Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering, 1854-56, printed 1862

Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Figure 25: Not an expression of pain, 1854-56, printed 1862

Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Faradisation du muscle frontal, 1854-56, printed 1862

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862

Figure 22: No painful expression, 1854-56, printed 1862

Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862

Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862

Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 45: Pain and despair. 1854-56, printed 1862

Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Figure 75: Nun saying her prayers, 1854-56, printed 1862

Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 62: Terror, semiprofile, 1854-56, printed 1862

Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862

Figure 16: Expression of severity, 1854-56, printed 1862

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban Tournachon
Electro-Physiologie, Figure 64, 1854-56, printed 1862

Copy of a Lithographic Print, before May 1844. Creator: William Henry Fox Talbot
Copy of a Lithographic Print, before May 1844

The Laughing Audience, December 1733. December 1733. Creator: William Hogarth
The Laughing Audience, December 1733

Characters and Caricaturas, April 1743. April 1743. Creator: William Hogarth
Characters and Caricaturas, April 1743

Portrait of Marie, daughter of Willem Moreel, 1480. Creator: Hans Memling
Portrait of Marie, daughter of Willem Moreel, 1480. Portrait known as Sibylla Sambetha. Attempts to associate Mary Moreel have been rejected as she would have been too young in 1480 to be the woman

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

The Lecture, 1808, (1827). Creator: Thomas Cook
The Lecture, 1808, (1827). A group of Oxford scholars listen to William Fisher, Registrar of the University. Engraving after Scholars at a lecture of 1736 by Hogarth

Man with expression of horror, 18th century? Creator: Unknown
Man with expression of horror, 18th century? Horrour causes the eye brows to be knit, & sinks a great deal more; the eye balls placed at the bottom of the eyes are half cover d by the lower eye lids

The Laughing Audience, 1733, (1830s). Creator: Unknown
The Laughing Audience, 1733, (1830s). Scene in a theatre: men and women flirting (above), and the audience reacts to the play (below). Metal spikes separate them from the orchestra pit. [Jones & Co

The Lecture, 1736, (1830s). Creator: Unknown
The Lecture, 1736, (1830s). A group of Oxford scholars listen to William Fisher, Registrar of the University. Facsimile of Scholars at a lecture. [Jones & Co. Finsbury Square, London]

Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, London, 1826
Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, Greenwich, London, 1826. He is dressed in uniform and exudes an imposing air through expression

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